He did this with Saul Williams' CD late last year (that he produced), it was the same as the Radiohead thing except there were only two options - free and 5 dollars, and no discs or anything physical was available. The numbers he later provided, like 20-30k people paid out of 150k. When he released those numbers he said something along the lines of he didn't make much of a profit if any because he recorded and mixed it professionally. I think this suggests that maybe smaller guys without built in fanbases don't have what it takes to do this business model successfully. I think the touring comment was good though, as anyone who liked the music will probably go to a show (i'm planning to go to a SW show). Not to say that the riaa's model works, just something in between will probably work better for them.
I mean, if everyone actually did follow this business model...
Well, does anyone really want to see a band like nickelback or daughtry get millions of dollars for anything, let alone the music they make?
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He did this with Saul Williams' CD late last year (that he produced), it was the same as the Radiohead thing except there were only two options - free and 5 dollars, and no discs or anything physical was available. The numbers he later provided, like 20-30k people paid out of 150k. When he released those numbers he said something along the lines of he didn't make much of a profit if any because he recorded and mixed it professionally. I think this suggests that maybe smaller guys without built in fanbases don't have what it takes to do this business model successfully. I think the touring comment was good though, as anyone who liked the music will probably go to a show (i'm planning to go to a SW show). Not to say that the riaa's model works, just something in between will probably work better for them. I mean, if everyone actually did follow this business model... Well, does anyone really want to see a band like nickelback or daughtry get millions of dollars for anything, let alone the music they make?