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CNET's Steve Guttenberg ("The Audiophiliac") profiles prolific audio engineer and general music industry do-it-all Steve Albini; Albini (who's worked on literally thousands of albums with musicians across a wide range of genres) has interesting things to say about compression, the rise of home-recording ("The majority of recordings will be crappy, low-quality recordings, but there will always be work for engineers who can do a good job, because there will always be people who appreciate good sound."), and why he still prefers to record to analog tape. (Note: Albini is justly famous not just for his production work, but in particular for his essay "The Problem with Music.")

JamesD_UK writes "John Kennedy, President and COO of Universal Music is to succeed Jay Berman as Chairman of the IFPI, the worldwide equivalent to the RIAA. Andrew Orlowski of The Register has written an article covering John Kennedy's views on copyright infringement and the public domain. Although Kennedy's thoughts on the former are predictable, he has vowed to fight hard to extend European recording copyrights past the current fifty year term. An extension of the European term to match the US would be particularly damaging to the public domain and efforts such as the Internet Archive as well as increasing the control that the recording industry holds over performers. For those interested, I run a small blog of articles regarding copyright recordings."

jwlidtnet writes "According to MTV, Dr. Dre has lost a lawsuit filed over a presumably-uncleared sample on his last album (Dre still hopes to appeal). This is certainly not the first time that something like this has happened: in the mid-nineties, British band The Verve were forced to pay all royalties from their song Bittersweet Symphony (*and* alter song credits) after Allen Klein--who owns the rights to the 1960's Stones catalogue--discovered that the song used a sample from an orchestral recording of "The Last Time." Thing is, though, that many groups believe that such lawsuits shouldn't occur except in the most blatant circumstances; among these groups, Musicians Against the Copyrighting of Samples and the group Negativland are perhaps the most outspoken. Should samples be protected by copyright, or should artists/musicians have the right to manipulate the old into the new?"

Snowfox writes: "Crosley Bendix, Director Of Stylistic Premonitions, U.M.N., has this excellent article explaining Squant, the fourth primary color. He managed to get his hands on a new Apple Quicktake 1500sq, in advance of the US release, to snap some photos. You can view them with the plugins available on the site. -- Sorry, no Linux plugins. :( -- Seeing a new color jumping off your screen is a real head trip though. Just try and imagine a color you may well have never seen before." While it's true that no Linux plugins exist yet, a GIMP plug-in can't be far away. Considering Squant's olfactory characteristics, that might not be the greatest idea, though.

Michael Plump writes "Once again, Negativland is in the middle of a battle regarding the music industries' anti-creativity outlook on copyright laws. But it has never gone this far before. The RIAA issued "guidelines" to CD Pressing Plants resulting in Negativland's long-time CD manufacturer to refuse to press their latest release, rather than trying to settle the matter in court. The effects of this could be scary. The story was reported on Morning Edition this morning. "