A Critique of the EFF's Open Audio License
In fact, let me make a brief response to Glass' points as he makes them in the critique -
OAL gives away too much: No response to this. It's for the artist to decide.
No credit to performer: Silly criticism. An intended aim of the license. The performer is free to seek an alternate license from the author if he/she wants to profit off of the song.
Potential damage to reputation: Silly criticism. An intended aim of the license. Like the GPL, this license assumes that free and open should be free and open to everyone for every purpose, even those you find distasteful. "Oh my god, someone is using my GPL'ed program called grep to search for abortion providers in the phone book!"
Viral nature: Silly criticism. An intended aim of the license. Again, if you want to incorporate chunks of someone else's work in your own, you are free to a) be infected by the OAL, or b) seek a different license from the author. Free with restrictions, or, presumably, pay the author for a different deal. Without this license, only b) is available. The OAL only ever provides a possible alternative for people wanting to use a work.
ASCAP and BMI don't enforce the OAL: This is an issue to take up with ASCAP or BMI.
Irrevocable: Silly criticism. Even without this clause, you couldn't "take back" the license, at least for people who've already made use of your work - they took advantage of the license at the time.
Most of the rest of Glass' criticisms are general criticisms of any Free license - it gives away the rights of the author. Well, duh, that's what it's supposed to do. These are criticisms of the aim of the license rather than flaws in the license. What Glass is lacking here is a general BSD-type license for music to compare this against...
The guy who wrote Free for All had a long explanation about why the book wasn't free. He points out that text and opinions are best copyrighted because copyright doesn't affect the facts themselves. If you want to reuse the facts, you're free to do so. You just can't reuse the exact form.
But music is kind of different. Songs do grow as other people add stanzas, verses and what not. So I can see the advantages of the OAL. This guy is complaining too much. Sure, you give up some rights when you use it, but you gain others. What's the big deal? Everything in life has tradeoffs.
Brett would prefer if we'd all put out free media that he can take private, commercialize, and not return anything to the creator. I just don't see what's in it for anyone but Brett. Most people don't take him seriously.
Bruce
Bruce Perens.