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Isao Takahata, co-founder of the prestigious Japanese animator Studio Ghibli, which stuck to a hand-drawn "manga" look in the face of digital filmmaking, has died. He was 82. From a report: Takahata started Ghibli with Oscar-winning animator Hayao Miyazaki in 1985, hoping to create Japan's Disney. He directed "Grave of the Fireflies," a tragic tale about wartime childhood, and produced some of the studio's films, including Miyazaki's 1984 "Nausicaa of the Valley of the Wind," which tells the horror of environmental disaster through a story about a princess. Takahata died Thursday of lung cancer at a Tokyo hospital, the studio said in a statement Friday.

He was fully aware of how the floating sumie-brush sketches of faint pastel in his works stood as a stylistic challenge to Hollywood's computer-graphics cartoons. In a 2015 interview with The Associated Press, Takahata talked about how Edo-era woodblock-print artists like Hokusai had the understanding of Western-style perspective and the use of light, but they purposely chose to depict reality with lines, and in a flat way, with minimal shading. "Pom Poko", a movie released in 1994, is often considered the best work of Takahata. The New York Times described it as, "a comic allegory about battling packs of tanuki (Japanese raccoon dogs) joining forces to fight human real estate developers. It's earthy and rollicking in a way that his co-founder's films aren't." In an interview with Wired in 2015, when Takahata was asked what he felt about people regarding him as the heart of Studio Ghibli. "Now you've both finished your final films, what are your feelings on Ghibli's legacy and reputation?, the interviewer asked. Takahata said, "I'm not sure I can respond in any meaningful way. What Hayao Miyazaki has built up is the greatest contribution. The existence of that thick trunk has allowed leaves to unfurl and flowers to bloom to become the fruitful tree that is Studio Ghibli."

Further reading: Isao Takahata's stark world of reality (The Japan Times).

Quentin Tarantino reportedly has a pitch for a Star Trek film, and he has shared his vision with J.J. Abrams. According to Hollywood Reporter, "Tarantino and Abrams have plans to bring together a writers room to develop a film at Star Trek studio Paramount. Tarantino has an eye to direct the potential project." From the report: Abrams rebooted the franchise with 2009's Star Trek and also helmed 2013's Star Trek Into Darkness, before pivoting to Lucasfilm's Star Wars: The Force Awakens. He remains a producer on the Star Trek franchise even as he readies 2019's Star Wars: Episode IX. Paramount previously stated it was developing a fourth Star Trek film to star Chris Hemsworth as Captain Kirk's (Chris Pine) father, but no director has been attached and it's unclear where this Tarantino development leaves the project. The latest installment, Justin Lin's Star Trek Beyond (2016), was well-liked by critics but earned just $343.4 million worldwide, the lowest in the rebooted universe. In a 2015 Nerdist podcast interview, Tarantino revealed that he would be more likely to direct a Star Trek film over a Star Wars pic, noting he was a big fan of the original series.

Between the events of Blade Runner and Blade Runner 2049, much has happened in the dystopian, neo-Los Angeles future, including the era of replicant prohibition. To help bridge the first Blade Runner, which was released in 1982, with Blade Runner 2049, director Luke Scott has created a short film (YouTube) that examines Niander Wallace's role in the decision to overturn the prohibition ruling. From an article, shared by several readers: As explained by Blade Runner 2049 director Denis Villeneuve in the introduction for this video, he invited a few filmmakers to create three shorts that set the stage for his film. Blade Runner 2036: Nexus Dawn was directed by Luke Scott, and it reveals that Replicant technology was outlawed in the intervening years. That can't be considered too much of a surprise, considering the Replicants of 2019 were able to elude conventional detection. The short officially introduces Jared Leto's Niander Wallace, as he makes a personal request to repeal the anti-Replicant laws. In reality, Wallace had no intention of abiding by those rules, and he's already created at least one new Replicant whom he describes as an "angel." Intriguingly, Wallace argues that the new Replicants are necessary for humanity's survival in the off-world colonies, and he promises that his Replicants will never rebel and will only obey. But we've heard that promise before! And it never ends well.