Don't know if this has been pointed out yet, but Mr. Righi has written that people who question his motivation should read The Fountainhead. That's all I needed to know about his thought process... Anyone who accepts that book as a serious philosophical treatise isn't a very deep thinker and most likely just wants an excuse to go on an ego trip.
If Righi really wants to have more Howard Roarks in the world he should have dragged this whole thing out to the bitter end, family be damned. After all, what's more Romantic and Randian than being martyred for what you believe? Even if what you believe is only that you shouldn't take two seconds to show your receipt at Circuit City after buying a Wii game. Actually, I hear that was originally what Rand was going to write about in The Fountainhead, but her publisher suggested she make it about architects instead...
"Last fall, in light of questions about the study design, I directed that all work on the study stop immediately and requested an independent review. Since that time, many misrepresentations about the study have been made. EPA senior scientists have briefed me on the impact these misrepresentations have had on the ability to proceed with the study.
I have concluded that the study cannot go forward, regardless of the outcome of the independent review. EPA must conduct quality, credible research in an atmosphere absent of gross misrepresentation and controversy."
How on earth do things like this get posted? The first link is to an "op-ed" site that is so obviously anti-Bush that it defies credibility. The article itself is a hysterical mish-mash of fact(?) and opinion that exists only to throw around needlessly inflammatory catchphrases. "Orwellian?" Check. Reference to "Fahrenheit 451?" Check. "Who could have ever envisioned that Ray Bradbury's vicious, futuristic, dystopian society would ever come to fruition; but it may indeed have done just that!" Yeah, it MAY have! Or maybe not... Dude, chill out.
At least the link from PEER is more factual. And of course the facts aren't all that exciting, at least compared with visions of vicious, dystopian futures:
1. Nowhere is George Bush mentioned.
2. PEER seems to be mainly concerned with being able to use a library "to locate [...] information and have it produced to a court house in a timely manner." No impression is given that, as a result of these budget cuts, access to all important materials is going to be forever lost. It just sounds like it might be a bit harder to get it in certain cases, hence their concern.
3. The summary of this story makes it sound like this is a grave issue for members of the general public, and said public's access to information of general utility will be severely curtailed in the near future. However, the PEER summary clearly states in its headline: "Prosecutions [of polluters] at Risk from Loss of Timely Access to Key Documents." That is, the usefulness of this information is limited in scope to certain legal proceedings. Of course these cases are very important, but it's not like the libraries that you and I visit all the time are closing their doors.
I know I'm going up against a bunch of knee-jerk leftists here (wow, look at some of these comments!), but I had to at least try and appeal to reason. Slashdot, please stick with tech and science news. If you're going to delve into politics would it be possible to at least provide the most basic quality control to stories that get posted? This story isn't inherently biased, but the way it was presented is just appalling.
As a musician this topic always interests me. I for one have heard almost nothing good about the "industry," and I personally have no interest in taking part in its creativity-killing machinations.
In today's corporate environment creating unique and excellent music is nearly impossible. Artists from all genres are all saying the same thing: the industry is a perennially negative influence on the creation of great music. Even Bono recently stated that he didn't think U2 would exist if they had started up in the last few years, as opposed to 20 years ago.
The fundamental concept that salesmen and business executives don't understand is that, in the long run, it's in everyone's financial interests to move music in new, creative directions. However, being the good bottom-line minded people they are, the tend to look towards short term gains. Of course they have a very successful formula for the short term, based mainly on leveraging the market using their significant financial resources.
A poster earlier mentioned that the RIAA is irrelevant. This is entirely true. No musician, short of perhaps a symphony orchestra, needs a $500/hour studio, needs an army of producers and engineers, needs a multi-national advertising firm. Thanks mostly to computers and increasingly cheap technology, each and every musician can achieve the same recording results, the same packaging and the same press materials as a record label can. It's not rocket science. Of course one has to have the desire to do this stuff, but once you've got that it's smooth sailing and the results that can be achieved are truly remarkable.
I would encourage everyone here to explore non-corporate-sanctioned means of getting music directly from the artists. In the coming years we will see a flood of musicians from all genres offering the same products as the major labels, but without the middleman. Forget iTunes and go the artist's site and use their download service - I have one on my site. Order a CD straight from the source. This is best for the artists and you know that your purchase will go directly to supporting the music and musicians that you love and admire.
Slashdot Mirror
The SWF from Mozilla doesn't seem to be loading. Here's a YouTube link to the same video: http://youtube.com/watch?v=Q_JBKNiRRJ4
Don't know if this has been pointed out yet, but Mr. Righi has written that people who question his motivation should read The Fountainhead. That's all I needed to know about his thought process... Anyone who accepts that book as a serious philosophical treatise isn't a very deep thinker and most likely just wants an excuse to go on an ego trip.
If Righi really wants to have more Howard Roarks in the world he should have dragged this whole thing out to the bitter end, family be damned. After all, what's more Romantic and Randian than being martyred for what you believe? Even if what you believe is only that you shouldn't take two seconds to show your receipt at Circuit City after buying a Wii game. Actually, I hear that was originally what Rand was going to write about in The Fountainhead, but her publisher suggested she make it about architects instead...
Good ol' Wikipedia. Biased to a fault: http://www.snopes.com/medical/toxins/cheers.asp
From Mr. Johnson:
"Last fall, in light of questions about the study design, I directed that all work on the study stop immediately and requested an independent review. Since that time, many misrepresentations about the study have been made. EPA senior scientists have briefed me on the impact these misrepresentations have had on the ability to proceed with the study.
I have concluded that the study cannot go forward, regardless of the outcome of the independent review. EPA must conduct quality, credible research in an atmosphere absent of gross misrepresentation and controversy."
How on earth do things like this get posted? The first link is to an "op-ed" site that is so obviously anti-Bush that it defies credibility. The article itself is a hysterical mish-mash of fact(?) and opinion that exists only to throw around needlessly inflammatory catchphrases. "Orwellian?" Check. Reference to "Fahrenheit 451?" Check. "Who could have ever envisioned that Ray Bradbury's vicious, futuristic, dystopian society would ever come to fruition; but it may indeed have done just that!" Yeah, it MAY have! Or maybe not... Dude, chill out.
At least the link from PEER is more factual. And of course the facts aren't all that exciting, at least compared with visions of vicious, dystopian futures:
1. Nowhere is George Bush mentioned.2. PEER seems to be mainly concerned with being able to use a library "to locate [...] information and have it produced to a court house in a timely manner." No impression is given that, as a result of these budget cuts, access to all important materials is going to be forever lost. It just sounds like it might be a bit harder to get it in certain cases, hence their concern.
3. The summary of this story makes it sound like this is a grave issue for members of the general public, and said public's access to information of general utility will be severely curtailed in the near future. However, the PEER summary clearly states in its headline: "Prosecutions [of polluters] at Risk from Loss of Timely Access to Key Documents." That is, the usefulness of this information is limited in scope to certain legal proceedings. Of course these cases are very important, but it's not like the libraries that you and I visit all the time are closing their doors.
I know I'm going up against a bunch of knee-jerk leftists here (wow, look at some of these comments!), but I had to at least try and appeal to reason. Slashdot, please stick with tech and science news. If you're going to delve into politics would it be possible to at least provide the most basic quality control to stories that get posted? This story isn't inherently biased, but the way it was presented is just appalling.
As a musician this topic always interests me. I for one have heard almost nothing good about the "industry," and I personally have no interest in taking part in its creativity-killing machinations. In today's corporate environment creating unique and excellent music is nearly impossible. Artists from all genres are all saying the same thing: the industry is a perennially negative influence on the creation of great music. Even Bono recently stated that he didn't think U2 would exist if they had started up in the last few years, as opposed to 20 years ago. The fundamental concept that salesmen and business executives don't understand is that, in the long run, it's in everyone's financial interests to move music in new, creative directions. However, being the good bottom-line minded people they are, the tend to look towards short term gains. Of course they have a very successful formula for the short term, based mainly on leveraging the market using their significant financial resources. A poster earlier mentioned that the RIAA is irrelevant. This is entirely true. No musician, short of perhaps a symphony orchestra, needs a $500/hour studio, needs an army of producers and engineers, needs a multi-national advertising firm. Thanks mostly to computers and increasingly cheap technology, each and every musician can achieve the same recording results, the same packaging and the same press materials as a record label can. It's not rocket science. Of course one has to have the desire to do this stuff, but once you've got that it's smooth sailing and the results that can be achieved are truly remarkable. I would encourage everyone here to explore non-corporate-sanctioned means of getting music directly from the artists. In the coming years we will see a flood of musicians from all genres offering the same products as the major labels, but without the middleman. Forget iTunes and go the artist's site and use their download service - I have one on my site. Order a CD straight from the source. This is best for the artists and you know that your purchase will go directly to supporting the music and musicians that you love and admire.