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LotR Takes Top Spot on IMDB
Dwarf_Sibling writes "Hard to believe but with over 11,000 votes tallied LoTR:FoTR has displaced "The Godfather" as the highest rated movie at IMDB. Over time I'd guess this will fall lower, but this is an amazing accomplishment for a fantasy movie."
I think besides the fact that Lord of the Rings fans tend to be fairly computer-literate (which will skew any online poll ;-) ), I think you have to remember that 2001 has not been a good year for movies in general.
Movies like Moulin Rouge, Memento, Mulholland Drive, and a few others have a lot of quirks in them that makes them not completely acceptable by the broad general public. High-budget movies such as Pearl Harbor did not live up to their expectations. And Harry Potter and the Sorcerer's Stone made most of its money in the first few weeks just to satisfy the pent-up demand from all those young readers of the Harry Potter books (it's a good, but not a great movie).
I think in the end, 2001 will be the year that only two movies will have good box-office take over a long period of time: Shrek and Lord of the Rings: Fellowship of the Ring.
I'd certainly be a bit pissed if the producers or studio say, "We have to call it Lord of the Rings II, or the idiots won't be able to tell the difference." You just know there's dumb enough people in Hollywood to think that and even push it through.
A feeling of having made the same mistake before: Deja Foobar
LotR was a decent movie, with great special effects, scenery, and cinematography. But the storytelling was rather poor. After the fellowship leaves on its journey, the movie is two hours of barely related events which are fun to watch, but meaningless in terms of advancing the story. There's no sense of progress, not really any background explanation of the places and people they come across. A good movie should NOT require you to read the book it's based on to follow the story!
Essentially, I feel this was a (successful) attempt to put readers' favorite scenes from the book on film, and to do it in a very expensive way, and to make a lot of money off that hype. But I think it fails at being a great movie on its own. This was definitely better than The Phantom Menace, but it is far from being the best movie ever.
I remember 'Titanic' was in the top ten on imdb when it came out, but it has since fallen off the 250. Waiting several months is a good idea. For example I've been following the imdb top 250 for years. Sometimes a movie. will shoot into the top ten on a wave of hype, but as more people see it on TV and video it falls down the list. Some films seem to stay up like 'American Beauty'.
-- it's #1 with women on imdb, which means it's not just male geeks voting;
-- the external reviews have been very good, so it's not just sci-fi-fantasy types lauding it;
-- if you look in the top 10 grossing films - 6 of 10 are sci-fi in both the us box and worldwide box - no other genre is close;
-- i've always been a sci-fi fan, and a tolkien nut, and have always deferred to mainstream films when it comes time to high praise - i was glad annie hall won best pic in 1977 - star wars deserved technical awards, but was not the best film made that year...
-- but this has me thinking - sci fi movies are great entertainment and make for outstanding cinematic experiences - this stuff makes good movies in a more rounded way than i'd imagined.
-- now if only hhgg can still be made, we'd have the best of all worlds! as funny as anything that won an oscar, just techie enough and honestly good plot/story arc/characters, all that good stuff.
"Win treats sysadmins better than users. Mac treats users better than sysadmins. Linux treats everyone like sysadmins."
Has there ever been a movie that's been "as good" as the book?
Absolutely. Off the top of my head, and I know I'm missing a bunch:
It's true -- I'm the only geek left who hasn't read Lord of the Rings. I've read many more O'Reilly books than science fiction novels. But I am an avid moviegoer -- I LOVE movies.
I went into LotR with an open mind. Having never read the books, I really didn't know what to expect. From the opening sequence, I was enthralled.
Several things struck me about this movie. First and foremost, it takes itself seriously. I'll never be able to watch Phantom Menace again, because LotR does what PM should have -- presented a serious and dark tale of myth.
After seeing LotR for the second time, I find it curious that so many people complain about character progression. When your last impression of Sam and Frodo is of them walking off together, and then you see them at the beginning of the movie again, the change is stark.
The special effects were fantastic.
The acting was fantastic.
The dialogue and pacing were fantastic.
The last action/adventure movie I saw that was this good was the Matrix, period. For three hours I was swept away into a different land with vivid scenery, odd creatures, and a compelling story. I can't imagine what more I would want from this movie.
Best movie ever? If Towers and King turn out just as good, then I believe the trilogy as a whole is worthy of such consideration. It's certainly not a cinematic masterpiece like Citizen Kane, but if you were going out this weekend, which movie would you rather see?
Fellowship of the Rings could be described with one word that I rarely use but is completely apropos: epic. How many other movies can claim the same?
What if I gave you three dollars? How much? Thr-- four dollars? Keep talking, I'm listening.
LOTR is a visionary masterpiece. Every frame could be frozen and framed and look great on any wall of mine. There is no question that the camera work is simply revolutionary, from the vertigo-enducing dives to the slow pans across the vast landscapes.
It is however, a very Cliff Notes friendly version of the plot. I'll take two instances here, and let you decide the rest.
1) Bill the horse. One of my favorite characters from the book is undoubtedly cut to shreds by the film. I don't know why they even bothered including the five-second scene of Sam and Bill. Maybe simple nostalgia from Jackson and possibly trying to give Sam some type of emotional grounding since his only other character scene was dancing with Lucy in the first moments in Hobbiton.
2) The Aragorn/Arwen romance. I have no problems whatsoever with this type of story manipulation, and I am glad that Arwen got such a prominent role in the film (and undoubtedly in the next two as well). But this romance is forced, with the simple gestures and "remember how we met" dialogue not enough emotional foundation to give them the effect that is needed.
These are just two examples, there are plenty more. The word is that Peter Jackson's first cut of the film was 3 hours 30 minutes. It's possible that New Line, scared enough that it was over 3 hours, didn't want to risk such a long cut since the longer it is the fewer showings the film can have. So 30 minutes of character development probably went right out the window.
Must I point out that Titanic, a great flick (despite all you naysayers), is 3 hours 20 minutes, has solid character development, "legs" like you wouldn't believe (ie, stayed on the charts for more than 3 months), and grossed more than any film in history. The hobbits are dreadfully bland, Legolas (especially) and Gimili are bystanders at best. Boromir is given one scene where he describes Gondor as his character moment, with most of the screen time given to the leads. Gandalf is represented best, which is why his (SPOILER WARNING) demise (SPOILER END) is so powerful. I loved the after-Moria sequence, though it was easily apparent that the on-the-rocks scene where Boromir is teaching Merry and Pippin how to sword fight was cut down to shreds, when it really shouldn't have been--after such a huge setpiece, a character-driven segment would've been welcomed.
It wasn't until I saw the film the second time that all of this occurred to me. Having re-read the books this summer to get a feel for them, I knew all the characters and took all of the shortcuts for granted. Though one can still enjoy the film as it is constructed (hell, even my girlfriend liked it), when you read the books the events are much more effecting, bringing to life all of those superb moments you once built in your imagination.
The plot goes as such: a little story, a big action sequence, a little story, a big action sequence, etc. Repeat ad nauseum.
Let's just hope that judging by the immense reaction, both from fans and critics--a rare event indeed, that New Line will give Jackson more leeway with The Two Towers and Return of the King and let him include some truly meaningful character moments.
And damn I can't wait for the LOTR:FOTR Director's Cut!
Interesting thing about Titanic...
In the box office, December 1997:
Paramount releases Titanic on Friday, to a weekend box office take of only $28,638,131, which is actually not bad given the mere 2,674 screens it played on. A Bond flick released the same day does nearly as well, around 25 mil. This is a good opening, but not remarkable. However, over the week, it takes another $24,331,205, and then another $35,455,673 the next weekend. Then another $35,727,684 over the week, then $33,315,278 on the weekend. This trend continued over the next two months, bouncing around in the $25-35 million range both weekends and weekdays totals, until the end of February, when it slipped below $20mil on weekends, and plummetted on weekdays to the (more typical) $5mil range. It then started to slide slowly down toward the $12mil weekend range, with a brief spike for spring break, until the end of April. Then it abrubtly dropped to about $5mil at the begining of May. A month later, it was drawing about $1mil a week, which was pretty much finis. What was unprecedented was: The weekday take was as high as weekend for the first two months (Leno's "housewife factor"?), and; The falloff curve was typical of a solid drama making 20% the weekly gross, not the much more flash in the pan spike and settle of an action film. For contrast, the first three months curve of Titanic (on a by week, not by day, basis) is pretty much lockstep matched by the two week older "Good Will Hunting"... but about five times as high.
How is this significant with regard to FotR? FotR has the potential to pull in a broader demographic than most films that would be reviewed here. It's getting the same kind of fervered reviews as Titanic did (with much better cause, IMO, but I'm biased... I saw Titanic for the effects, and because it was playing and my friends wanted to see it, but I wouldn't have gone a second time if the most attractive woman I knew had begged me on bended knee... not that she would have, being one of the most razor-minded people I've known, and regarding the film as manipulative drek... ah, how I miss her... but again, my bias is showing) and has the potential to create a repeat viewing draw. It seems to be growing in popularity, not diminishing, which is (sadly... my, what fools these mortals be...) unusual, though we won't have a clear picture on that for two more weeks. It has sequels coming close behind it, and they may sustain the excitement a while. It's already a threat to episode II... putting the EpII preview before this film was a mistake, as the contrast is going to diminish the Star Wars film even more (but it will quite possibly actually create a small late boost in viewing of FotR if it's still on enough screens, which could be interesting) and it has the additional distinction of getting a great deal of weekday attention. Even on the normally brutal Xmas week, there's been two sellout shows today at the theater in the mall next to the offices I work in. The first one was an 11:00 matinee. I don't know (only noted this in passing while grabbing something to nibble on) but there's a chance the next (5:00) show is already running out of tickets. It's currently 2:45. And I think it was on two screens, too. Thing is, though, it's not hauling nearly what "Harry Potter" did. That's bad, right? No. Potter isn't making much anymore, not much at all. It hauled, and it's holding, but it was a Monty Haul, or Hall, and those blow over. FotR opened on the (theoretically) worst week of the year for a debut. No, really. So did Titanic. Was that a factor? Well, not exactly... but sort of. FotR is making a lot more than Titanic did at the begining (or anywhere in its run), but Titanic lasted (oh, my aching head, did that stinker last...) and given it's nature, FotR is really not making nearly as much as it would if it were, say, released in May. Initially. That'll change. (A lot more movies were released in December these last three years than had been previously. Go figure.) And if FotR can keep the momentum long enough, it might even get one last upsurge from anticipation of the sequel. TT will be out the same time next year.
I wouldn't say FotR was the best movie I've ever seen, but it is the best one with mainstream appeal, and I'd really like to see it unseat Titanic. Rest assured, however... as a trilogy, it will certainly do so, and more.
-- Still waiting for the Nike endorsement