Interviews: Game Designer Steve Jackson Answers Your Questions
A while ago you had the chance to ask Steve Jackson, founder and editor-in-chief of Steve Jackson Games, about the numerous games he's created, his efforts to digitize those games, and what to do when the Secret Service shows up at your office. Below you will find his answers to your questions.
External influences
by Martin Blank
When I was young, I played games from SJG, TSR, Palladium, R. Talsorian, ICE, FASA, and a bunch of one-off studios I can't remember now. Some of the systems worked really well, some required some tweaking, and others were essentially unplayable. But it was easy to see links between systems. Despite the occasional legal threats, there seemed to be a lot of borrowing each other's ideas. Palladium clearly was influenced by TSR (and I think they've admitted that the first version of their rules was essentially heavily modified D&D rules), and R. Talsorian's old D10/D6-based system seemed to have some influences from FASA. When you're designing a game, what external influences help shape the game? How far can you adopt someone else's ideas before you have to start worrying about lawyers getting involved, and has that changed as the pen & paper RPG has waned in popularity?
Jackson: (1) External influences are much more likely to affect theme than they are mechanics. I might very well say "OMG, must do zombie game now." I am very unlikely to say "Oh, must do worker-placement game with octagon-square net map and triangular cards."
(2) I think that if you are "adopting" ideas, your own shame should kick in long before the lawyers get involved. Unless somebody out there thinks they own, say, the whole idea of "hexagons," or "robots." Which is to say IANAL.
(3) I don't know.
When will gurps be digitalized?
by Anonymous Coward
And where did you find a willing programmer?
Jackson: Good question. Willing for what? :)
GURPS 3d6 Mechanics (Balance)
by CrashNBrn
Have you ever considered officially rebalancing|changing the GURPs mechanics that rely on 3d6 rolls? It has been my experience over the years, when trying to use the GURPs ruleset directly (with no house-rules) that the way the skills/stats interact - at least as far as nearly automatic success is concerned... is quite broken (easily) for non-super players with attributes 14-15+. Compare to say, HERO, which doesn't have an automatic-success problem so much as an overly obtuse|complex modifier issue.
Jackson: Not really. Sorry it's not working out for you. Works for me, and apparently most players. Some GMs find that a degree of near-automatic success in routine tasks (routine for the PCs, that is) is important to get on with the game. GMs who think they are not supposed to use house-rules to customize the game to their exact wishes . . . those GMs are not following my authorial intent, which is Make It Yours.
Online Presence
by Catiline
As visible in your official company FAQ, you had run a ISP as well as other online services (I seem to recall there having been some manner of MOO/MUSH service for running online games), well in advance of most other RPG publishers. Furthermore, you run your own digital store (e23) rather than using through the DriveThruStuff platform used by the rest of the tabletop industry, and made PDF copies of your books available for purchase before the other "major" industry players (Fantasy Flight, Pinnacle, WhiteWolf, and WotC). How much of this decision was strategic—based on a firm belief this was "The Way of the Future"—and how much was it exploratory / risk-taking? In hindsight, what decisions for your online presence would you have made differently?
Jackson: A lot of it was both, and in hindsight, I would have done it more and hired more specialized help to help me do it more, better. Short answer to long question.
From Ideas to Products...
by Anonymous Coward
My son has "like 3000" ideas for new munchkin cards. Any advice for a budding young game designer about getting started/self-publishing/submitting ideas to existing publishers like SJG?
Jackson: Read our page here. A lot of the information on there is very general. Kickstarter is your friend, depending on how old you are. If your son is 12, it would be YOU doing the kickstarter. I suggest you not go there.
Car Wars MMORPG?
by Anonymous Coward
Would you ever consider creating a truly unique car wars video game as a 3D, first person shooter, MMO, RPG? I've thinking something with the open world and economy of Eve, but with the same kind of game play as GTA5, in a persistent MMO world, but using cars and trucks, in a post-apocalyptic world, where the players can live out their Max Mad fantasies, but still have to deal with the complexities of designing and building their cars with the flexibility that that board game had. I've been waiting my entire life since childhood to see a truly epic car wars game, and have been continuously disappointed. Only the original apple game inspired me, but with today's tech, I think it's now achievable.
Jackson: Love to do it. Could not do it with the team I have - we are a boardgame company.
OGRE Simulation Game?
by qeveren
Similar to the Car Wars question above, I've wondered if a multiplayer OGRE sim has ever been considered. First person combat where every gun is firing nukes... I mean, come on! Who wouldn't want that?
Jackson: Considered, OF COURSE. Negotiated, more than once. Finished, never.
Copyright
by jdavidb
Steve, I read that you consider yourself a "small-l libertarian." These days a lot of libertarians have come to oppose copyright law, or else favor severe reforms for it. As a publisher, game designer, and libertarian, how do you feel about the subject, and do you feel that these various roles are in tension with each other? On a related note, in junior high school I bought GURPS Cyberpunk from a friend, only to later find out that that friend had shoplifted it from a bookstore. I've always regretted that. Do I owe you guys some money?
Jackson: Sorry, that would be a looooong essay question. My short inflammatory answer is "Anyone who opposes all copyright protection is wrong." However, I don't agree with infinite protection. Let the writer, artist, musician, whoever, make a good living. Even a great living :) But indefinite corporate control of rights is not something I agree with.
No, we got paid. You owe the store some money.
Metagaming MicroGames
by zoward
While cleaning out my closet a few weeks ago, I came across a stack of Metagaming micro games. I played these with friends from high school over thirty years ago, and we really loved them (they actually got more playtime in our gaming group than some of the larger Avalon Hill titles of the time). While the well-known Ogre and GEV were in there, I still have some old lesser known titles like WarpWar, Invasion of the Air Eaters, Sticks and Stones, and Holy War. Have you considered re-releasing some of the better titles from the old Metagaming catalog?
Jackson: With the exception of Ogre and G.E.V., which I bought back from them, I have no rights in anything from the Metagaming catalog.
Steve Jackson Games, Inc. v. United States Secret
by puddingebola
Bruce Sterling's the Hacker Crackdown seems to indicate or imply that the reason for the Secret Service's raid on your business was that a hacker under investigation was also a fan of your cyberpunk role playing game. The agents involved didn't have a clear understanding of the line between his notes on actual computer hacking and his notes involving the role playing game. You must have been confused when Federal agents knocked on your door and confiscated the computers from your business. How long did it take you to piece together what had happened, and do you feel like you got adequate compensation for your time and trouble?
Jackson: I've told this story often, and the best place you can find material, with far more immediacy of expression, is in The Hacker Crackdown itself and in the documents here.
Munchkin Crossovers You'd Love To Do
by Jason Levine
My boys and I love playing Munchkin. Recently, my oldest got Munchkin Adventure Time. Being big fans of both, we loved playing it. This led me to wonder: Assuming you could get licensing for any ONE franchise (e.g. Star Wars, BTTF, LOTR, Harry Potter, etc), which would you make into a Munchkin game?
Jackson: Oh, wow. I am a geek, I'm sometimes a very typical geek, and I like all that stuff, and you're asking me to name ONE franchise. You are a mean person and the Gerbil of Regret will bite your toes. But then I don't have to answer the question you asked, muauaua. So here's a list.
by Martin Blank
When I was young, I played games from SJG, TSR, Palladium, R. Talsorian, ICE, FASA, and a bunch of one-off studios I can't remember now. Some of the systems worked really well, some required some tweaking, and others were essentially unplayable. But it was easy to see links between systems. Despite the occasional legal threats, there seemed to be a lot of borrowing each other's ideas. Palladium clearly was influenced by TSR (and I think they've admitted that the first version of their rules was essentially heavily modified D&D rules), and R. Talsorian's old D10/D6-based system seemed to have some influences from FASA. When you're designing a game, what external influences help shape the game? How far can you adopt someone else's ideas before you have to start worrying about lawyers getting involved, and has that changed as the pen & paper RPG has waned in popularity?
Jackson: (1) External influences are much more likely to affect theme than they are mechanics. I might very well say "OMG, must do zombie game now." I am very unlikely to say "Oh, must do worker-placement game with octagon-square net map and triangular cards."
(2) I think that if you are "adopting" ideas, your own shame should kick in long before the lawyers get involved. Unless somebody out there thinks they own, say, the whole idea of "hexagons," or "robots." Which is to say IANAL.
(3) I don't know.
When will gurps be digitalized?
by Anonymous Coward
And where did you find a willing programmer?
Jackson: Good question. Willing for what? :)
GURPS 3d6 Mechanics (Balance)
by CrashNBrn
Have you ever considered officially rebalancing|changing the GURPs mechanics that rely on 3d6 rolls? It has been my experience over the years, when trying to use the GURPs ruleset directly (with no house-rules) that the way the skills/stats interact - at least as far as nearly automatic success is concerned... is quite broken (easily) for non-super players with attributes 14-15+. Compare to say, HERO, which doesn't have an automatic-success problem so much as an overly obtuse|complex modifier issue.
Jackson: Not really. Sorry it's not working out for you. Works for me, and apparently most players. Some GMs find that a degree of near-automatic success in routine tasks (routine for the PCs, that is) is important to get on with the game. GMs who think they are not supposed to use house-rules to customize the game to their exact wishes . . . those GMs are not following my authorial intent, which is Make It Yours.
Online Presence
by Catiline
As visible in your official company FAQ, you had run a ISP as well as other online services (I seem to recall there having been some manner of MOO/MUSH service for running online games), well in advance of most other RPG publishers. Furthermore, you run your own digital store (e23) rather than using through the DriveThruStuff platform used by the rest of the tabletop industry, and made PDF copies of your books available for purchase before the other "major" industry players (Fantasy Flight, Pinnacle, WhiteWolf, and WotC). How much of this decision was strategic—based on a firm belief this was "The Way of the Future"—and how much was it exploratory / risk-taking? In hindsight, what decisions for your online presence would you have made differently?
Jackson: A lot of it was both, and in hindsight, I would have done it more and hired more specialized help to help me do it more, better. Short answer to long question.
From Ideas to Products...
by Anonymous Coward
My son has "like 3000" ideas for new munchkin cards. Any advice for a budding young game designer about getting started/self-publishing/submitting ideas to existing publishers like SJG?
Jackson: Read our page here. A lot of the information on there is very general. Kickstarter is your friend, depending on how old you are. If your son is 12, it would be YOU doing the kickstarter. I suggest you not go there.
Car Wars MMORPG?
by Anonymous Coward
Would you ever consider creating a truly unique car wars video game as a 3D, first person shooter, MMO, RPG? I've thinking something with the open world and economy of Eve, but with the same kind of game play as GTA5, in a persistent MMO world, but using cars and trucks, in a post-apocalyptic world, where the players can live out their Max Mad fantasies, but still have to deal with the complexities of designing and building their cars with the flexibility that that board game had. I've been waiting my entire life since childhood to see a truly epic car wars game, and have been continuously disappointed. Only the original apple game inspired me, but with today's tech, I think it's now achievable.
Jackson: Love to do it. Could not do it with the team I have - we are a boardgame company.
OGRE Simulation Game?
by qeveren
Similar to the Car Wars question above, I've wondered if a multiplayer OGRE sim has ever been considered. First person combat where every gun is firing nukes... I mean, come on! Who wouldn't want that?
Jackson: Considered, OF COURSE. Negotiated, more than once. Finished, never.
Copyright
by jdavidb
Steve, I read that you consider yourself a "small-l libertarian." These days a lot of libertarians have come to oppose copyright law, or else favor severe reforms for it. As a publisher, game designer, and libertarian, how do you feel about the subject, and do you feel that these various roles are in tension with each other? On a related note, in junior high school I bought GURPS Cyberpunk from a friend, only to later find out that that friend had shoplifted it from a bookstore. I've always regretted that. Do I owe you guys some money?
Jackson: Sorry, that would be a looooong essay question. My short inflammatory answer is "Anyone who opposes all copyright protection is wrong." However, I don't agree with infinite protection. Let the writer, artist, musician, whoever, make a good living. Even a great living :) But indefinite corporate control of rights is not something I agree with.
No, we got paid. You owe the store some money.
Metagaming MicroGames
by zoward
While cleaning out my closet a few weeks ago, I came across a stack of Metagaming micro games. I played these with friends from high school over thirty years ago, and we really loved them (they actually got more playtime in our gaming group than some of the larger Avalon Hill titles of the time). While the well-known Ogre and GEV were in there, I still have some old lesser known titles like WarpWar, Invasion of the Air Eaters, Sticks and Stones, and Holy War. Have you considered re-releasing some of the better titles from the old Metagaming catalog?
Jackson: With the exception of Ogre and G.E.V., which I bought back from them, I have no rights in anything from the Metagaming catalog.
Steve Jackson Games, Inc. v. United States Secret
by puddingebola
Bruce Sterling's the Hacker Crackdown seems to indicate or imply that the reason for the Secret Service's raid on your business was that a hacker under investigation was also a fan of your cyberpunk role playing game. The agents involved didn't have a clear understanding of the line between his notes on actual computer hacking and his notes involving the role playing game. You must have been confused when Federal agents knocked on your door and confiscated the computers from your business. How long did it take you to piece together what had happened, and do you feel like you got adequate compensation for your time and trouble?
Jackson: I've told this story often, and the best place you can find material, with far more immediacy of expression, is in The Hacker Crackdown itself and in the documents here.
Munchkin Crossovers You'd Love To Do
by Jason Levine
My boys and I love playing Munchkin. Recently, my oldest got Munchkin Adventure Time. Being big fans of both, we loved playing it. This led me to wonder: Assuming you could get licensing for any ONE franchise (e.g. Star Wars, BTTF, LOTR, Harry Potter, etc), which would you make into a Munchkin game?
Jackson: Oh, wow. I am a geek, I'm sometimes a very typical geek, and I like all that stuff, and you're asking me to name ONE franchise. You are a mean person and the Gerbil of Regret will bite your toes. But then I don't have to answer the question you asked, muauaua. So here's a list.
- STAR WARS - awesome. Just awesome.
- BTTF - lacks obvious strong substitutes for classes and races.
- LOTR - I think I'd use the classic races and classes. I wonder if a "Bored of the Rings" license is available.
- Harry Potter - Four Houses, yay! Lots of magic foes! Lots of puns! Gender swapping! Death!
- Batman - No list of awesome franchises can be complete without Batman.
- Bacon - No list of awesome foods can be complete without bacon. But combining bacon and Batman is a challenge.
- Warcraft - duh, if only.
Wow. I say this as a huge fan of Jackson's work, but... Phone it in much, here?
Nothing but one liners, and mostly along the lines of "yeah, go fuck yourself, Slashdotters" at that. Disappointing.
I wonder if they've been in contact with Blizzard. With falling subscribers, I can't help but think they'd love to get some folks playing an offshoot.
If you were me, you'd be good lookin'. - six string samurai
for instance, the one asking why Steve have chosen not to digitize the Munchkin brand. There have been literally tons of capable businesses and individuals who can do it and having gone several rounds of prototyping to prove it was easily achievable?
I've played and enjoyed Munchkin, but this list seems blah.
Some people don't believe in fairies. I don't believe in The Patriarchy.
I love SJG and Jackson's work, but I wish I'd seen this so I could have asked some questions. (Adventure Time is a pretty good version of Munchkin, too.)
chuk
Who?
Steve Jackson Games
What?
Seem to be a lot of comments from people wanting Steve to go into long form, but in the years I worked with him, he was always more of a short form kind of person.
If a question can be answered in a short way, that's what he does.
We used to fight to take complex game systems where combat would take 10 minutes to resolve for each action, and boil it down to "how can we simulate this so it takes less time than in real life, but is fairly accurate".
Short version: If you wanted long answers, you're asking the wrong guy.
-- Tigger warning: This post may contain tiggers! --
Steve Jackson was later fired by Nintendo for speaking with the public. When reached for comment, he said "WTF?! I don't even WORK THERE!"
I'm trying to teach myself to set people on fire with my mind... Is it hot in here?
That works great for games where people don't care about the mundane details and just want to have a fun time and given his track record I think that approach is good. However, for an interview, people want more elongated answers that delve into details. He's not obligated to provide such a response, but I don't think anyone would disagree that it would have been a lot more fun if some of the answers were wrapped up in anecdotes or other yarns.
You have to buy him sushi if you want stories, IMHO.
-- Tigger warning: This post may contain tiggers! --
Best. Slashdot. Interview. Evar!
I think that if you are "adopting" ideas, your own shame should kick in long before the lawyers get involved. Unless somebody out there thinks they own, say, the whole idea of "hexagons," or "robots."
GMs who think they are not supposed to use house-rules to customize the game to their exact wishes . . . those GMs are not following my authorial intent, which is Make It Yours.
Considered, OF COURSE. Negotiated, more than once. Finished, never.
However, I don't agree with infinite protection. Let the writer, artist, musician, whoever, make a good living. Even a great living :) But indefinite corporate control of rights is not something I agree with.
I love you man!