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USB out, cool? Ha! You need at least a coax digital out to be cool! http://www.stantondj.com/

There's actually 3 products on the market that does this. Final Scratch, Serato/RANE Scratch Live and MS Pinky's Interdimensional Wrecked System.

In that case you could try a stanton deck http://www.stantondj.com/v2/index.asp with a coax digital output.

For Technique, I recommend none other than Scratch DJ Academy, with Locations in NYC, Miami, and Los Angeles. They have week-long bootcamps in the summertime if you don't live close enough for their once-a-week class. You can learn on your own, but you take the chance of learning things incorrectly and it will take you much, much longer (one hour a week for six weeks equated to six to nine months of on-your-own our instructors told us). My experience there was very positive, I plan to return for more classes.

Tools are all up to you. By definition, DJs just beat-match two tracks together. Old skool DJs are all about vinyl, some are spinning on CD tables now, and some have adopted MP3 time-coded record setups like Scratch Live and Final Scratch.

If you don't have any equipment, you should know that the industry standards for tables are Technics 1200s (every club you might spin in will likely have those), but if you just want to get your feet wet and see if you like it, I'd recommend starting with Neumark's DJ in a Box, which comes with two tables, a mix, and some headphones. The equipment is ghetto for the most part, but for $350 (new) you can get a full setup and see if you're into it instead of dropping $1000-$1500 to see if it's your thing (though you can buy up stuff from Craigslist and eBay from losers who did that before you). My personal preference, since all my music has been MP3 since the late-90s leans towards standard turntables (I like to scratch) and a Serrato Scratch Live to spin my MP3s on vinyl.

If you're talking about musicial composition (you want to make your own electronica), there's a host of products with various specialties. The Apple camp gives you Garage Band free with iLife (free with new Macs) and there are tons of expansion packs. If you outgrow that, you can look at Logic Pro and then Protools when you outgrow that. There are packages for beat making, there are tons of tools on the PC. If you're just starting out and you're a Mac guy, start with Garage band before you look at anything else (go download NIN's "The Hand that Feeds" and remix it like the rest of us did).

It's fun stuff though man, good luck and enjoy.

Welcome to the wonderful world of mixing. The first thing you're going to need is gear. Absolutely essential are 2 good direct-drive turntables (direct drive is essential, belt-drive won't have nearly the torque you need). The industry standard is the Technics SL-1200 (the MK2 is the normal baseline model, the MK5G is an updated version with selectable +/- 8/16 % pitch adjust and updated styling). Some other acceptable models (which are themselves heavily influence by the 1200) are the Stanton ST-100 and STR8-100, the NuMark TT1600 and TTX series.

Now, I know you're saying "Turntables? Vinyl?!! Are these the dark ages here?" Well, the fact is that most dance music is released primarily to vinyl, for DJs just like you. The good thing is that, since LPs are an analog technology, incremental improvements in quality are possible without breaking compatibility. In fact, record mastering is an art which has advanced considerably even after the invention of the CD, and well-taken-care-of LPs played back with professional-quality cartridges blow the sound quality of CDs away. Believe it.

Speaking of cartridges, that brings us to the next set of kit. There are a wide range of pickup cartridges, ranging from $20 entry-level models to the superior Ortofon Concorde at over $100. Honestly, get the Concordes. The cartridge itself is extremely high quality and delivers amazing sound quality without distortion, and the actual needle tips are replaceable (for much less that the cost of new cartridges), and can even be swapped out with different styli for different purposes (ultra high-fidelity vs. scratching, etc.).

The next piece of gear is the mixer. Here's another area where there is a vast range in price. The extremely expensive models feature loads of inputs, multi-band equalizers, full banks of filters, several effects loops (and possibly some integrated effects), quadraphonic mixing, optical faders, and maybe even full-digital mixing. The truth is, you probably don't need all those feature while you're starting out. The important features you want are a seperate 3-band EQ on EACH CHANNEL, nice smooth (and user-servicable) faders, and maybe an adjustable curve on the cross-fader. I use a Stanton mixer with these features, and an optical scratch fader, and it set me back only about $250 new.

Now, I know I said earlier that Vinyl is the DJ's medium of choice. That has been the case for several decades, but to be perfectly honest, there ARE some viable alternatives now. Stanton's Final Scratch system is a pretty amazing box that plugs into your existing DJ setup and your PC, and allows the playback of MP3s which are controlled by real, physical specially-encoded Vinyl. There is a slight latency involved with playback of the special discs, which is fine for mixing and even light scratching, but more complex scratches aren't really possible. Even then, the system is truly amazing, and it hooks in with the excellent digital DJ software package Traktor from Native Instruments.

CD turntables are also a major new technology. This field was pioneered by Pioneer with their CDJ-1000. The first model featured a large mechanical jog wheel that can be used to manipulate CD tracks like Vinyl (the platter doesn't spin on its own however, so it is slightly more limited than Vinyl). Since the introduction of this product, Technics and NuMark have both introduced their own CD turntables with full 12" platters that actually rotate. If you must use CDs, there are some good options out there (be aware that they are very expensive, however).

OK, by now, you're presumably kitted out and you've bought a couple dozen records that you like. Now, h

Welcome to the wonderful world of mixing. The first thing you're going to need is gear. Absolutely essential are 2 good direct-drive turntables (direct drive is essential, belt-drive won't have nearly the torque you need). The industry standard is the Technics SL-1200 (the MK2 is the normal baseline model, the MK5G is an updated version with selectable +/- 8/16 % pitch adjust and updated styling). Some other acceptable models (which are themselves heavily influence by the 1200) are the Stanton ST-100 and STR8-100, the NuMark TT1600 and TTX series.

Now, I know you're saying "Turntables? Vinyl?!! Are these the dark ages here?" Well, the fact is that most dance music is released primarily to vinyl, for DJs just like you. The good thing is that, since LPs are an analog technology, incremental improvements in quality are possible without breaking compatibility. In fact, record mastering is an art which has advanced considerably even after the invention of the CD, and well-taken-care-of LPs played back with professional-quality cartridges blow the sound quality of CDs away. Believe it.

Speaking of cartridges, that brings us to the next set of kit. There are a wide range of pickup cartridges, ranging from $20 entry-level models to the superior Ortofon Concorde at over $100. Honestly, get the Concordes. The cartridge itself is extremely high quality and delivers amazing sound quality without distortion, and the actual needle tips are replaceable (for much less that the cost of new cartridges), and can even be swapped out with different styli for different purposes (ultra high-fidelity vs. scratching, etc.).

The next piece of gear is the mixer. Here's another area where there is a vast range in price. The extremely expensive models feature loads of inputs, multi-band equalizers, full banks of filters, several effects loops (and possibly some integrated effects), quadraphonic mixing, optical faders, and maybe even full-digital mixing. The truth is, you probably don't need all those feature while you're starting out. The important features you want are a seperate 3-band EQ on EACH CHANNEL, nice smooth (and user-servicable) faders, and maybe an adjustable curve on the cross-fader. I use a Stanton mixer with these features, and an optical scratch fader, and it set me back only about $250 new.

Now, I know I said earlier that Vinyl is the DJ's medium of choice. That has been the case for several decades, but to be perfectly honest, there ARE some viable alternatives now. Stanton's Final Scratch system is a pretty amazing box that plugs into your existing DJ setup and your PC, and allows the playback of MP3s which are controlled by real, physical specially-encoded Vinyl. There is a slight latency involved with playback of the special discs, which is fine for mixing and even light scratching, but more complex scratches aren't really possible. Even then, the system is truly amazing, and it hooks in with the excellent digital DJ software package Traktor from Native Instruments.

CD turntables are also a major new technology. This field was pioneered by Pioneer with their CDJ-1000. The first model featured a large mechanical jog wheel that can be used to manipulate CD tracks like Vinyl (the platter doesn't spin on its own however, so it is slightly more limited than Vinyl). Since the introduction of this product, Technics and NuMark have both introduced their own CD turntables with full 12" platters that actually rotate. If you must use CDs, there are some good options out there (be aware that they are very expensive, however).

OK, by now, you're presumably kitted out and you've bought a couple dozen records that you like. Now, h

Final Scratch 2 and Traktor DJ Studio 2.6 (3.0 will work too) is a killer combonation.

Go get yourself a set of inexpensive direct drive turntables and a 2 channel mixer, hook up a Final Scratch 2 to a Firewire port, fire up Traktor DJ studio 2.6, let it analyize your mp3's, and you'll be mixing within a few hours.

Traktor 2.6 works with the Final Scratch 2 and let's you do everything you would normally do with records with your mp3 (pick up the needle, move it forwards and backwards and set it down, spin it up, slow it down, scratch, wind it backwards, everything), and Traktor will give you very clear visual cues to help you get your beats in line.

Of course beatmixing is one of the easier skills to acquire, and alone does not make a good DJ. But given that you can probablly put this together for around $1,000 dollars and have a totally viable digital DJ system for learning on, I'd suggest it to anyone who's serious about learning how to make this happen without buying top of the line gear which can easily top $10,000 for just a basic setup.

This is surely a nice idea, i personally hate having to use my mouse when mixing music,

It's too bad no one's thought of a way around that...

but i think the magic questions will be : Just how functional is this? Is it going to have a lot of flashy bells and whistles and doodads, or is it going to be efficent?

They're marketing it to DJ's .. but I don't see how it would be all that great. Tactile control is very important, espessially in a dark club and when you're trying to be fast. Think about trying to type on a keyboard that you couldn't feel (like, try touch-typing on your desk). How accurate is that going to be? When you're DJing, tactile feedback helps a lot - you can grab a fader by touch, without having to look, or you can feel when you've hit the end of the slider.