If I remember correctly, Cope's methods were vaguely similar to Mister Whitman's in the very broadest sense, in that EMI created a large probabilitive database to analyze the connections between melodic and harmonic events. Obviously, this database would be 'calibrated' to the style of the music given as input. I never studied EMI, so I don't know how deep the simulation of pseudogrammar went, but it certainly produced some interesting results. One year in orchestra we actually performed a faux-Mozart overture reconstituted from Don Giovanni. I remember that the one composer EMI was able to simulate with uncanny plausibility was Scott Joplin (insert predictably caustic remark of your choice).
The problem with Eigenradio is that it lacks even EMI's limited contextual awareness. It would be akin to writing a book by analyzing the most common positions of ink secretions on the page. And so, not surprisingly, the "music" produced is simply uniformly limpid collages of sound without any underlying form, direction, or meaning.
Damn, if I made $80,000 a year, and paid $2 for a McDonald's cheeseburger, and a guy making $40,000 pays $1, and a guy making $0 pays $0, what would be the point of working hard?
I imagine the point would be not having to eat at McDonalds.
because 10% of $0 would be the same as 10% of $1,000,000.
It's difficult to see how that statement could ever be true.
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If I remember correctly, Cope's methods were vaguely similar to Mister Whitman's in the very broadest sense, in that EMI created a large probabilitive database to analyze the connections between melodic and harmonic events. Obviously, this database would be 'calibrated' to the style of the music given as input. I never studied EMI, so I don't know how deep the simulation of pseudogrammar went, but it certainly produced some interesting results. One year in orchestra we actually performed a faux-Mozart overture reconstituted from Don Giovanni. I remember that the one composer EMI was able to simulate with uncanny plausibility was Scott Joplin (insert predictably caustic remark of your choice).
The problem with Eigenradio is that it lacks even EMI's limited contextual awareness. It would be akin to writing a book by analyzing the most common positions of ink secretions on the page. And so, not surprisingly, the "music" produced is simply uniformly limpid collages of sound without any underlying form, direction, or meaning.
Damn, if I made $80,000 a year, and paid $2 for a McDonald's cheeseburger, and a guy making $40,000 pays $1, and a guy making $0 pays $0, what would be the point of working hard? I imagine the point would be not having to eat at McDonalds. because 10% of $0 would be the same as 10% of $1,000,000. It's difficult to see how that statement could ever be true.