MIT Creates Class About Soap Operas
An anonymous reader writes "Wikipedia apparently wasn't enough. There had to be a course on the much needed subject of soap operas at MIT.
Here's the Course Description: "The television landscape has changed drastically in the past few years; nowhere is this more prevalent than in the American daytime serial drama, one of the oldest forms of television content. This class examines the history of these "soap operas" and their audiences by focusing on the production, consumption, and media texts of soaps. The class will include discussions of what makes soap operas a unique form, the history of the genre, current experimentation with transmedia storytelling, the online fan community, and comparisons between daytime dramas and primetime serials from 24 to Friday Night Lights, through a study of Procter & Gamble's As the World Turns."" All I really need to know I learned from my evil twin, who fathered my unborn child, who has a extremely rare disease that only one of my many CIA contacts, who is also sleeping with my wife, can cure.
Soap Operas are among the most damaging and destructive influences in our society today. I have witnessed first hand the pain and suffering they can wreak upon the people who watch them and those close to them. An unending visual diet of petty pickering, gross injustices, squabbling, two bit storylines and overblown melodrama can wear down the common sense of even the most stoic individual, turning them into a capricious, cantankerous, shrew with violent mood swings who starts flaming arguments at the slightest provocation.
I can say with surety that no child of mine will ever, ever be allowed to watch a soap opera of any kind. I would rather they were smoking crack. At least their are clinics for that.
May the Maths Be with you!
Lo these many years ago, as wet behind the ears undergrad at Rice University (Go Owls!) I took a similar class - the Western Movie as a Genre. Western as in cowboys. Saw a lot of John Wayne movies.
Great stuff. Loads of fun. Annoyed the daylights out of me when my roommate did his end of semester paper at 2am before it was due at 9am, and got a better grade.
Really though, this kind of class is really a sort of literature. Lots of people watch soap operas, probably more than watch western movies on a daily basis. Seems to me any genre of literature bears study.
I'd be interested in how the American soap operas compare to their counterparts in other countries. From what I've read, telenovelas are very popular in Latin America. When I lived in Hawaii, a local TV station used to play a Samurai soap opera series from Japan.
Mea navis aericumbens anguillis abundat
Will they include Space Operas like Firefly, too? As much as I love that show, I have to admit there's a ton of drama there.
And how about Dr. Horrible's Sing-Along Blog?
Kyle XY?
I guess the question is: Where do you draw the line? Is it only about ridiculous shows that are on around 2pm? Or does it include all shows that are heavy on drama, especially far-fetched drama.
Before anyone defends Firefly from the 'soap opera' label: River. Seriously, what is up with her 'abilities'? The gun scene where she closes her eyes and shoots 2 people dead at once... Seriously!
"If you make people think they're thinking, they'll love you; But if you really make them think, they'll hate you." - DM
An MIT class that my wife could actually get a passing grade in!
I've abandoned my search for truth; now I'm just looking for some useful delusions.
I never *got* American soaps. They're far too escapist for me - basically just watching the rich and powerful play around and get in to trouble. Corrie and EastEnders (UK soaps) sure have their share of that a bit, but they're basically showing "working class" people most of the time. And the people tend to look more "average". Not everyone in UK soaps is a model - many look like 'regular' folk. I do say they all have perfect teeth tho. :/ All American soaps I've taken a look at (admittedly few in recent years) seemed to be all fabulously good looking supermodels.
UK soaps tend to be on in the evening, when the whole family can watch. American soaps are all on the daytime when only the person doing the housework (usually a woman/wife) would be watching.
I've never seen the US get all excited about a soap as a country, but they've done it a lot in the UK ("free the weatherfield 1!", etc.)
creation science book
Will they publish the list of methods and public properties?
One of the best professors I had a MIT was Thorburn, who taught a class in narrative. Some of the homework was going into his office and watching episodes of Harry O on a big new BetaMax (this was in 76-77). We spent a lot of time talking about TV and how the artist makes art within the boundaries of the medium, be it stage, movie, small screen, flat oil painting, sculpture, etc. I wrote a long paper about the differences between the musical scores of the movies Jaws and The Horror of Party Beach.
If Slashdot were chemistry it would look like this:Cadaverine
the soap opera medium is slowly dying.
I was actually one of the six or so students taking the class. This class probably won't be offered again, and actually happened this time last year - it's only just got round to being put on OpenCourseWare.
You should check out our class blog at http://mitsoaps.wordpress.com/ - it's not active anymore, but it'll give you a better feel for what we're doing. To answer the question about where you draw the line - the answer is you don't. Obviously we have the US 'soaps', but something like Friday Night Lights is as much as soap as As The World Turns. Furthermore, the US may only show daily soaps during daytime, but plenty of countries (such as the UK) have soaps in prime-time and bringing in top 5 ratings.
Soap opera really boils down to episodic character based story. This means the genre really encompasses an awful lot of TV. It's basically any show which you watch for character development across time rather than a formulaic drama. A good test of whether a TV program is 'soap opera' or not is the syndication rule - if you can present episodes in a random order and the audience will still understand the majority of your program, it's leaning away from soaps.
Once you actually *watch* daytime soaps (and until I took this class, I hadn't), you realise there's actually not much difference at all between soaps and their prime-time counterparts. The fans are much the same, the shows elicit the same reactions and emotions - the only real difference is the sheer volume, suspect acting, and low-budgets.
Hmmm. Maybe they'll have me come lecture about my not-terribly-famous Theory of RelativeTV.
Kent M Pitman
Philosopher, Technologist, Writer
Pretty much every film and literature department in the country has rotating classes about different genres. Why is this significant?
Oh! Sorry! I forgot, MIT isn't allowed to do anything but build robots and win Nobel prizes. If anyone at MIT attempts to do something humanities-related, it's hilarious.
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Another shocking twist! http://en.wikipedia.org/wiki/Bend_Her
So, I see it's all going as planned to plunge slashdot to its intellectual nadir in order to satisfy the corporate overlords.
Sweet mercy, what is the fucking problem? Oh noes!! Elite academic institution offers a film/tv/media studies course! How can this be happening??? Oh wait, this sort of thing has been perfectly normal for decades? Who knew? Apparently not the geniuses at slashdot.
... and then they built the supercollider.
The Elitist Menace Among Us
http://www.colbertnation.com/the-colbert-report-videos/173088/june-10-2008/the-elitist-menace-among-us
Am I late for the funeral?
<Gasp!!> Calculon!!
Billy Brown rides on. Yolanda Green bypasses Gary White.
I'm a doctor, she's dead
In 1992, a Hong Kong soap opera The Greed of Man caused a 10+% drop in the Hang Seng Index. Ever since, the stock market there drops whenever the star of that soap is in anything on TV, completing that probably self-fulfilling prophecy.
There are a huge number of yeast infections in this county. Probably because we're downriver from the bread factory.
Another World