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Domain: studiodaily.com
Stories and comments across the archive that link to studiodaily.com.
Stories · 2
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Autodesk To Follow Adobe's 'Rent Our Software' Business Model?
dryriver writes "Autodesk will detail in October an 'evolution' of its business model that includes more options to rent its software, rather than buying it, CEO Carl Bass said in an earnings conference call yesterday. Bass promised an array of new rental options by the end of the year that he said will give customers more subscription options and increase the predictability of the company's revenue over time. Bass stressed that Autodesk wasn't upending its existing model, but augmenting it. 'Recall that, just 10 years ago, we added subscription maintenance to our revenue stream,' he said. 'That was a big change at the time, and there was no shortage of skeptics. Today, that's a billion-dollar business and represents over 40% of our revenue. Suffice it to say that transition was a huge success.' Analysts on the call immediately started drawing comparisons with Adobe's move earlier this year to a subscription-only pricing model for its Creative Cloud software. Bass said that Adobe's success made Autodesk more confident about the feasibility of rental pricing, but suggested that Autodesk's move wouldn't be quite as aggressive." -
Delivering 8K VFX Shots For the Dark Knight
agent4256 writes "Barbara Robertson over at Studio Daily put forth this article featuring the technical background for the production of The Dark Knight. With most of the film shot with IMAX cameras (producing a theoretical resolution of 18k), the studios could not handle the size. Instead, they cut the resolution by more than half, down to 8K, the maximum resolution for scanned film. 'A single 8K frame requires 200 MB of data,' Franklin says. 'So we had to upgrade our whole infrastructure. We needed faster network speeds to move data around, massively beefed up servers, and — the most important thing — a new compositing solution.' To give you an idea of how far technology has taken us: 'In 1999, when we worked on Pitch Black [released in 2000], we needed to access 2 TB of data,' Franklin says. 'This show used over 100 TB of data.'"