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Interviews: Ask Warren Ellis a Question

samzenpus writes "Warren Ellis is an acclaimed British author of comics, novels, and television who is well known for his sociocultural commentary. The movies Red and Iron Man 3 are based on his graphic novels. In addition to numerous other comic titles, he started a personal favorite, Transmetropolitan. Ellis has written for Vice, Wired UK, and Reuters on technological and cultural matters, and is co-writing a video project called Wastelanders with Joss Whedon. Warren has agreed to give us some of his time to answer any questions you may have. As usual, ask as many as you'd like, but please, one per post."

58 comments

  1. Authors in the industry by TWX · · Score: 3, Interesting

    I've noticed that some authors are quite happy to see their works adapted into other formats, but some authors like Alan Moore seem upset, to the point of being hostile when this happens, even though they had to license or sell the rights for this to occur. Did you have control over the rights to some of your work that was turned into movies, and if so, how did you feel about that process and the end result? Have there been works by you or other writers that you felt were especially well or poorly executed in their adaptation?

    --
    Do not look into laser with remaining eye.
    1. Re:Authors in the industry by i+kan+reed · · Score: 1

      I'm pretty sure "upset" is just how Alan Moore is.

      "Oh, I'm a respected comic book writer for super hero comics? Better make satirize the whole genre."

      "Oh, someone adapted a couple of my greatest works relatively faithfully, even at expense of marketability? Better be grouchy about how it didn't perfectly match my vision."

    2. Re:Authors in the industry by TWX · · Score: 1

      Could be.

      As a reader and fan of David Weber's Honorverse I'm a little disappointed in what I've seen in the adaptation of On Basilisk Station to the graphic novel medium; the art does not seem to match the printed word or my imaginings of how the universe looks. I'm concerned that the subsequent movie(s) will be equally disconnected.

      --
      Do not look into laser with remaining eye.
    3. Re:Authors in the industry by alexander_686 · · Score: 1

      I will second that Alan Moore is almost always "upset".

      this. From what I have read of Allen Moore, he is an arrogant demanding S.O.B who does not play nice with corporations. He and his works have not always been treated kindly by them. He is an anti-corporate anarchist so I think that is kind of par for the course.

      I think you other comments are a bit off the mark. I can't think of any of his works that have been well adapted – large sums of money or know. For myself, V for Vendetta and Watchmen were adequate. I thought that From Hell was a good movie but a very poor adaptation. Everything else was pretty hideous. Just because somebody drops a large sack of cash at my door does not mean I have to think highly of them.

      And just because he is a arrogant demanding S.O.B. does not diminish the brilliance of his works.

      I personally thought it was funny that Allen Moore was pissed that V for Vendetta was re-tasked from being anti-Thatcher to anti-Bush when he had re-tasked so many different characters from Watchmen.

    4. Re:Authors in the industry by Parafilmus · · Score: 1

      Alan Moore is upset because he believes DC tricked him out of the ownership of Watchmen.

      Watchmen was not a work for hire. The copyright would return to him after the comic was out of print. DC decided to keep it "technically in print" forever, which was an unprecedented move at the time.

      I don't know the whole story. Maybe Moore should have read the contract more carefully. But I do understand why he's upset. He did not think he was "signing over" all the rights to his creation at the time.

    5. Re:Authors in the industry by TWX · · Score: 1

      If the contract literally stated that the rights would revert when the comic went out-of-print then he was foolish to sign. It means that if his work becomes popular that he never gets it back as the publisher can sell and sell and sell while people are buying, and it means that even if his work is unpopular, the licensee has ways of hold on to it by printing small-batch limited editions every time inventory gets low.

      --
      Do not look into laser with remaining eye.
    6. Re:Authors in the industry by alexander_686 · · Score: 1

      The copyright would return to him after the comic was out of print. DC decided to keep it "technically in print" forever, which was an unprecedented move at the time.

      Technically speaking, "Watchmen" was the first comic to score big in the trade paperback market. Nobody had any expectation that Watchmen could keep on selling. The success and longevity was unprecedented, so I am not sure if it would matter how closely Moore had read the contract.

      I think that part of the problem was that Moore was more familiar with British copyright laws which tend to be more generous to the creators.

    7. Re:Authors in the industry by Parafilmus · · Score: 1

      If the contract literally stated that the rights would revert when the comic went out-of-print then he was foolish to sign. It means that if his work becomes popular that he never gets it back as the publisher can sell and sell and sell while people are buying, and it means that even if his work is unpopular, the licensee has ways of hold on to it by printing small-batch limited editions every time inventory gets low.

      Today, creators are aware of that possibility. They have the example of Alan Moore to show them ;)

    8. Re:Authors in the industry by TWX · · Score: 1

      And Billy Joel, and probably countless other examples. Hell, Hollywood Accounting means that one has to be REALLY careful if one is to be paid after profits are achieved on a movie, and needs the contract to reflect revenue, not profit.

      --
      Do not look into laser with remaining eye.
  2. sbm by Anonymous Coward · · Score: 0

    http://sbmmadiun.blogspot.com/2014/09/sbm.html

  3. Self Censorship in Your Industry by eldavojohn · · Score: 1
    I've never really enjoyed main stream comics but the imprints that dodge the archaic Comics Code have pulled me in with various titles -- some of yours even. According to your wikipedia page you left Hellblazer after DC refused to print a controversial comic of yours in such an imprint:

    He left that series when DC announced, following the Columbine High School massacre, that it would not publish "Shoot", a Hellblazer story about school shootings, although the story had been written and illustrated prior to the Columbine massacre.

    Is this common in comic books/graphic novels? Have you experienced this elsewhere in your career? Do you feel that DC and other big publishers are too afraid of another Fredric Wertham to toe the line?

    --
    My work here is dung.
    1. Re:Self Censorship in Your Industry by alexander_686 · · Score: 1

      I like the thrust of your question but you might want to reword it, removing references to the Comic Code.

      At that point the Code was fadding. As you mentioned, most independent publishers no longer followed it. However it was also losing mainstream acceptance. Vitergo titles, which includes Hellblazer, had abounded the Code about 10 years earlier so that was not a factor.

      And, of course, today it is dead.

  4. Transmet / social by Anonymous Coward · · Score: 0

    In Transmetropolitan you accurately predicted the future of social media to broadcast news/events in real time. Do you feel you get enough credit for that? Are there any other technologies that you can take credit for?

    1. Re:Transmet / social by TWX · · Score: 1

      Mr. Ellis did not originate that idea. Claiming that he did is like claiming that Richard O'Brien invented Reality TV with his 1981 film Shock Treatment.

      --
      Do not look into laser with remaining eye.
    2. Re:Transmet / social by Anonymous Coward · · Score: 0

      Not trying to troll, but I said Predict, not originate.

  5. Big Transmetropolitan collection by Camembert · · Score: 1

    Will Transmetropolitan ever be released as a big single collection? Or perhaps 2 books?

    1. Re:Big Transmetropolitan collection by Verdatum · · Score: 1

      It'd have to be a bare minimum of 3 unless someone was foolish enough to shrink it. I've got all the graphic novelizations, and they take up many inches of shelf-space.

    2. Re:Big Transmetropolitan collection by Camembert · · Score: 1

      I was looking at my mega compendiums of Invincible and Walking Dead, these have between 1024 and 1088 pages per big volume. Wouldn't Transmetropolitan fit in 2 such big collections?

  6. Re:How many questions by Anonymous Coward · · Score: 0

    I sweat so much I don’t dare wear a silk top or light colors. Can you help?

  7. Humor on Slashdot by Anonymous Coward · · Score: 0

    Do you find humor in First Post satire on Slashdot?

    1. Re:Humor on Slashdot by Anonymous Coward · · Score: 0

      What about "In Soviet Russia" sature, such as "In Soviet Russia, Questions ask You"? How would you categorize this type of humor?

  8. Just talk about Planetary for a bit by c0d3g33k · · Score: 2

    Mr Ellis,

    I enjoy all your work, but I view Planetary as a "love letter to the things I love". I would appreciate it if you just wrote a little bit about what you were thinking/feeling when you were working on Planetary. That work covers a lot of territory, but my reaction on first reading was to weep because you captured so perfectly the essence of all those wonderful stories that I loved as a young man. I didn't think anyone loved that shit as much as I did, but Planetary seemed to capture the essence of all those great stories whilst bringing them in to the modern age and reminding us why they were relevant and maybe still are.

    So, if you would, just riff a bit on Planetary and all the things you had in your head when you were working that all out. Planetary as the finished work we have as a reference - I'm interested in the stew in your mind containing all that wonderful stuff that eventually was distilled into Planetary. Talk about that a bit, if you are so inclined.

    Thanks.

  9. Re:How many questions by Anonymous Coward · · Score: 0

    My feet smell terrible! I’m worried that other people will notice. What can I do?

  10. Transmetropolitan Adaptation by Verdatum · · Score: 2

    I don't know very much about comic books. With the exception of my parents' Mad Magazines and silver age Superman comics, I never got into them. Transmet has been one of very few exceptions. By about volume 3, I was rather terrified that this might get horribly adapted into a movie. I just couldn't imagine any way the story could be decently converted into a 90-120 minute format. The animated series adaptation idea, on the other hand, rather intrigued me. I was bummed to see it fall through; the animation looked quite promising (I seem to recall Chris Prynoski/Titmouse Inc. was somehow involved, but can't find confirmation on that). I realize nothing is currently in production, but is there any chance of another attempt at such an adaptation in the future?

  11. Global Frequency by Anonymous Coward · · Score: 1

    Were you sad to see Global Frequency refused a TV series and did you also think Michelle Forbes was pretty much a perfect Miranda Zero ?

    1. Re:Global Frequency by denzacar · · Score: 1

      How about was he sad that neither iPhone nor Android brought about a Global Frequency for real? :)

      --
      Mit der Dummheit kämpfen Götter selbst vergebens
    2. Re:Global Frequency by denzacar · · Score: 1

      You do realize that iPhone, Android, Twitter, Facebook and LinkedIn made Global Frequency so hilariously dated?

      Heck... final episode has this crazy concept of a private company working on sending people and cargo into space.
      Pure science fiction. Never gonna happen.

      Then again... Who's to say that Global Frequency isn't behind all those things happening IRL?

      --
      Mit der Dummheit kämpfen Götter selbst vergebens
  12. Best insult for the coming herd by Anonymous Coward · · Score: 0

    I feel that the upcoming crop of Senators and Congressfolk will likely be no better than the last. "Lazy douchebags" is too mild a title for them and I need a fresh approach. What would you recommend?

  13. The Authority by xevioso · · Score: 1

    Do you know if there are any plans afoot to make any sort of cinematic adaptation of The Authority? I would think that this would be a perfect comic to adapt to the wide screen.

  14. Global Frequency by rokstar · · Score: 2

    Any plans on doing more Global Frequency? Loving Trees by the way.

  15. How does it feel to be worshiped by nerds? by Anonymous Coward · · Score: 0

    Smelly, neck-bearded nerds!

  16. Beard me by Anonymous Coward · · Score: 0

    I'm trying to grow a beard, and my kids hate it, and it's itchy. What are the upsides of having a full beard?

    1. Re:Beard me by WillAffleckUW · · Score: 1

      I'm trying to grow a beard, and my kids hate it, and it's itchy. What are the upsides of having a full beard?

      maybe you can tie shiny objects in it?

      --
      -- Tigger warning: This post may contain tiggers! --
  17. Movie!?! by o_ferguson · · Score: 1

    Can we get a Transmet movie (ideally with Larry David as Spider) already?

    --
    - In Soviet Korea, only old people loose all their bases to Natalie Portman's petrified hot grits overlords.
    1. Re:Movie!?! by denzacar · · Score: 1

      Can we please NOT? On both the movie and a naked Larry David?

      --
      Mit der Dummheit kämpfen Götter selbst vergebens
  18. Do you forsee the future as utopian or dystopian? by WillAffleckUW · · Score: 1

    Wondering if you think we are looking at a dystopian future, or utopian future?

    Is it easier to do graphic novels for one or the other?

    --
    -- Tigger warning: This post may contain tiggers! --
  19. When you see things you've written become... by Anonymous Coward · · Score: 0

    When you see things you've written become true/real as pop culture/technology moves forward, do you feel a sense of smug satisfaction, or fear? IE, things like the way people obsess and fan over vocaloids, considering they are pure construct, after 'SuperIdol' or now that everyone has a futurefone of some variety, after 'Global Frequency'.

    Basically, does your futuretelling make you feel semi godlike, or do you fear for humanity?

  20. What do you want to talk about? by Anonymous Coward · · Score: 0

    Most of the questions you get asked are repeats. "When do we get a Transmet movie?" "Will we ever see GF on TV?" "Do you have all of Spider Jerusalem's tattoos?" (That one's my favorite -- they must assume you're wearing makeup over the spider?) What's something you want to tell us that no one asks you?

  21. The most important question by DigitAl56K · · Score: 1

    Hi Warren,

    I haven't really heard of you before but I thought those movies were okay. As someone currently thinking, "what kind of stupid question is this?", what kind of biscuit do you prefer with your tea?

    1. Re:The most important question by denzacar · · Score: 1

      "what kind of stupid question is this?"

      That sounds suspiciously like something someone who has access to thallium might ask.

      --
      Mit der Dummheit kämpfen Götter selbst vergebens
  22. I second that... by denzacar · · Score: 1

    Planetary is practically THE reason I started reading comics again after giving them up for years in favor of manga.

    --
    Mit der Dummheit kämpfen Götter selbst vergebens
    1. Re:I second that... by Anonymous Coward · · Score: 0

      Irredeemable (Mark Waid) and The Authority (Ellis) are what pulled me back after losing interest in comics in high school. Funnily, I remember seeing information back then on those and other great series (Preacher in particular) in issues of Wizard, but didnt have interest at the time.

  23. Adapting your works by robstout · · Score: 1

    How do you feel about movie adpatations of your work? Does it annoy you when the look and feel of a book changes significantly between your book, and the resulting movie? The movie Red is much lighter than the comic was.

  24. Regret by Anonymous Coward · · Score: 0

    What's something you wrote that you wish now you hadn't, or you wish you'd written differently?

  25. Food storage. by denzacar · · Score: 1

    You can taste your soup hours after eating it.

    --
    Mit der Dummheit kämpfen Götter selbst vergebens
  26. Crecy? by denzacar · · Score: 1

    Greetings, praises and thankyous Mr. Ellis.

    Any plans on doing more stories about historical events, like Crecy?

    --
    Mit der Dummheit kämpfen Götter selbst vergebens
  27. Who do you enjoy reading? by TJ_Phazerhacki · · Score: 2
    What authors (or writers, or artists) do you enjoy reading most? I often find that the people I like to read like to read the people I should be reading.

    Also, thank you for Spider.

    --
    Physics is nothing like religion. If it was, we'd have an easier time trying to raise money!
  28. newuniversal by gmhowell · · Score: 1

    What happened with newuniversal? Why did it fizzle out? How did it get started?

    --
    Jesus was all right but his disciples were thick and ordinary. -John Lennon
  29. What would you write if your editors allowed it? by Khopesh · · Score: 3, Interesting

    When writing within a popular series (e.g. X-Men or Hellblazer), there are certain hard limits in what liberties you can take. As a mundane example, you can't kill characters without planning out a large arc that builds up to it and/or quickly bringing them back, all with editorial approval from up on high.

    What would you write within a popular series if only you could get permission to do it?

    --
    Use my userscript to add story images to Slashdot. There's no going back.
  30. Writing for comics by liquiddark · · Score: 1

    I'm writing my own material and learning to draw because I don't see another way to make what I want to make. I look at your body of work and I wonder: How you were able to slide these incredible missives from the Gonzoverse under the brane, and was there anything you did early on that allowed you to make the incredible defining works in your bibliography (Transmet, Planetary, Authority)?

  31. multifaceted by Anonymous Coward · · Score: 0

    What's it like working with Nick Cave?

  32. Whiskey and the Writer by Anonymous Coward · · Score: 0

    First, must confess Planetary is my favorite "limited series" ever. (Tangential one-shots obviously excluded.)

    I work for someone who, I say with minimal hyperbole, is a psychopathic alcoholic. So it bothers me reading about your working in pubs, drinking, etc. I fully realize that this is not a black and white, either/or, binary situation. So as I say, I work with one extreme, as it were. So question: Where do you fit on the whiskey lifestyle spectrum? (Spoiler: I'd like some reassurance, if possible, but would prefer honesty. And I'll always love Planetary no matter what.)

  33. Were you influenced by PKD? by hawkinspeter · · Score: 1

    Have you read or been heavily influenced by Philip K Dick? Some of your work does use a lot layered realities (I'm thinking especially of Gun Machine and Supreme: Blue Rose) which is one of his trademarks.

    --
    You're a temporary arrangement of matter sliding towards oblivion in a cold, uncaring universe
  34. What cybernetic implant would you choose first? by hawkinspeter · · Score: 1

    You obviously have an interest in the boundary of society and technology, so if cybernetic implants became common, what would be your favourite upgrade and why?

    --
    You're a temporary arrangement of matter sliding towards oblivion in a cold, uncaring universe
  35. Interested in the occult? by hawkinspeter · · Score: 1

    A few of your peers in the comics industry are heavily into Magick (not the card game) and the occult. Are you similarly interested in the occult beyond using it as a plot device (e.g. Gravel)?

    --
    You're a temporary arrangement of matter sliding towards oblivion in a cold, uncaring universe
  36. Adaptation by jstomel · · Score: 1

    If you could pick any of your works for a movie of HBO series adaptation, which would you most like to see and who would you cast as the main character?