I'm surprised that no one's cheering about the choice of director -- Alex Proyas, the same guy that made Dark City and The Crow. Surely he's got enough sci-fi cred to pull this off.
Asimov wrote multiple books and stories based on the Three Laws. Hell, he even worked them into the Foundation series. But the fact that there's a Dr. Susan Calvin character implies that the movie follows Asimov's stories at least a little.
I don't. La Vita e Bella won Best Actor (!) and Best Foreign Film, but not Best Picture or Best Director. But that just backs up the theory that non-English films are handicapped when it comes to Academy Awards.
As far as the MPAA goes, I think they're correct to connect these screeners with piracy. But their proposal throws the baby out with the bathwater. When so much money rides on a ridiculous industry award, screeners help make the fight a little more fair. Especially for art house and foreign films that aren't widely screened.
Rather than suggesting a ban, the MPAA should apply good old-fashioned peer pressure to stop insiders from eroding their own industry. But otherwise, they need to write it off as the cost of doing business.
I'm surprised that no one's cheering about the choice of director -- Alex Proyas, the same guy that made Dark City and The Crow. Surely he's got enough sci-fi cred to pull this off.
Asimov wrote multiple books and stories based on the Three Laws. Hell, he even worked them into the Foundation series. But the fact that there's a Dr. Susan Calvin character implies that the movie follows Asimov's stories at least a little.
I don't. La Vita e Bella won Best Actor (!) and Best Foreign Film, but not Best Picture or Best Director. But that just backs up the theory that non-English films are handicapped when it comes to Academy Awards.
As far as the MPAA goes, I think they're correct to connect these screeners with piracy. But their proposal throws the baby out with the bathwater. When so much money rides on a ridiculous industry award, screeners help make the fight a little more fair. Especially for art house and foreign films that aren't widely screened.
Rather than suggesting a ban, the MPAA should apply good old-fashioned peer pressure to stop insiders from eroding their own industry. But otherwise, they need to write it off as the cost of doing business.