Exactly: 8-bit composing was indeed, as you say, a fun creative challenge.
The feeling that I might have been "limited" in some way translated in my mind immediately into a positive: "OK, I'm writing for a new medium that has these requirements and these superpowers. What will I do with it?" I just couldn't imagine Bach being bugged by having to write for "just a string quartet." My players (the oscillators that were available to me) might have a tone less thrilling than Bach's target platform, but my guys would never miss a note, and could play as fast as I wanted them to, make huge leaps--all kinds of things.
And one of my favorite things was, I very seldom felt insecure about "am I done with this piece yet?" When a piece was done, I felt like, no, there's not much more I can squeeze into this. So it's time to move on to the next task with a clear conscience.
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Exactly: 8-bit composing was indeed, as you say, a fun creative challenge. The feeling that I might have been "limited" in some way translated in my mind immediately into a positive: "OK, I'm writing for a new medium that has these requirements and these superpowers. What will I do with it?" I just couldn't imagine Bach being bugged by having to write for "just a string quartet." My players (the oscillators that were available to me) might have a tone less thrilling than Bach's target platform, but my guys would never miss a note, and could play as fast as I wanted them to, make huge leaps--all kinds of things. And one of my favorite things was, I very seldom felt insecure about "am I done with this piece yet?" When a piece was done, I felt like, no, there's not much more I can squeeze into this. So it's time to move on to the next task with a clear conscience.