Slashdot Mirror
Domain: scottmccloud.com
Stories and comments across the archive that link to scottmccloud.com.
Stories · 10
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BitPass: Micropayment That Seems To Work
Omega1045 writes "I have been following the story of BitPass for some time now. The micropayment solution provider has been featured on Slashdot before. That article focused on Scott McCloud, and his comic The Right Number. Since that story, BitPass has added a number of sites using their service. From this netizen, it looks like the idea is really taking off. Some news sources (NJ.com, SiliconValley.com) have noticed how this micropayment trend has progressed to include well known services like iTunes. I really like the idea of the artist getting a fair cut of the profits at BitPass." -
BitPass: Micropayment That Seems To Work
Omega1045 writes "I have been following the story of BitPass for some time now. The micropayment solution provider has been featured on Slashdot before. That article focused on Scott McCloud, and his comic The Right Number. Since that story, BitPass has added a number of sites using their service. From this netizen, it looks like the idea is really taking off. Some news sources (NJ.com, SiliconValley.com) have noticed how this micropayment trend has progressed to include well known services like iTunes. I really like the idea of the artist getting a fair cut of the profits at BitPass." -
Responses to Clay Shirky on Micropayments
FrnkMit writes "Others besides Slashdotters have responded to Clay Shirky's latest article on Micropayments, including long-time micropayment booster Scott McCloud and the MIT Technology Review." -
The Rebirth of Comics
Malfourmed writes "The Sydney Morning Herald is running a story on web based comics and how the new medium can change the traditional "left-to-right in a rectangular frame" paradigm. Concentrating on the work of Scott McLoud it also mentions geek favourites Dilbert and The Matrix, among others. Micropayments are discussed, with the article claiming that after you pay your 25 cents "most of which goes straight to McCloud, cutting out the middlemen that make it difficult for comic artists to make a living from their work, and in the process doing justice to their talents." One of the more interesting sites discussed is the Oz Comics 24 Hour Gallery, the result of a competition in which artists had 24 hours to create an original, 24-page comic. So popular was the contest that the server suffered from a veritable slashdot effect." -
Scott McCloud Tries Webcomic Micropayment
jaime g. wong writes "Scott McCloud's latest comic, 'The Right Number', is finally available online... for just 25 cents! McCloud has discussed the concept of micropayment for online comics before; let's all hope this idea, using BitPass technology, will succeed." There's more info via a a Comic Book Resources article, and Tycho over at Penny Arcade also has opinions on the micropayment route: "..if you have enough readers who care about your work to go through all that rigmarole, you could succeed with any business model... I see it as a model for compensation, lined up with the other models for compensation, like at the police station." -
Scott McCloud Tries Webcomic Micropayment
jaime g. wong writes "Scott McCloud's latest comic, 'The Right Number', is finally available online... for just 25 cents! McCloud has discussed the concept of micropayment for online comics before; let's all hope this idea, using BitPass technology, will succeed." There's more info via a a Comic Book Resources article, and Tycho over at Penny Arcade also has opinions on the micropayment route: "..if you have enough readers who care about your work to go through all that rigmarole, you could succeed with any business model... I see it as a model for compensation, lined up with the other models for compensation, like at the police station." -
Scott McCloud Tries Webcomic Micropayment
jaime g. wong writes "Scott McCloud's latest comic, 'The Right Number', is finally available online... for just 25 cents! McCloud has discussed the concept of micropayment for online comics before; let's all hope this idea, using BitPass technology, will succeed." There's more info via a a Comic Book Resources article, and Tycho over at Penny Arcade also has opinions on the micropayment route: "..if you have enough readers who care about your work to go through all that rigmarole, you could succeed with any business model... I see it as a model for compensation, lined up with the other models for compensation, like at the police station." -
Slashback: Shooters, Ire, Boldness
More inspiration tonight for anyone planning a low-key entry to space, eyeball feed to celebrate Quake's semi-decennial, and a bit more on Scott McCloud's comic arguments.Alternate title: Natural Born Fraggers JamesColburn writes: "I just noticed your article on the 5th anniversary of Quake. I spent much of last year with a couple of friends making a 40 min documentary on the game, the gamers and pro game playing ... Broke my bank. But it was worth it."
Are there prizes for other letters, too? gagganator writes: "If you thought that American aiming for space was headed for the darwin awards, check out this brit who seems destined to beat him (to the darwin awards, that is)."
The ten-million dollar X-prize is a pretty good incentive for early adopters, but I might wait until Boeing has done a few test flights, introduced frequent flyer miles, etc, rather than just sit among four strapped-together rocket engines.
If you must draw conclusions, draw them like this. Sudderth writes: "Scott McCloud has posted a reaction to the 'backlash' against his online comic about micropayments."
McCloud wrote and drew what is probably the best explanation of and argument for micropayments as applied to comics (in two parts -- here are the slashdot posts about the first and second parts) that I've ever seen. Seems like not everyone agrees.
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Scott McCloud on Comics and the Internet, part 2
strredwolf writes: "Scott McCloud, author of Understanding Comics and Reinventing Comics, posted up his latest I Can't Stop Thinking comic essay. In it, he continues on his "Coins of the Realm" series on Micropayments, citing the RIAA in price gouging (records costing $15, but tapes $2 a pop), and using Napster as an example on how to "put it to the man" by charging only 15 cents/song, and sending all the money over to the artists themselves. He also points to Scott Kurtz PvP, and how if every viewer chipped in 25 cents, and accounting for hosting and handling costs, Kurtz would be on a $73,000/year payrole! Interesting arguments. Saw on the PvP site." We linked to the prior essay as well, if you missed it. -
Avoiding The Content Apocalypse?
ObligatoryUserName asks: "Recently, a gaggle of Amazon Honor System, and PayPal logos (or cheeky text equivalents) have been proliferating on a number of great, beloved and/or famous/infamous web sites. While still other sites are turning to membership programs. The advertising model seems to have failed (or is in the process of failing) and according to yesterday's great interview, micropayments aren't going to work out either. So, I was wondering, how can we save these sites? Is the major cost bandwidth? (Sites with bandwidth sponsors seem, so far, less likely to ask for micropayments.) Is most of the money going to the salaries of content creators? If some non-profit organization or the government (as per PBS) were to pay for bandwidth for exceptional/popular sites, how much would it help?" It's a decent question, and one that I keep bringing up because a workable solution has yet to present itself. Before, the chorus was micropayments (as the minor chord chimes in with the yet-to-be-tested Street Performer's Protocol). With micropayments in doubt, what other routes can sites follow for the funding they need to exist?