Domain: desnews.com
Stories and comments across the archive that link to desnews.com.
Comments · 5
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Re:Curious about timingAccording to a June interview with Jennings (sorry, paid subscription required) in the LDS Church News, the episodes he appeared in were taped in February.
Here's an excerpt from the article:
"The Jeopardy! contests featuring Jennings were taped (five episodes a day) at [Sony Pictures'] California studio in February, but were not broadcast until June. Jennings [and his wife] were contractually obligated to stay quiet about his Jeopardy! success."
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Intellectual Property
http://www.desnews.com/dn/view/0,1249,510048824,0
0 .html
"As he was seeking political favors, a friend of Sen. Orrin Hatch bought a whopping 1,200 copies of Hatch's largely self-produced music CDs, for which Hatch receives $3 to $7 each.
Hatch, R-Utah, and his friend, Monzer Hourani, a Houston developer who twice before has landed Hatch into major ethics controversies, say he wasn't trying to buy political help with those CDs and they merely share a love of his music."
This is the asshole that wants to let the RIAA/MPAA 'destroy' your computer if they suspect your of violating their IP rights. Nice to see how he skirts campaign finance rules. -
write letters to the editor to local newspapers
i dunno how much this will help, but ive written to
the standard examiner
the salt lake tribune
and the deseret news
if you also live in utah you should consider doing the same. -
New policy:Let's be clear: Planet of the Apes is more than good enough to go see, but you will have forgotten every scene by Labor Day
Okay, this is just enough. From now on, let's mod up the first AC who cuts-and-pastes a real review, and then people who want to know about the movie can just scroll a little (okay, so a lot) and have it.
(Note: if you moderate using Over-rated or Under-rated you won't go to meta-mod. [Since it doesn't make sense to metamod either of those if you don't have a score to go with it....])
In this proud new tradition, I submit:
- Atlanta Journal-Constitution - (grade: C+) "Maybe Darwin was wrong: this remake shows no sign of evolution."
- Chicago Tribune - "...a rouser, a screaming-banshee fun house."
- CNN.com - "...this is one really bad script."
- Deseret News (Salt Lake City) - (3 stars) "...when it's good, it comes close to being great."
- E! Online - (grade: C+) "...offers an eye-appealing world but a truly disappointing story."
- Entertainment Weekly - (grade: C+) "...[features] everything...but imagination."
- L.A. Weekly - "...underwritten..."
- Los Angeles Times - "...over-plotted and under-dramatized..."
- Mr. Showbiz - (rating: 2/5) "...despite its presentation, the film is so very ordinary, without urgency or revelation."
- New York Times - "...both a gas and distant, a toy sealed in its unbreakable box."
- People - "The fault lies not in the stars here but in the script."
- Roger Ebert - (2.5 stars) "I expected more."
- Salon - "...stops far too short of being completely seductive."
- San Francisco Chronicle - "...an amazing display of imagination."
- TV Guide - (2.5 out of 5 stars) "...sorely deficient on the story front."
- USA Today - (3 out of 4 stars) "...[the costumes] allow the power of the performer inside the ape gear to break on through."
- Search the Movie Review Query Engine
And now Ebert's review:
BY ROGER EBERTTim Burton's "Planet of the Apes" wants to be all things to all men, and all apes. It's an action picture and a satire of an action picture. It's a comedy and then it gets serious. It's a social satire and then backs away from pushing that angle too far. It even has a weird intra-species romantic triangle in it. And it has a surprise ending that I loved, even though Matt Drudge spoiled it last weekend with a breathless "scoop."
The movie could have been more. It could have been a parable of men and animals, as daring as "Animal Farm." It could have dealt in social commentary with a sting, and satire that hurt. It could have supported, or attacked, the animal rights movement. It could have dealt with the intriguing question of whether a man and a gorilla having sex is open-mindedness, or bestiality (and, if bestiality, in both directions?).
It could have, but it doesn't. It's a cautious movie, earning every letter and numeral of its PG-13 rating. Intellectually, it's science fiction for junior high school boys.
I expected more. I thought Burton would swing for the fence. He plays it too safe, defusing his momentum with little nudges to tell you he knows it's only a movie. The 1968 "Planet of the Apes" was made before irony became an insurance policy. It made jokes, but it took itself seriously. Burton's "Planet" has scenes that defy us to believe them (his hero survives two bumpy crash-landings that look about as realistic as the effects in his "Mars Attacks!"). And it backs away from any kind of risky complexity in its relationships.
The key couple consists of Leo (Mark Wahlberg), who is the human hero, and Ari (Helena Bonham Carter), who is the Eleanor Roosevelt of the apes. They're attracted to each other but don't know what to do about it, and the screenplay gives them little help. Leo is also supposed to be linked romantically, I guess, with a curvy blond human named Daena (Estella Warren), but her role has been so abbreviated that basically all she does is follow along looking at Leo either significantly or winsomely, as circumstances warrant. At the end, he doesn't even bid her a proper farewell.
Leo, to be sure, is not one for effusive emotional outbursts. He's played by Wahlberg as a limited and narrow person with little imagination, who never seems very surprised by anything that happens to him--like, oh, to take a random example, crash-landing on a planet where the apes rule the humans. He's a space jockey type, trained in macho self-abnegation, who is great in a crisis but doesn't offer much in the way of conversation. His basic motivation seems to be to get himself off the planet, and to hell with the friends he leaves behind; he's almost surly sometimes as he leads his little band through the wilderness.
The most "human" character in the movie is, in fact, the chimpanzee Ari, who believes all species were created equal, casts her lot with the outcast humans, and tells Leo, "you're sensitive--a welcome quality in a man." Helena Bonham Carter invests this character with warmth, personality and distinctive body language; she has a way of moving that kids itself.
There's also juice in a character named Limbo (Paul Giamatti), a scam artist who has a deal for everyone, and a lot of funny one-liners. That he sounds like a carnival pitch-man should not be held against him.
The major ape characters include the fearsome Gen. Thade (Tim Roth), his strong but occasionally thoughtful gorilla lieutenant Attar (Michael Clarke Duncan), and Sen. Sandar (David Warner), who is a parliamentary leader and Ari's father. There's also a cameo for Charlton Heston, as a wise old ape who inevitably introduces a gun into the plot and has a curmudgeonly exit line. Watching the apes is fun all during the movie, while watching the humans usually isn't; the movie works hard to bring the apes to life, but unwisely thinks the humans can take care of themselves.
It's interesting that several different simian species co-exist in the planet's ape society. It may be a little hard to account for that, given the logic of the movie, although I will say no more. One major change between this film and the earlier one is that everyone--apes and humans--speak English. The movie explains why the apes speak English, but fudges on how they learned to speak at all.
The movie is great-looking. Rick Baker's makeup is convincing even in the extreme closeups, and his apes sparkle with personality and presence. The sets and locations give us a proper sense of alien awe, and there's one neat long shot of the ape city-mountain that looks, when you squint a little, like Xanadu from "Citizen Kane." There are lines inviting laughs ("Extremism in the defense of apes is no vice") and others unwisely inviting groans ("If you show me the way out of here--I promise I'll show you something that will change your life forever"). And a priceless moment when Leo wants to stop the squabbling among his fugitive group of men and apes and barks: "Shut up! That goes for all species!"
"Planet of the Apes" is the kind of movie that you enjoy at times, admire at times, even really like at times, but is it necessary? Given how famous and familiar Franklin J. Schaffner's 1968 film is, Tim Burton had some kind of an obligation to either top it, or sidestep it. Instead, he pays homage. He calls this version a "reimaging," and so it is, but a reinvention might have been better. Burton's work can show a wild and crazed imagination, but here he seems reined in. He's made a film that's respectful to the original, and respectable in itself, but that's not enough. Ten years from now, it will be the 1968 version that people are still renting.
Copyright © Chicago Sun-Times Inc.
Let's make a tradition of this! -
Re:A similar thing happened in Utah here
The correct link can be found here.