It still doesn't change the fact that web developers need to check their work on every freaking browser in existence to make sure it displays correctly.
I went to see it in the movie theater, declining to see a copy a friend had because I hate watching movies with bad visual artifacts.
I paid $10.50 (after Fandango).
I liked it, but most of the shots were recorded from broadcasts so 35MM prints don't help at all. Watching it on my computer or in my living room wouldn't have detracted from the expierience.
All I can say is, hey Micael, can I have my $10.50? I promise I'll buy the DVD and show it to all who will watch when it comes out.
The preferred medium for delivering mixes to Mastering Engineers are DATA CD-Rs burned with 24-bit files.
DAT tapes are notorious for errors.
Since DATA CD-Rs have built-in error correction, the ME can be sure he is getting what was intended from the Mix Engineer.
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It still doesn't change the fact that web developers need to check their work on every freaking browser in existence to make sure it displays correctly.
I went to see it in the movie theater, declining to see a copy a friend had because I hate watching movies with bad visual artifacts. I paid $10.50 (after Fandango). I liked it, but most of the shots were recorded from broadcasts so 35MM prints don't help at all. Watching it on my computer or in my living room wouldn't have detracted from the expierience. All I can say is, hey Micael, can I have my $10.50? I promise I'll buy the DVD and show it to all who will watch when it comes out.
The preferred medium for delivering mixes to Mastering Engineers are DATA CD-Rs burned with 24-bit files. DAT tapes are notorious for errors. Since DATA CD-Rs have built-in error correction, the ME can be sure he is getting what was intended from the Mix Engineer. liquid-window.com