Maybe these journalists are concentrating a bit too much on applications for the 'normal end user'
Maybe these journalists have no idea what the "normal end user" is anymore. I would think it is someone who wants to set up a web presence for their business or family. Cheaply, efficiently, and with a minimal amount of blue screens. This is bit of forward thinking on what "normal" people want, but it's just so easy and fun, everyone is doing it. And the smart people are doing it with Free Software.
How about retorts? You like those? Try my user info or here.
It's FANatical, FUNdamental, and backed by FACTs.
Burning karma for FUN, FANS, and FACTS! --
Not understanding one of the biggest shifts in the industry since the PC in the early '80s is a career-limiting mistake for a journalist who specializes in covering technology.
(It also makes me think of the PBS Ads...er...sponsorships that have slowly evolved more and more into the exact same ads we're seeing on the standard networks.)
That's 'cause they ARE the same thing. (advertising: media used to make something known) The difference is in how they are acquired. And how much they represent the media in which they are included. Most NetTV (mainstream media) spots are sold to the highest biddder, PBS searches out sponsors (I believe). Advertising is going to be a part of our lives for a long time, now we just need to find the kind we like...yea, right. --
IANAL, but I think that a trade secret can be legally protected if reasonable steps were taken to protect it.
I seriously doubt that posting it to the Net would count as a reasonable step to protect the secret. Either way I'm not touching W2K (and it's not touching any of my company's computers) until it can play nice.
This is kind of like Microsoft's Open License program, just for music.
MS's Open License is a marketing ploy to confuse end users about the term "Open"
Product use rights
There are two use rights that are common to all Microsoft Open License customers in addition to rights granted under specific product end-user license agreements (EULAs).
that is to say, "In addition to the rights taken away by EULA.."
Oh, and those new "rights"
Open License grants the right to use different product language versions. Customers must have an initial language version that is the same price or higher than the desired language version.
Wow, I feel so empowered.
Open License grants downgrade rights for all Microsoft products. Downgrade rights allow users to run any prior version of a product for which they have received license confirmations, instead of running the version they acquired.
Woohoo! I am allowed to use old unsupported software at the new price. yaaah!
My mental image of the the Guide (outside of the Don't Panic sticker) was a laptop computer with high speed access. The big hint was when you said (paraphrased) "The Guide contains vaste amount of information on every concievable concept, much of it completely erroneous or actively dangerous." That's about the best description of the Net I've seen, and it came about before the thing was mainstream. I guess my question is, Have you ever thought of it that way? Do you like turkey? And what's the deal with Smithers?
The crew have rejected it twice, so I'll burn more karma. -- To Hilary Rosen. A Retort.
This is a quick dissection of your recent interview with Salon.com. Please respond if you have a moment.
Your quotes are in italics, questions are in bold, my comments are in plain text.
While ultimately I don't think litigation is the right business strategy over the long term,
Would that be 20 years long term? It will take at least that long for a generation to forget.
I do think that Napster is guilty of copyright infringement, and we will have both a favorable court decision and some precedents set for companies that try and commercialize file sharing.
Why is sharing so bad? And I am shocked that you didn't say "commercialize file pirating." Some would call that a Fruedian slip.
There is certainly a lot of intrigue in the notion of file sharing -- for community reasons and for marketing reasons and for putting like people with like-minded interests together.
Nice, it even sounds good coming from you.
Clearly I understand all that.
For some reason I don't believe you.
But those issues really should be divorced from the very unique and specific issue, Does a company have a right to create a system that is so deliberately designed to take other people's work?
Why do we need another divorce? This country needs healing. It needs the power of community. I lost you after "does a company have a right..."
It's interesting in court -- the Napster lawyer tried to make the argument that file-sharing services like Napster actually bring the Internet back to its original purpose and history, which was when university researchers would share their research with their colleagues around the world.
Perish the thought. Please tell me, again, why this is a bad thing for anyone?
That was a very valuable and exciting thing that happened, but there's a principal difference between that activity and what businesses like Napster are engaged in -- it was those professors' works that they themselves were sharing!
Again with the sharing? This is the word we're talking about right? "a : to partake of, use, experience, occupy, or enjoy with others b : to have in common" That's the bad word?
As a practical matter going forward, lawsuits get a lot of headlines and they raise a lot of passion -- I understand that.
Not yet you don't. I still have three friends that haven't heard about you yet.
But ultimately the future of music on the Internet is not going to be about legalities and litigation, it's going to be about how are we bringing music to fans -- new music,
Yes, it is. But I don't think you know what "we" means yet.
established artists -- what are the new business models that people are adopting and how do you make all the new opportunities win-win.
BY SHARING THE MUSIC. YOU HAVE A FREE RESOURCE. USE IT! I can explain this philosophy in great detail if you like. Click that "user info" button and look for a conversation (still ongoing) with Eric the.5b
I don't think anybody has illusions about controlling all transmissions online.
I do (think some have illusions, not have them myself).
The question is, How do you compete if services available to give it away without regard to the creators are allowed to flourish with such customer-service-friendly tools?
If you ask the wrong question, the answer doesn't matter. Remove the words "without regard to the creators" and you are on the right track. The Net is like that, it doesn't really make sense in most traditional terms.
Gnutella is a little harder to use than Napster, but there also ways to enforce against Gnutella users that you don't have with Napster.
Hehe, that would be funny to watch. I don't think you want to try and fight that battle.
Are Napster and online distribution of music causing the record industry to rethink or change its business models?
It doesn't necessarily change -- it expands. I personally believe people will want to buy CDs for a long time to come, [agreed] but I also believe they want to have subscriptions, kiosks in stores and airports, digital downloads...
I don't, but then again I'm one of your core customers. At least I used to be.
I believe the expansion is where the conflict and the opportunity arrives. It behooves technology innovators to help develop those concepts in partnership with the music community. It's not accurate to say that the record industry says no.
What is it accurate to say? The record industry says "go for it, we have good lawyers and lots of money?"
There's no question that the industry has been slow to the marketplace, but it's too simplistic to say that the slowness or speed is out of some fear.
Simplicity sells technology. Just something I've noticed. I see fear in all your actions. Most creatures that are panicing don't notice it themselves, but again, those are just my observations.
It's more accurate to say that these are very complex transitions with a lot of interests and players involved -- artists and publishers and distributors and retailers and technology partners. There are a whole host of changes, and new structures that have to be created to move into these worlds.
That's the big problems. There are so many players involved. We need two players. Artists and Fans. Which one are you? We don't need new structures either. We have the Net. It's a new structure, how much of it have you guys built? How much have you tried to destroy? Can you see why we (I) don't like you (plural)?
It's not necessarily what people always want to hear, but I do believe that it is complex.
You just keep on digging into the unnecessy complexities of the business models you have created. I'll be listening to some music.
It's not whether or not somebody is killing CD sales this week -- it's whether music has value, and is perceived to have value in and of itself by fans, and by technology companies and venture capitalists who are investing in new businesses and have to pay for everything from their server space to their telephone lines to their lunchboxes.
Simplify, simplify. How many venture capitalists do you know that would give money to a company that starts out with the idea "First, we sue everyone with a different business model..." (step three: Profit!)
Paying for the content they are using is not an unreasonable request. I think it's a value quotient, not necessarily a piracy fear, that is also important to consider.
You should search this site. I'm sure somebody will give you a clue as to the nature of supply, demand, and value quotients on the Internet. "Not necessarily a piracy fear", I thought you guys weren't scared?
It goes back to the earlier issue that whether or not the record companies and artists are making money selling CDs is irrelevant to Napster; they are building a business on the backs of artists.
And your business would be built where?
Just because [artists] are making money elsewhere doesn't mean Napster has the right to do this. It's a self-serving argument for Napster.
*COUGH*
No one is arguing Chicken Little here;
Sometimes you should listen to a little pen^H^H^Hchicken. The sky has indeed fallen.
what we are saying is that if that geometric [try exponential] progression is such that music has less and less value, ultimately you do get to a scenario where it's hard for the legitimate businesses to compete. No one says we're there, but it doesn't take a rocket scientist to see where we're going.
No it doesn't. Have you ever seen a fifty-year-old rocket crash into the ground? Be patient. Shouldn't be too long now.
It's an artists issue. Cynics say the record industry doesn't like that model because it takes them out of the equation. But it's not true -- artists like it when they have a record that's so successful that they get to stay home for a few months rather than go on tour.
You are limiting the artists' choices. And secondly, a significant part of the meaning of the music is creating the demand for the work.
i.e. Marketing. Yea we've heard of it. I don't remember that in my music appreciation class in college though. Must'a skipped that day after a ragin' Rage show.
And creating that demand for the music and the artist is very much a marketing and promotional function the record company does. The costs associated with that have to be absorbed somewhere.
Yes, they do. And we, the fans, would be more than happy to do it. Just let us copy, digitally, our music files (that we bought and paid for) and allow us to take care of that marketing part for you. We'll tell our friends what sucks. And what kicks ass. MP3 is about as good as quality as radio, if you haven't noticed. CD's sound better. They still travel better. They look good on coffee tables. We're not going to stop buying CD (unless you quit fretting and bring us DVD-AUDIO, and yes, it will get broken)
Things will evolve and the industry has always given away music for free, but it's really inappropriate that the only ways that artists should be able to make money off their craft is touring, if in fact people are enjoying their music anyway.
Remember we are paying for that promotion and distrubution so you don't have to. You can take all that money you save and give it straight to the artists. And why don't you give their copyrights back after you stop promoting them? That doesn't seem fair to me, but then again I didn't lobby to have copyright extended for an additional 20 years after death.
Not to mention the whole crop of artists that don't have the ability to tour.
I'm sure studio musicians will still have skills that are useful to somebody. Perhaps they can teach in schools after the sudden revival in the public's taste for live music? I mean, MP3 is great, CDs are better, but you can't beat the real thing. Don't forget that.
What was your reaction when you heard that Napster was sponsoring the Limp Bizkit tour?
I thought Napster must be desperate to have to pay $2 million to get someone to support them.
I didn't think it was a thoughtful statement about the long-term economics of the record industry -- it was an anti-establishment, rock 'n' roll publicity thing for them to do.
Yes, and...? You 'member Elvis shaking them hips don'cha? What an anti-establishment, rock n' rock thing for him to do.
There's no question that the multitude of artists who have spoken out against Napster far outweigh this kind of publicity stunt, but I hope that their fans realize that these artists actually care about their work, and care about their art, and care about their ability to keep making it.
No question, eh? No question? Now would that be artists as in "signed, sealed, and delivered on the dotted line" or artists as in "a person skilled in one of the fine arts." I don't remeber seeing that national statistics poll, I must've been asleep at the wheel.
I think if Napster has ideas for alternative business models, they haven't said them yet.
Since when did "put music in the hands of fans" become an alternative business model. What is radio supposed to be? What's MTV for again?
I don't think it's my place to do that. If people are creating businesses that use other people's work like that, it behooves them to come up with some other scenario at the outset that does the right thing. Where they go from here is the subject of obviously complicated scenarios.
Obviously complicated scenaries, i.e. lawsuits. You've got that part of the business plan down pat. Keep the course.
There are mutual responsibilities, but obviously as this case is in litigation, suffice it to say that Napster has never come up with a scenario. And I don't think anybody in the record industry has any indication that that is a viable option.
The record industry? What's a record? Oh, you mean those big plastic CD's? I remember seeing one of those when I was five (and music never sounded so good, analog is a good way to preserve quality, hint, hint) Of course you don't see it as a viable option, that's the problem.
The business models that MP3.com have put forward are interesting business models. The issue with MP3.com is simply of them not seeking licenses prior to the launching of their system.
So you mean in addition to buying your CD, I have to get some ethereal "license" to listen to it? We are talking about my.mp3.com, right? Try and stay on-topic, that's what the lawsuit is about. That, and bankruptcy.
I do get a particular laugh out of technology entrepreneurs who try and say that the record industry has screwed artists over the years. But what is it, now it's their turn?
Oh, we're doing the screwing all right. But the artists have had enough, if you catch my drift. I get a particular laugh too, haw-hah!
We have gone through an interesting shift here. The RIAA is a trade organization that was never a public entity or necessarily had any public profile. So it's quite a different role for us to all of a sudden respond not just to the music community but to the public itself.
The Internet exposes dark organizations. Have you heard about Echelon? Area51? There's some pictures around here somewhere... Unfortunately the power has shifted. You no longer are dealing with someone coming to you for a resource only you control. Now you have to deal with us, and we control the resources.
But I've learned a lot: A lot of people don't know what record companies do and what they bring to the equation -- helping to develop the talent and create the demand. That's been interesting.
Oh, just wait. This party is just getting started. Most of the players aren't even here yet. We live in interesting times, indeed.
When you go to buy a Chevy, you generally know something about General Motors being a decent company.
Define decent for me. I do not think it means what you think it means. (Not a knock on GM, just a question about your example)
When you want to buy a Bruce Springsteen record, you don't think much about Sony Music; that's been deliberate by these companies over the years. As a result, a lot of other people have painted on that blank canvas. If we could do that over, maybe we'd do that differently. But maybe not.
A painting on a black canvas. What an apt metaphor. No wonder it's taken so long to see it clearly.
I cheerfully await a response. I fervently hope that this crosses your desk at some time in the future. I've been harsh, perhaps unnecessarily so, but I hope you can get around my sarcasm and cynicism and see what I have for you here. Don't be afraid to by cynical in response. A little laugh might do us all good at this point. Let's get a conversation going and maybe we can save you some litigation costs.
This is a quick dissection of your recent interview with Salon.com. Please respond if you have a moment.
Your quotes are in italics, questions are in bold, my comments are in plain text.
While ultimately I don't think litigation is the right business strategy over the long term,
Would that be 20 years long term? It will take at least that long for a generation to forget.
I do think that Napster is guilty of copyright infringement, and we will have both a favorable court decision and some precedents set for companies that try and commercialize file sharing.
Why is sharing so bad? And I am shocked that you didn't say "commercialize file pirating." Some would call that a Fruedian slip.
There is certainly a lot of intrigue in the notion of file sharing -- for community reasons and for marketing reasons and for putting like people with like-minded interests together.
Nice, it even sounds good coming from you.
Clearly I understand all that.
For some reason I don't believe you.
But those issues really should be divorced from the very unique and specific issue, Does a company have a right to create a system that is so deliberately designed to take other people's work?
Why do we need another divorce? This country needs healing. It needs the power of community. I lost you after "does a company have a right..."
It's interesting in court -- the Napster lawyer tried to make the argument that file-sharing services like Napster actually bring the Internet back to its original purpose and history, which was when university researchers would share their research with their colleagues around the world.
Perish the thought. Please tell me, again, why this is a bad thing for anyone?
That was a very valuable and exciting thing that happened, but there's a principal difference between that activity and what businesses like Napster are engaged in -- it was those professors' works that they themselves were sharing!
Again with the sharing? This is the word we're talking about right? "a : to partake of, use, experience, occupy, or enjoy with others b : to have in common" That's the bad word?
As a practical matter going forward, lawsuits get a lot of headlines and they raise a lot of passion -- I understand that.
Not yet you don't. I still have three friends that haven't heard about you yet.
But ultimately the future of music on the Internet is not going to be about legalities and litigation, it's going to be about how are we bringing music to fans -- new music,
Yes, it is. But I don't think you know what "we" means yet.
established artists -- what are the new business models that people are adopting and how do you make all the new opportunities win-win.
BY SHARING THE MUSIC. YOU HAVE A FREE RESOURCE. USE IT! I can explain this philosophy in great detail if you like. Click that "user info" button and look for a conversation (still ongoing) with Eric the.5b
I don't think anybody has illusions about controlling all transmissions online.
I do (think some have illusions, not have them myself).
The question is, How do you compete if services available to give it away without regard to the creators are allowed to flourish with such customer-service-friendly tools?
If you ask the wrong question, the answer doesn't matter. Remove the words "without regard to the creators" and you are on the right track. The Net is like that, it doesn't really make sense in most traditional terms.
Gnutella is a little harder to use than Napster, but there also ways to enforce against Gnutella users that you don't have with Napster.
Hehe, that would be funny to watch. I don't think you want to try and fight that battle.
Are Napster and online distribution of music causing the record industry to rethink or change its business models?
It doesn't necessarily change -- it expands. I personally believe people will want to buy CDs for a long time to come, [agreed] but I also believe they want to have subscriptions, kiosks in stores and airports, digital downloads...
I don't, but then again I'm one of your core customers. At least I used to be.
I believe the expansion is where the conflict and the opportunity arrives. It behooves technology innovators to help develop those concepts in partnership with the music community. It's not accurate to say that the record industry says no.
What is it accurate to say? The record industry says "go for it, we have good lawyers and lots of money?"
There's no question that the industry has been slow to the marketplace, but it's too simplistic to say that the slowness or speed is out of some fear.
Simplicity sells technology. Just something I've noticed. I see fear in all your actions. Most creatures that are panicing don't notice it themselves, but again, those are just my observations.
It's more accurate to say that these are very complex transitions with a lot of interests and players involved -- artists and publishers and distributors and retailers and technology partners. There are a whole host of changes, and new structures that have to be created to move into these worlds.
That's the big problems. There are so many players involved. We need two players. Artists and Fans. Which one are you? We don't need new structures either. We have the Net. It's a new structure, how much of it have you guys built? How much have you tried to destroy? Can you see why we (I) don't like you (plural)?
It's not necessarily what people always want to hear, but I do believe that it is complex.
You just keep on digging into the unnecessy complexities of the business models you have created. I'll be listening to some music.
It's not whether or not somebody is killing CD sales this week -- it's whether music has value, and is perceived to have value in and of itself by fans, and by technology companies and venture capitalists who are investing in new businesses and have to pay for everything from their server space to their telephone lines to their lunchboxes.
Simplify, simplify. How many venture capitalists do you know that would give money to a company that starts out with the idea "First, we sue everyone with a different business model..." (step three: Profit!)
Paying for the content they are using is not an unreasonable request. I think it's a value quotient, not necessarily a piracy fear, that is also important to consider.
You should search this site. I'm sure somebody will give you a clue as to the nature of supply, demand, and value quotients on the Internet. "Not necessarily a piracy fear", I thought you guys weren't scared?
It goes back to the earlier issue that whether or not the record companies and artists are making money selling CDs is irrelevant to Napster; they are building a business on the backs of artists.
And your business would be built where?
Just because [artists] are making money elsewhere doesn't mean Napster has the right to do this. It's a self-serving argument for Napster.
*COUGH*
No one is arguing Chicken Little here;
Sometimes you should listen to a little pen^H^H^Hchicken. The sky has indeed fallen.
what we are saying is that if that geometric [try exponential] progression is such that music has less and less value, ultimately you do get to a scenario where it's hard for the legitimate businesses to compete. No one says we're there, but it doesn't take a rocket scientist to see where we're going.
No it doesn't. Have you ever seen a fifty-year-old rocket crash into the ground? Be patient. Shouldn't be too long now.
It's an artists issue. Cynics say the record industry doesn't like that model because it takes them out of the equation. But it's not true -- artists like it when they have a record that's so successful that they get to stay home for a few months rather than go on tour.
You are limiting the artists' choices. And secondly, a significant part of the meaning of the music is creating the demand for the work.
i.e. Marketing. Yea we've heard of it. I don't remember that in my music appreciation class in college though. Must'a skipped that day after a ragin' Rage show.
And creating that demand for the music and the artist is very much a marketing and promotional function the record company does. The costs associated with that have to be absorbed somewhere.
Yes, they do. And we, the fans, would be more than happy to do it. Just let us copy, digitally, our music files (that we bought and paid for) and allow us to take care of that marketing part for you. We'll tell our friends what sucks. And what kicks ass. MP3 is about as good as quality as radio, if you haven't noticed. CD's sound better. They still travel better. They look good on coffee tables. We're not going to stop buying CD (unless you quit fretting and bring us DVD-AUDIO, and yes, it will get broken)
Things will evolve and the industry has always given away music for free, but it's really inappropriate that the only ways that artists should be able to make money off their craft is touring, if in fact people are enjoying their music anyway.
Remember we are paying for that promotion and distrubution so you don't have to. You can take all that money you save and give it straight to the artists. And why don't you give their copyrights back after you stop promoting them? That doesn't seem fair to me, but then again I didn't lobby to have copyright extended for an additional 20 years after death.
Not to mention the whole crop of artists that don't have the ability to tour.
I'm sure studio musicians will still have skills that are useful to somebody. Perhaps they can teach in schools after the sudden revival in the public's taste for live music? I mean, MP3 is great, CDs are better, but you can't beat the real thing. Don't forget that.
What was your reaction when you heard that Napster was sponsoring the Limp Bizkit tour?
I thought Napster must be desperate to have to pay $2 million to get someone to support them.
I didn't think it was a thoughtful statement about the long-term economics of the record industry -- it was an anti-establishment, rock 'n' roll publicity thing for them to do.
Yes, and...? You 'member Elvis shaking them hips don'cha? What an anti-establishment, rock n' rock thing for him to do.
There's no question that the multitude of artists who have spoken out against Napster far outweigh this kind of publicity stunt, but I hope that their fans realize that these artists actually care about their work, and care about their art, and care about their ability to keep making it.
No question, eh? No question? Now would that be artists as in "signed, sealed, and delivered on the dotted line" or artists as in "a person skilled in one of the fine arts." I don't remeber seeing that national statistics poll, I must've been asleep at the wheel.
I think if Napster has ideas for alternative business models, they haven't said them yet.
Since when did "put music in the hands of fans" become an alternative business model. What is radio supposed to be? What's MTV for again?
I don't think it's my place to do that. If people are creating businesses that use other people's work like that, it behooves them to come up with some other scenario at the outset that does the right thing. Where they go from here is the subject of obviously complicated scenarios.
Obviously complicated scenaries, i.e. lawsuits. You've got that part of the business plan down pat. Keep the course.
There are mutual responsibilities, but obviously as this case is in litigation, suffice it to say that Napster has never come up with a scenario. And I don't think anybody in the record industry has any indication that that is a viable option.
The record industry? What's a record? Oh, you mean those big plastic CD's? I remember seeing one of those when I was five (and music never sounded so good, analog is a good way to preserve quality, hint, hint) Of course you don't see it as a viable option, that's the problem.
The business models that MP3.com have put forward are interesting business models. The issue with MP3.com is simply of them not seeking licenses prior to the launching of their system.
So you mean in addition to buying your CD, I have to get some ethereal "license" to listen to it? We are talking about my.mp3.com, right? Try and stay on-topic, that's what the lawsuit is about. That, and bankruptcy.
I do get a particular laugh out of technology entrepreneurs who try and say that the record industry has screwed artists over the years. But what is it, now it's their turn?
Oh, we're doing the screwing all right. But the artists have had enough, if you catch my drift. I get a particular laugh too, haw-hah!
We have gone through an interesting shift here. The RIAA is a trade organization that was never a public entity or necessarily had any public profile. So it's quite a different role for us to all of a sudden respond not just to the music community but to the public itself.
The Internet exposes dark organizations. Have you heard about Echelon? Area51? There's some pictures around here somewhere... Unfortunately the power has shifted. You no longer are dealing with someone coming to you for a resource only you control. Now you have to deal with us, and we control the resources.
But I've learned a lot: A lot of people don't know what record companies do and what they bring to the equation -- helping to develop the talent and create the demand. That's been interesting.
Oh, just wait. This party is just getting started. Most of the players aren't even here yet. We live in interesting times, indeed.
When you go to buy a Chevy, you generally know something about General Motors being a decent company.
Define decent for me. I do not think it means what you think it means. (Not a knock on GM, just a question about your example)
When you want to buy a Bruce Springsteen record, you don't think much about Sony Music; that's been deliberate by these companies over the years. As a result, a lot of other people have painted on that blank canvas. If we could do that over, maybe we'd do that differently. But maybe not.
A painting on a black canvas. What an apt metaphor. No wonder it's taken so long to see it clearly.
I cheerfully await a response. I fervently hope that this crosses your desk at some time in the future. I've been harsh, perhaps unnecessarily so, but I hope you can get around my sarcasm and cynicism and see what I have for you here. Don't be afraid to by cynical in response. A little laugh might do us all good at this point. Let's get a conversation going and maybe we can save you some litigation costs.
it's not that/. lacks spin, it's that it has so much spin you have to form your own opinion. The blurbs are just one person's opinion, and so is each comment. That article was still pathetic though.
Do you really think your flame will change anything, other than lowering my opinion of you?
No, my bad. shoulda done it as AC, I still think it was a troll. I sacrifice Karma from time to time to shut 'em up (and the other idiots who reply to them:). Sometimes it works, sometimes not. I think scores should go up to 10 (with 4x the moders) so I annoy people until Rob changes it. There's more than 6 levels of comments here. Oh, and I average about 20 hits a post, so you do the figgurin'.:-) --
They've already managed to extend the length of copyright to an unreasonable amount of time, now they're trying to remove the limits on the monopoly they have. This is wrong and should be stopped.
Don't you feel sorry for the ppl who are so scared of their identity that they pay to advertise company logos on their clothing?
It's more fun to laugh. I had a friend who worked for Hilfiger (ya'know that company that who wrote that horrible song), and during the training course they were instructed to start saying "oh, that's soo Tommy" when they saw something cool.
Of course, getting confused looks for your clothing is fun too. You probably wouldn't be surprised about how few people know what to make of "Got root?" or my Debian "100% Suck Free" tees. I started telling girls the Debian one was "an unfortunately accurate descripition of my current romantic situation.":( T-shirts are fun.
Posting on/., although interesting and informative at times, is not "activism". It is not "striking out at the Corporate Scum" It is soapboxing in a generally Pro Free Software forum.
While the audience here is fairly sympathetic, what exactly is different between/. and any other protest rally? We talk about stuff we'd like to change and then make actions that would change it. It's not particularly organized, but like the article a while back, chaos likes to organize itself from time to time.
However you do imply that television and radio is inherently worse than the Net.
First off, "better and worse" are vague terms that really shouldn't apply to media forms. However, I will state boldly that the Net is better than both. And we don't even have high-speed wireless yet.. The biggest difference though, from/. and the nightly news with Danny Koppel, is that here I get to see real people's opinions, real people's links, and real people's mistakes. I don't get the corporate viewpoint, I don't get some guy who's paid $7 million a year 'cause he's got killer hair and can annunciate effectively, I get real people's thoughts and ideas, all sorted by score and served up on request, flames and trolls included. Just like real life. That's the better part. --
Let me make my bias clear. I think RMS rocks. Yea, he can be a stubborn, thick-headed asshole, but I think this question defines that side of him the best.
Q: Are there any things that you sort of care about, but not very much?
RMS: Sure, plenty--but I don't argue about those things.
Some other highlights.
I am not affiliated with the Open Source Movement. I founded the Free Software Movement, which has been working to spread freedom and cooperation since 1984, and is concerned not only with practical benefits but with a social and ethical issue: whether to encourage people to cooperate with their neighbors, or prohibit cooperation.
1984, what can you say...hehe. Funny that one of the things will make make sure we don't have a totalitarian regime in the future, was started the same year that totalitarian regime was supposed to take over.
Does the phrase "Don't Sweat the Small Stuff" (I'm thinking of the "GNU/Linux" thing) have any resonance at all with you?
followed by a paragraph long explanation on why you should call it GNU/Linux, hehe. He does have a sense of humor.:)
The DMCA is a perfect example of the harm done when business dominates government and society. One part of the law explicitly says that only commercially significant activities are considered important (to legitimize a program which is often used to bypass technological means of controlling the users)--showing explicit prejudice against educational uses, recreational uses, communitarian uses, military uses, and religious uses.
couldn't have said it better myself, and I've tried (click user info)
So I'm starting to think the guy gets in, but then I realize he's still learning...
I don't play music from files on my computer, but I've occasionally made tapes of records and given them to my friends.
Just wondering because I remember a Bob Young interview a while back during the RH roadshow. He asked a group of execs how many of their IT depts were mandated to use Linux. No hands. He asks how many thought that Linux was running somewhere on their networks. All hands. Now ask them how many of their core products contain GPL'ed code. How fast can you count blank stares?
Not only should they be required to remove the code in the next release if they want to keep it closed, but they should have to lisence the current one under the GPL
I agree, take the fsckers to court. Let's see if the GPL has teeth.
I think it would be a good way to branch the software. They can release a new version without the code, but the one that's out there *should* be open. Maybe we could have a contest in a year or so and see who has the better code (one company vs. the rest of the world, hehe)?
Note to nvidia: I am your core market, the way you handle this situation will determine what I think of your company for years to come. Act accordingly. Also note, I had a v3 blow up a week ago, and am currently in the market looking for a replacement. --
just a couple things, thanks for the discussion also. (here's a quick hello to everyone lurking,."Hello!")
I had a conversation about this last night with friends, some of which have high-speed connections.
Me too. We were listening to some of this (KVHW) using this. Them someone mentioned these guys. So I used this. And everyone heard what we were talking about. Which opened the door to summarize this discussion for them.:-) Later, I pointed out how we were all felons, pirates, and all that was evil in the world. Then, we went to this show, and made a night of it.
There is no philosophical connection between the Free Software/Open Source movement (if you merge them together for simplicity) and piracy of intellectual property.
Except that some folks in the FS/OM movement don't believe in piracy of intellectual property as a concept. I fall short of that extreme, but believe our current situation regarding IP, is, flawed.
Therefore, those who don't pay for such content are parasites relying on the "rubes" who do pay for it.
Then I guess I'm some sort of pararube, eh?
Basically, we'll be down to hobby content.
If Linux is an example of hobby content, then I'm all for this scenario. I like to think of Free Software (and hopefully someday Free Music) as the baseline for measuring software. If your commercial software isn't as good as the stuff I can get for free...your stuff sucks and isn't worth my money. As we raise the bar for what you can get for free, you have to raise even higher the bar of what you sell. This provides the necessary motivation to succeed, that other forms of communism (i.e. in the real world) lacked. Just so I can be honest with both you and myself on what I'm really talking about. Eliminating scarcity changes value fundamentally, it's time to deal with it.
If you want to continue this, may I suggest e-mail?
Slashdot Mirror
Maybe these journalists are concentrating a bit too much on applications for the 'normal end user'
Maybe these journalists have no idea what the "normal end user" is anymore. I would think it is someone who wants to set up a web presence for their business or family. Cheaply, efficiently, and with a minimal amount of blue screens. This is bit of forward thinking on what "normal" people want, but it's just so easy and fun, everyone is doing it. And the smart people are doing it with Free Software.
--
How about retorts? You like those? Try my user info or here.
It's FANatical, FUNdamental, and backed by FACTs.
Burning karma for FUN, FANS, and FACTS!
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Not understanding one of the biggest shifts in the industry since the PC in the early '80s is a career-limiting mistake for a journalist who specializes in covering technology.
That's gonna be my new sig.
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(It also makes me think of the PBS Ads...er...sponsorships that have slowly evolved more and more into the exact same ads we're seeing on the standard networks.)
That's 'cause they ARE the same thing. (advertising: media used to make something known) The difference is in how they are acquired. And how much they represent the media in which they are included. Most NetTV (mainstream media) spots are sold to the highest biddder, PBS searches out sponsors (I believe). Advertising is going to be a part of our lives for a long time, now we just need to find the kind we like...yea, right.
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I just submitted it there. I think I messed it up though, vote for the second one. Thanks.
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yea, sorry. numb (a.k.a G27) already slapped me down. Just got a bit excited. I'll be patient now....it's over here too...
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IANAL, but I think that a trade secret can be legally protected if reasonable steps were taken to protect it.
I seriously doubt that posting it to the Net would count as a reasonable step to protect the secret. Either way I'm not touching W2K (and it's not touching any of my company's computers) until it can play nice.
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You're right; it isn't legal. But people think it's legal
.sig)
that's why M$ is pushing UCITA so hard.
(nice
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This is kind of like Microsoft's Open License program, just for music.
MS's Open License is a marketing ploy to confuse end users about the term "Open"
Product use rights
There are two use rights that are common to all Microsoft Open License customers in addition to rights granted under specific product end-user license agreements (EULAs).
that is to say, "In addition to the rights taken away by EULA.."
Oh, and those new "rights"
Open License grants the right to use different product language versions. Customers must have an initial language version that is the same price or higher than the desired language version.
Wow, I feel so empowered.
Open License grants downgrade rights for all Microsoft products. Downgrade rights allow users to run any prior version of a product for which they have received license confirmations, instead of running the version they acquired.
Woohoo! I am allowed to use old unsupported software at the new price. yaaah!
Did you see this?
Oh, and it's about control of money, IMHO.
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..about predicting the Internet?
My mental image of the the Guide (outside of the Don't Panic sticker) was a laptop computer with high speed access. The big hint was when you said (paraphrased) "The Guide contains vaste amount of information on every concievable concept, much of it completely erroneous or actively dangerous." That's about the best description of the Net I've seen, and it came about before the thing was mainstream. I guess my question is, Have you ever thought of it that way? Do you like turkey? And what's the deal with Smithers?
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over at Salon
.5b
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/.
The crew have rejected it twice, so I'll burn more karma.
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To Hilary Rosen. A Retort.
This is a quick dissection of your recent interview with Salon.com. Please respond if you have a moment.
Your quotes are in italics, questions are in bold, my comments are in plain text.
While ultimately I don't think litigation is the right business strategy over the long term,
Would that be 20 years long term? It will take at least that long for a generation to forget.
I do think that Napster is guilty of copyright infringement, and we will have both a favorable court decision and some precedents set for companies that try and commercialize file sharing.
Why is sharing so bad? And I am shocked that you didn't say "commercialize file pirating." Some would call that a Fruedian slip.
There is certainly a lot of intrigue in the notion of file sharing -- for community reasons and for marketing reasons and for putting like people with like-minded interests together.
Nice, it even sounds good coming from you.
Clearly I understand all that.
For some reason I don't believe you.
But those issues really should be divorced from the very unique and specific issue, Does a company have a right to create a system that is so deliberately designed to take other people's work?
Why do we need another divorce? This country needs healing. It needs the power of community. I lost you after "does a company have a right..."
It's interesting in court -- the Napster lawyer tried to make the argument that file-sharing services like Napster actually bring the Internet back to its original purpose and history, which was when university researchers would share their research with their colleagues around the world.
Perish the thought. Please tell me, again, why this is a bad thing for anyone?
That was a very valuable and exciting thing that happened, but there's a principal difference between that activity and what businesses like Napster are engaged in -- it was those professors' works that they themselves were sharing!
Again with the sharing? This is the word we're talking about right? "a : to partake of, use, experience, occupy, or enjoy with others b : to have in common" That's the bad word?
As a practical matter going forward, lawsuits get a lot of headlines and they raise a lot of passion -- I understand that.
Not yet you don't. I still have three friends that haven't heard about you yet.
But ultimately the future of music on the Internet is not going to be about legalities and litigation, it's going to be about how are we bringing music to fans -- new music,
Yes, it is. But I don't think you know what "we" means yet.
established artists -- what are the new business models that people are adopting and how do you make all the new opportunities win-win.
BY SHARING THE MUSIC. YOU HAVE A FREE RESOURCE. USE IT! I can explain this philosophy in great detail if you like. Click that "user info" button and look for a conversation (still ongoing) with Eric the
I don't think anybody has illusions about controlling all transmissions online.
I do (think some have illusions, not have them myself).
The question is, How do you compete if services available to give it away without regard to the creators are allowed to flourish with such customer-service-friendly tools?
If you ask the wrong question, the answer doesn't matter. Remove the words "without regard to the creators" and you are on the right track. The Net is like that, it doesn't really make sense in most traditional terms.
Gnutella is a little harder to use than Napster, but there also ways to enforce against Gnutella users that you don't have with Napster.
Hehe, that would be funny to watch. I don't think you want to try and fight that battle.
Are Napster and online distribution of music causing the record industry to rethink or change its business models?
It doesn't necessarily change -- it expands. I personally believe people will want to buy CDs for a long time to come, [agreed] but I also believe they want to have subscriptions, kiosks in stores and airports, digital downloads
I don't, but then again I'm one of your core customers. At least I used to be.
I believe the expansion is where the conflict and the opportunity arrives. It behooves technology innovators to help develop those concepts in partnership with the music community. It's not accurate to say that the record industry says no.
What is it accurate to say? The record industry says "go for it, we have good lawyers and lots of money?"
There's no question that the industry has been slow to the marketplace, but it's too simplistic to say that the slowness or speed is out of some fear.
Simplicity sells technology. Just something I've noticed. I see fear in all your actions. Most creatures that are panicing don't notice it themselves, but again, those are just my observations.
It's more accurate to say that these are very complex transitions with a lot of interests and players involved -- artists and publishers and distributors and retailers and technology partners. There are a whole host of changes, and new structures that have to be created to move into these worlds.
That's the big problems. There are so many players involved. We need two players. Artists and Fans. Which one are you? We don't need new structures either. We have the Net. It's a new structure, how much of it have you guys built? How much have you tried to destroy? Can you see why we (I) don't like you (plural)?
It's not necessarily what people always want to hear, but I do believe that it is complex.
You just keep on digging into the unnecessy complexities of the business models you have created. I'll be listening to some music.
It's not whether or not somebody is killing CD sales this week -- it's whether music has value, and is perceived to have value in and of itself by fans, and by technology companies and venture capitalists who are investing in new businesses and have to pay for everything from their server space to their telephone lines to their lunchboxes.
Simplify, simplify. How many venture capitalists do you know that would give money to a company that starts out with the idea "First, we sue everyone with a different business model..." (step three: Profit!)
Paying for the content they are using is not an unreasonable request. I think it's a value quotient, not necessarily a piracy fear, that is also important to consider.
You should search this site. I'm sure somebody will give you a clue as to the nature of supply, demand, and value quotients on the Internet. "Not necessarily a piracy fear", I thought you guys weren't scared?
It goes back to the earlier issue that whether or not the record companies and artists are making money selling CDs is irrelevant to Napster; they are building a business on the backs of artists.
And your business would be built where?
Just because [artists] are making money elsewhere doesn't mean Napster has the right to do this. It's a self-serving argument for Napster.
*COUGH*
No one is arguing Chicken Little here;
Sometimes you should listen to a little pen^H^H^Hchicken. The sky has indeed fallen.
what we are saying is that if that geometric [try exponential] progression is such that music has less and less value, ultimately you do get to a scenario where it's hard for the legitimate businesses to compete. No one says we're there, but it doesn't take a rocket scientist to see where we're going.
No it doesn't. Have you ever seen a fifty-year-old rocket crash into the ground? Be patient. Shouldn't be too long now.
It's an artists issue. Cynics say the record industry doesn't like that model because it takes them out of the equation. But it's not true -- artists like it when they have a record that's so successful that they get to stay home for a few months rather than go on tour.
Do artists also like works for hire? Here's a link from your page. And here's a link about where you paid to get the law changed. And here's one to a quick rundown on how artists fare with your current business model.
You are limiting the artists' choices. And secondly, a significant part of the meaning of the music is creating the demand for the work.
i.e. Marketing. Yea we've heard of it. I don't remember that in my music appreciation class in college though. Must'a skipped that day after a ragin' Rage show.
And creating that demand for the music and the artist is very much a marketing and promotional function the record company does. The costs associated with that have to be absorbed somewhere.
Yes, they do. And we, the fans, would be more than happy to do it. Just let us copy, digitally, our music files (that we bought and paid for) and allow us to take care of that marketing part for you. We'll tell our friends what sucks. And what kicks ass. MP3 is about as good as quality as radio, if you haven't noticed. CD's sound better. They still travel better. They look good on coffee tables. We're not going to stop buying CD (unless you quit fretting and bring us DVD-AUDIO, and yes, it will get broken)
Things will evolve and the industry has always given away music for free, but it's really inappropriate that the only ways that artists should be able to make money off their craft is touring, if in fact people are enjoying their music anyway.
Remember we are paying for that promotion and distrubution so you don't have to. You can take all that money you save and give it straight to the artists. And why don't you give their copyrights back after you stop promoting them? That doesn't seem fair to me, but then again I didn't lobby to have copyright extended for an additional 20 years after death.
Not to mention the whole crop of artists that don't have the ability to tour.
I'm sure studio musicians will still have skills that are useful to somebody. Perhaps they can teach in schools after the sudden revival in the public's taste for live music? I mean, MP3 is great, CDs are better, but you can't beat the real thing. Don't forget that.
What was your reaction when you heard that Napster was sponsoring the Limp Bizkit tour?
I thought Napster must be desperate to have to pay $2 million to get someone to support them.
I think you might have wanted to think about this one for a second or two. Exactly how much did you guys spend last year on Congress? What's the annual promotion budget for New York?
I didn't think it was a thoughtful statement about the long-term economics of the record industry -- it was an anti-establishment, rock 'n' roll publicity thing for them to do.
Yes, and...? You 'member Elvis shaking them hips don'cha? What an anti-establishment, rock n' rock thing for him to do.
There's no question that the multitude of artists who have spoken out against Napster far outweigh this kind of publicity stunt, but I hope that their fans realize that these artists actually care about their work, and care about their art, and care about their ability to keep making it.
No question, eh? No question? Now would that be artists as in "signed, sealed, and delivered on the dotted line" or artists as in "a person skilled in one of the fine arts." I don't remeber seeing that national statistics poll, I must've been asleep at the wheel.
I think if Napster has ideas for alternative business models, they haven't said them yet.
Since when did "put music in the hands of fans" become an alternative business model. What is radio supposed to be? What's MTV for again?
I don't think it's my place to do that. If people are creating businesses that use other people's work like that, it behooves them to come up with some other scenario at the outset that does the right thing. Where they go from here is the subject of obviously complicated scenarios.
Obviously complicated scenaries, i.e. lawsuits. You've got that part of the business plan down pat. Keep the course.
There are mutual responsibilities, but obviously as this case is in litigation, suffice it to say that Napster has never come up with a scenario. And I don't think anybody in the record industry has any indication that that is a viable option.
The record industry? What's a record? Oh, you mean those big plastic CD's? I remember seeing one of those when I was five (and music never sounded so good, analog is a good way to preserve quality, hint, hint) Of course you don't see it as a viable option, that's the problem.
The business models that MP3.com have put forward are interesting business models. The issue with MP3.com is simply of them not seeking licenses prior to the launching of their system.
So you mean in addition to buying your CD, I have to get some ethereal "license" to listen to it? We are talking about my.mp3.com, right? Try and stay on-topic, that's what the lawsuit is about. That, and bankruptcy.
I do get a particular laugh out of technology entrepreneurs who try and say that the record industry has screwed artists over the years. But what is it, now it's their turn?
Oh, we're doing the screwing all right. But the artists have had enough, if you catch my drift. I get a particular laugh too, haw-hah!
We have gone through an interesting shift here. The RIAA is a trade organization that was never a public entity or necessarily had any public profile. So it's quite a different role for us to all of a sudden respond not just to the music community but to the public itself.
The Internet exposes dark organizations. Have you heard about Echelon? Area51? There's some pictures around here somewhere... Unfortunately the power has shifted. You no longer are dealing with someone coming to you for a resource only you control. Now you have to deal with us, and we control the resources.
But I've learned a lot: A lot of people don't know what record companies do and what they bring to the equation -- helping to develop the talent and create the demand. That's been interesting.
Oh, just wait. This party is just getting started. Most of the players aren't even here yet. We live in interesting times, indeed.
When you go to buy a Chevy, you generally know something about General Motors being a decent company.
Define decent for me. I do not think it means what you think it means. (Not a knock on GM, just a question about your example)
When you want to buy a Bruce Springsteen record, you don't think much about Sony Music; that's been deliberate by these companies over the years. As a result, a lot of other people have painted on that blank canvas. If we could do that over, maybe we'd do that differently. But maybe not.
A painting on a black canvas. What an apt metaphor. No wonder it's taken so long to see it clearly.
I cheerfully await a response. I fervently hope that this crosses your desk at some time in the future. I've been harsh, perhaps unnecessarily so, but I hope you can get around my sarcasm and cynicism and see what I have for you here. Don't be afraid to by cynical in response. A little laugh might do us all good at this point. Let's get a conversation going and maybe we can save you some litigation costs.
Thanks,
Roy M. Taylor
a.k.a Wah on
--
Speaking of April Fools....Did anyone see this? Here's my retort
.5b
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/.
--
To Hilary Rosen. A Retort.
This is a quick dissection of your recent interview with Salon.com. Please respond if you have a moment.
Your quotes are in italics, questions are in bold, my comments are in plain text.
While ultimately I don't think litigation is the right business strategy over the long term,
Would that be 20 years long term? It will take at least that long for a generation to forget.
I do think that Napster is guilty of copyright infringement, and we will have both a favorable court decision and some precedents set for companies that try and commercialize file sharing.
Why is sharing so bad? And I am shocked that you didn't say "commercialize file pirating." Some would call that a Fruedian slip.
There is certainly a lot of intrigue in the notion of file sharing -- for community reasons and for marketing reasons and for putting like people with like-minded interests together.
Nice, it even sounds good coming from you.
Clearly I understand all that.
For some reason I don't believe you.
But those issues really should be divorced from the very unique and specific issue, Does a company have a right to create a system that is so deliberately designed to take other people's work?
Why do we need another divorce? This country needs healing. It needs the power of community. I lost you after "does a company have a right..."
It's interesting in court -- the Napster lawyer tried to make the argument that file-sharing services like Napster actually bring the Internet back to its original purpose and history, which was when university researchers would share their research with their colleagues around the world.
Perish the thought. Please tell me, again, why this is a bad thing for anyone?
That was a very valuable and exciting thing that happened, but there's a principal difference between that activity and what businesses like Napster are engaged in -- it was those professors' works that they themselves were sharing!
Again with the sharing? This is the word we're talking about right? "a : to partake of, use, experience, occupy, or enjoy with others b : to have in common" That's the bad word?
As a practical matter going forward, lawsuits get a lot of headlines and they raise a lot of passion -- I understand that.
Not yet you don't. I still have three friends that haven't heard about you yet.
But ultimately the future of music on the Internet is not going to be about legalities and litigation, it's going to be about how are we bringing music to fans -- new music,
Yes, it is. But I don't think you know what "we" means yet.
established artists -- what are the new business models that people are adopting and how do you make all the new opportunities win-win.
BY SHARING THE MUSIC. YOU HAVE A FREE RESOURCE. USE IT! I can explain this philosophy in great detail if you like. Click that "user info" button and look for a conversation (still ongoing) with Eric the
I don't think anybody has illusions about controlling all transmissions online.
I do (think some have illusions, not have them myself).
The question is, How do you compete if services available to give it away without regard to the creators are allowed to flourish with such customer-service-friendly tools?
If you ask the wrong question, the answer doesn't matter. Remove the words "without regard to the creators" and you are on the right track. The Net is like that, it doesn't really make sense in most traditional terms.
Gnutella is a little harder to use than Napster, but there also ways to enforce against Gnutella users that you don't have with Napster.
Hehe, that would be funny to watch. I don't think you want to try and fight that battle.
Are Napster and online distribution of music causing the record industry to rethink or change its business models?
It doesn't necessarily change -- it expands. I personally believe people will want to buy CDs for a long time to come, [agreed] but I also believe they want to have subscriptions, kiosks in stores and airports, digital downloads
I don't, but then again I'm one of your core customers. At least I used to be.
I believe the expansion is where the conflict and the opportunity arrives. It behooves technology innovators to help develop those concepts in partnership with the music community. It's not accurate to say that the record industry says no.
What is it accurate to say? The record industry says "go for it, we have good lawyers and lots of money?"
There's no question that the industry has been slow to the marketplace, but it's too simplistic to say that the slowness or speed is out of some fear.
Simplicity sells technology. Just something I've noticed. I see fear in all your actions. Most creatures that are panicing don't notice it themselves, but again, those are just my observations.
It's more accurate to say that these are very complex transitions with a lot of interests and players involved -- artists and publishers and distributors and retailers and technology partners. There are a whole host of changes, and new structures that have to be created to move into these worlds.
That's the big problems. There are so many players involved. We need two players. Artists and Fans. Which one are you? We don't need new structures either. We have the Net. It's a new structure, how much of it have you guys built? How much have you tried to destroy? Can you see why we (I) don't like you (plural)?
It's not necessarily what people always want to hear, but I do believe that it is complex.
You just keep on digging into the unnecessy complexities of the business models you have created. I'll be listening to some music.
It's not whether or not somebody is killing CD sales this week -- it's whether music has value, and is perceived to have value in and of itself by fans, and by technology companies and venture capitalists who are investing in new businesses and have to pay for everything from their server space to their telephone lines to their lunchboxes.
Simplify, simplify. How many venture capitalists do you know that would give money to a company that starts out with the idea "First, we sue everyone with a different business model..." (step three: Profit!)
Paying for the content they are using is not an unreasonable request. I think it's a value quotient, not necessarily a piracy fear, that is also important to consider.
You should search this site. I'm sure somebody will give you a clue as to the nature of supply, demand, and value quotients on the Internet. "Not necessarily a piracy fear", I thought you guys weren't scared?
It goes back to the earlier issue that whether or not the record companies and artists are making money selling CDs is irrelevant to Napster; they are building a business on the backs of artists.
And your business would be built where?
Just because [artists] are making money elsewhere doesn't mean Napster has the right to do this. It's a self-serving argument for Napster.
*COUGH*
No one is arguing Chicken Little here;
Sometimes you should listen to a little pen^H^H^Hchicken. The sky has indeed fallen.
what we are saying is that if that geometric [try exponential] progression is such that music has less and less value, ultimately you do get to a scenario where it's hard for the legitimate businesses to compete. No one says we're there, but it doesn't take a rocket scientist to see where we're going.
No it doesn't. Have you ever seen a fifty-year-old rocket crash into the ground? Be patient. Shouldn't be too long now.
It's an artists issue. Cynics say the record industry doesn't like that model because it takes them out of the equation. But it's not true -- artists like it when they have a record that's so successful that they get to stay home for a few months rather than go on tour.
Do artists also like works for hire? Here's a link from your page. And here's a link about where you paid to get the law changed. And here's one to a quick rundown on how artists fare with your current business model.
You are limiting the artists' choices. And secondly, a significant part of the meaning of the music is creating the demand for the work.
i.e. Marketing. Yea we've heard of it. I don't remember that in my music appreciation class in college though. Must'a skipped that day after a ragin' Rage show.
And creating that demand for the music and the artist is very much a marketing and promotional function the record company does. The costs associated with that have to be absorbed somewhere.
Yes, they do. And we, the fans, would be more than happy to do it. Just let us copy, digitally, our music files (that we bought and paid for) and allow us to take care of that marketing part for you. We'll tell our friends what sucks. And what kicks ass. MP3 is about as good as quality as radio, if you haven't noticed. CD's sound better. They still travel better. They look good on coffee tables. We're not going to stop buying CD (unless you quit fretting and bring us DVD-AUDIO, and yes, it will get broken)
Things will evolve and the industry has always given away music for free, but it's really inappropriate that the only ways that artists should be able to make money off their craft is touring, if in fact people are enjoying their music anyway.
Remember we are paying for that promotion and distrubution so you don't have to. You can take all that money you save and give it straight to the artists. And why don't you give their copyrights back after you stop promoting them? That doesn't seem fair to me, but then again I didn't lobby to have copyright extended for an additional 20 years after death.
Not to mention the whole crop of artists that don't have the ability to tour.
I'm sure studio musicians will still have skills that are useful to somebody. Perhaps they can teach in schools after the sudden revival in the public's taste for live music? I mean, MP3 is great, CDs are better, but you can't beat the real thing. Don't forget that.
What was your reaction when you heard that Napster was sponsoring the Limp Bizkit tour?
I thought Napster must be desperate to have to pay $2 million to get someone to support them.
I think you might have wanted to think about this one for a second or two. Exactly how much did you guys spend last year on Congress? What's the annual promotion budget for New York?
I didn't think it was a thoughtful statement about the long-term economics of the record industry -- it was an anti-establishment, rock 'n' roll publicity thing for them to do.
Yes, and...? You 'member Elvis shaking them hips don'cha? What an anti-establishment, rock n' rock thing for him to do.
There's no question that the multitude of artists who have spoken out against Napster far outweigh this kind of publicity stunt, but I hope that their fans realize that these artists actually care about their work, and care about their art, and care about their ability to keep making it.
No question, eh? No question? Now would that be artists as in "signed, sealed, and delivered on the dotted line" or artists as in "a person skilled in one of the fine arts." I don't remeber seeing that national statistics poll, I must've been asleep at the wheel.
I think if Napster has ideas for alternative business models, they haven't said them yet.
Since when did "put music in the hands of fans" become an alternative business model. What is radio supposed to be? What's MTV for again?
I don't think it's my place to do that. If people are creating businesses that use other people's work like that, it behooves them to come up with some other scenario at the outset that does the right thing. Where they go from here is the subject of obviously complicated scenarios.
Obviously complicated scenaries, i.e. lawsuits. You've got that part of the business plan down pat. Keep the course.
There are mutual responsibilities, but obviously as this case is in litigation, suffice it to say that Napster has never come up with a scenario. And I don't think anybody in the record industry has any indication that that is a viable option.
The record industry? What's a record? Oh, you mean those big plastic CD's? I remember seeing one of those when I was five (and music never sounded so good, analog is a good way to preserve quality, hint, hint) Of course you don't see it as a viable option, that's the problem.
The business models that MP3.com have put forward are interesting business models. The issue with MP3.com is simply of them not seeking licenses prior to the launching of their system.
So you mean in addition to buying your CD, I have to get some ethereal "license" to listen to it? We are talking about my.mp3.com, right? Try and stay on-topic, that's what the lawsuit is about. That, and bankruptcy.
I do get a particular laugh out of technology entrepreneurs who try and say that the record industry has screwed artists over the years. But what is it, now it's their turn?
Oh, we're doing the screwing all right. But the artists have had enough, if you catch my drift. I get a particular laugh too, haw-hah!
We have gone through an interesting shift here. The RIAA is a trade organization that was never a public entity or necessarily had any public profile. So it's quite a different role for us to all of a sudden respond not just to the music community but to the public itself.
The Internet exposes dark organizations. Have you heard about Echelon? Area51? There's some pictures around here somewhere... Unfortunately the power has shifted. You no longer are dealing with someone coming to you for a resource only you control. Now you have to deal with us, and we control the resources.
But I've learned a lot: A lot of people don't know what record companies do and what they bring to the equation -- helping to develop the talent and create the demand. That's been interesting.
Oh, just wait. This party is just getting started. Most of the players aren't even here yet. We live in interesting times, indeed.
When you go to buy a Chevy, you generally know something about General Motors being a decent company.
Define decent for me. I do not think it means what you think it means. (Not a knock on GM, just a question about your example)
When you want to buy a Bruce Springsteen record, you don't think much about Sony Music; that's been deliberate by these companies over the years. As a result, a lot of other people have painted on that blank canvas. If we could do that over, maybe we'd do that differently. But maybe not.
A painting on a black canvas. What an apt metaphor. No wonder it's taken so long to see it clearly.
I cheerfully await a response. I fervently hope that this crosses your desk at some time in the future. I've been harsh, perhaps unnecessarily so, but I hope you can get around my sarcasm and cynicism and see what I have for you here. Don't be afraid to by cynical in response. A little laugh might do us all good at this point. Let's get a conversation going and maybe we can save you some litigation costs.
Thanks,
Roy M. Taylor
a.k.a Wah on
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it's not that /. lacks spin, it's that it has so much spin you have to form your own opinion. The blurbs are just one person's opinion, and so is each comment. That article was still pathetic though.
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Do you really think your flame will change anything, other than lowering my opinion of you?
:). Sometimes it works, sometimes not. I think scores should go up to 10 (with 4x the moders) so I annoy people until Rob changes it. There's more than 6 levels of comments here. Oh, and I average about 20 hits a post, so you do the figgurin'. :-)
No, my bad. shoulda done it as AC, I still think it was a troll. I sacrifice Karma from time to time to shut 'em up (and the other idiots who reply to them
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They've already managed to extend the length of copyright to an unreasonable amount of time, now they're trying to remove the limits on the monopoly they have. This is wrong and should be stopped.
They are currently trying to take away any hope an artist might EVER have of controlling their own work.
It's the first link on their homepage, they're proud of it. Any of you artists out there who really need an ass-reaming, come on over
BTW, they lobbied pretty hard for this. That's your $.02 from every album purchase, hard at work keeping music scarce.
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Don't you feel sorry for the ppl who are so scared of their identity that they pay to advertise company logos on their clothing?
:( T-shirts are fun.
It's more fun to laugh. I had a friend who worked for Hilfiger (ya'know that company that who wrote that horrible song), and during the training course they were instructed to start saying "oh, that's soo Tommy" when they saw something cool.
Of course, getting confused looks for your clothing is fun too. You probably wouldn't be surprised about how few people know what to make of "Got root?" or my Debian "100% Suck Free" tees. I started telling girls the Debian one was "an unfortunately accurate descripition of my current romantic situation."
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('cause my favorite color is blue)
/., although interesting and informative at times, is not "activism". It is not "striking out at the Corporate Scum" It is soapboxing in a generally Pro Free Software forum.
/. and any other protest rally? We talk about stuff we'd like to change and then make actions that would change it. It's not particularly organized, but like the article a while back, chaos likes to organize itself from time to time.
/. and the nightly news with Danny Koppel, is that here I get to see real people's opinions, real people's links, and real people's mistakes. I don't get the corporate viewpoint, I don't get some guy who's paid $7 million a year 'cause he's got killer hair and can annunciate effectively, I get real people's thoughts and ideas, all sorted by score and served up on request, flames and trolls included. Just like real life. That's the better part.
Posting on
While the audience here is fairly sympathetic, what exactly is different between
However you do imply that television and radio is inherently worse than the Net.
First off, "better and worse" are vague terms that really shouldn't apply to media forms. However, I will state boldly that the Net is better than both. And we don't even have high-speed wireless yet.. The biggest difference though, from
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Let me make my bias clear. I think RMS rocks. Yea, he can be a stubborn, thick-headed asshole, but I think this question defines that side of him the best.
Q: Are there any things that you sort of care about, but not very much?
RMS: Sure, plenty--but I don't argue about those things.
Some other highlights.
I am not affiliated with the Open Source Movement. I founded the Free Software Movement, which has been working to spread freedom and cooperation since 1984, and is concerned not only with practical benefits but with a social and ethical issue: whether to encourage people to cooperate with their neighbors, or prohibit cooperation.
1984, what can you say...hehe. Funny that one of the things will make make sure we don't have a totalitarian regime in the future, was started the same year that totalitarian regime was supposed to take over.
Does the phrase "Don't Sweat the Small Stuff" (I'm thinking of the "GNU/Linux" thing) have any resonance at all with you?
followed by a paragraph long explanation on why you should call it GNU/Linux, hehe. He does have a sense of humor.:)
The DMCA is a perfect example of the harm done when business dominates government and society. One part of the law explicitly says that only commercially significant activities are considered important (to legitimize a program which is often used to bypass technological means of controlling the users)--showing explicit prejudice against educational uses, recreational uses, communitarian uses, military uses, and religious uses.
couldn't have said it better myself, and I've tried (click user info)
So I'm starting to think the guy gets in, but then I realize he's still learning...
I don't play music from files on my computer,
but I've occasionally made tapes of records and given them to my friends.
C'mon d00d, Keep the music flowing! hehe.
We have choices to make now. To insist on absolute certainty before starting to
apply ethics to life decisions is a way of choosing to be amoral.
amen, brother.
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Our generation (Generation Net or Generation /.) sees software and digital media in a completely different light.
I prefer Generation Why. There's a half-assed paper about it on my site somewhere...
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You're either a troll or an idiot, which is it?
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I am very concerned that we are only catching a few percent of the real problem - just the tip of the iceberg.
Anybody reverse engineer M$'s networking code recently? (just asking...)
Just wondering because I remember a Bob Young interview a while back during the RH roadshow. He asked a group of execs how many of their IT depts were mandated to use Linux. No hands. He asks how many thought that Linux was running somewhere on their networks. All hands. Now ask them how many of their core products contain GPL'ed code. How fast can you count blank stares?
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Not only should they be required to remove the code in the next release if they want to keep it closed, but they should have to lisence the current one under the GPL
I agree, take the fsckers to court. Let's see if the GPL has teeth.
I think it would be a good way to branch the software. They can release a new version without the code, but the one that's out there *should* be open. Maybe we could have a contest in a year or so and see who has the better code (one company vs. the rest of the world, hehe)?
Note to nvidia: I am your core market, the way you handle this situation will determine what I think of your company for years to come. Act accordingly. Also note, I had a v3 blow up a week ago, and am currently in the market looking for a replacement.
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There are plenty of good reason NOT TO VOTE.
There is ONE good reason not to vote. If you want to make everyone else's vote louder...DON'T VOTE!
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If you ask the wrong question, the answer doesn't matter.
it's not
What do we believe, anyway?
it's
What do I believe? Anyway...
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just a couple things, thanks for the discussion also. (here's a quick hello to everyone lurking,."Hello!")
:-) Later, I pointed out how we were all felons, pirates, and all that was evil in the world. Then, we went to this show, and made a night of it.
I had a conversation about this last night with friends, some of which have high-speed connections.
Me too. We were listening to some of this (KVHW) using this. Them someone mentioned these guys. So I used this. And everyone heard what we were talking about. Which opened the door to summarize this discussion for them.
There is no philosophical connection between the Free Software/Open Source movement (if you merge them together for simplicity) and piracy of intellectual property.
Except that some folks in the FS/OM movement don't believe in piracy of intellectual property as a concept. I fall short of that extreme, but believe our current situation regarding IP, is, flawed.
Therefore, those who don't pay for such content are parasites relying on the "rubes" who do pay for it.
Then I guess I'm some sort of pararube, eh?
Basically, we'll be down to hobby content.
If Linux is an example of hobby content, then I'm all for this scenario. I like to think of Free Software (and hopefully someday Free Music) as the baseline for measuring software. If your commercial software isn't as good as the stuff I can get for free...your stuff sucks and isn't worth my money. As we raise the bar for what you can get for free, you have to raise even higher the bar of what you sell. This provides the necessary motivation to succeed, that other forms of communism (i.e. in the real world) lacked. Just so I can be honest with both you and myself on what I'm really talking about. Eliminating scarcity changes value fundamentally, it's time to deal with it.
If you want to continue this, may I suggest e-mail?
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You'll be able to tell how many MIPS someone has by the thickness of their wallet.
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