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slothdog writes "They Might Be Giants have opened their own music store, featuring "highest quality" (256kbps LAME) un-DRM-encumbered mp3's. There are only two CDs currently available (at $0.99/song or $9.99/album), but presumably more will be added as time goes on. Looks like a great way to directly support the artists."

Anonymous Coward writes "Military Training Technology (online edition) has an interesting article, 'The End Game', containing revelations about a Research, Development and Engineering Command project 'that is as timely as the nightly news' - a Massively Multiplayer Simulation for Asymmetric Warfare, or simply MMP: 'essentially a virtual world [developed by There Inc.] intended to train soldiers well beyond the goals of war gaming'."

"Its like being the world's tallest midget" is how Flansburgh describes They Might Be Giants fame at one point during the bands documentary, Gigantic. I was lucky enough to score tickets to the opening screening here in Seattle of the movie and was delighted with what I received for the price of admission. Of course having one of the John's, Flansburgh that is, plus the director AJ Schnack show up to the screening only added to the value. I am a fan of They Might Be Giants. The fact that I will have seen 26 films by the time that the Seattle Internal Film Festival is over also means that I am a fan of film too. Despite being a fan of film, this documentary could have been two hours worth of the TMBG's videos, or even two hours worth of staring at a black screen, and as long as they played some music I would have loved it.

The documentary is a solid mix of band history and irrelevant pieces (would you expect anything different?). While I can not say that I got a good history on how the two Jon's actually started playing together from the documentary, I did learn a lot about their early successes and the director did a wonderful job of putting together scenes from different periods to give the audience an idea about how the band's early years were. The documentary does reveal how "Dial A Song" got started after a biking messenger accident left Linnell unable to play. We even get to see some photos, complete with price tag, of the actual machine. Flansburgh talks for a bit about how personal "Dial A Song" is and the entire experience of getting to be one with the machine.

The documentary was shot in video and in places comes out a little grainy. Some of the concert scenes definitely show off some of the short comings of the medium (this is not Lucus style digital filming). Despite this the film had a fully packed house during its opening in Seattle and the theater had to turn away 150 people at the door.

The director mentioned that their last showing of the film at SXSW had similar sized crowds. Hopefully this will mean that some distributor will pick up the film so the more people will get a chance to see it. If you are lucky enough to live in one of the cities that it will be playing in, and you love the band's music I can easily recommend going to see it.

Yes, folks, it's time for another special Slashdot music celeb interview, this time with They Might Be Giants, creators of much excellent music and the famous Dial-a-Song (which has been mentioned on Slashdot before). Anyway, TMBG is a pretty cool band, so go ahead and ask them anything you want -- about their music or Napster or their deal with eMusic or anything else. Post your questions below. Moderators will choose their favorites. Saturday afternoon we'll select 10 of the best ones, and TMBG will have their answers back in the next week or so.

Masem writes "At the recent CMJ Music Marathon, there was a large discussion about the effects of Napster on not-so-mainstream recording artists by the artists themselves. Some for, some against, but an interesting opinion was given by John Flansburgh of TMBG, in that Napster comes between the direct connection of the band and the music listener in cases where the band already had a strong net presence."