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Collateral Damage
The plot is vintage Arnold. He plays firefighter Gordon Brewer, who is drawn into international terrorism when his wife and son are blown up in a bombing carried out by Claudio ("The Wolf") Perrini. In pre-9/11 movies, the U.S. is nearly as evil as the terrorists, as the perennial bumbling evil C.I.A./NSA secret agents do absolutely anything at all costs by any means to get their way -- just like the terrorists. At the moment, that plot line seems a dubious one. When Brewer figures out that the ever politically squishy U.S. government isn't going to catch the Wolf (to avoid ruffling the feathers of the Columbian government), he decides to do it himself, tracking the Wolf through Panama to the dense jungles of Columbia, where he spends as much time dodging evil U.S. agents as he does hiding from evil Columbian guerrillas.
The movie is full of the now vintage Schwarzeneggerian repertoire of narrow-eyed stares and clunky one liners and explosion after explosion. And let's face it, Arnold is no action adventure spring chicken. His face is lined, his visage distinctly middle-aged. We see him in relatively few action sequences, and he is undoubtedly keeping platoons of stunt men working, judging from the credits.
Watching the film, you can't help but identify with the helplessness of a man who sees his family blown to bits for no particular reason by murderous fanatics who use high-blown rhetoric to justify their butchery. I suppose there are lots of people who wish they could get their hands on Osama Bin Laden's throat.
What makes Black Hawk Down so jarring and effective a film is that it's about a real story. U.S. soldiers really did find themselves in a horrific shoot-out in Somalia, and really did behave heroically under awful pressure. These same soldiers are now crawling around the hills of Afghanistan, their cause clear and powerful. That movie is thus a terrific salute to ordinary people who have to take a deep measure of themselves in extraordinary situations.
But Schwarzenegger's clunky ham-handedness is diminished, not enhanced by reality. The movie is too long, the ending loopy. What was once an entertaining Hollywood cartoon figure now just seems a dinosaur, his sensibility outdated and irrelevant. Schwarzenegger has made some first-rate action stuff. His Terminator series was great (he's making another). He ought to ride off into the sunset while he still has his dignity and pride, and acknowledge that while he had a great ride, the reality of the world has finally overtaken him.
My complaint about Jon Katz:
May I be cynical for a bit? I hope you don't mind,
but with Katz's latest barrage of
malodorous notions, I can't resist the urge to make a
few cynical comments. To get right
down to it, some of the facts I'm about
to present may seem shocking. This
they certainly are. However, it's time that a few
facts had a chance to slip through the fusillade of hype.
What's my problem, then? Allow me to present it
in the form of a question: Where are the people
who are willing to stand up and acknowledge
that Katz, in his infinite wisdom, has decided
to destroy the natural beauty of our parks and forests?
On the surface, it would seem to have something to do
with the way that his whole approach is repugnant.
But upon further investigation, one will find that
by allowing Katz to put mephitic thoughts in our
children's minds, we are allowing him to play puppet master.
As for the lies and exaggerations, Katz's
epigrams are rife with contradictions
and difficulties; they're entirely maladroit,
meet no objective criteria, and are unsuited
for a supposedly educated population.
And as if that weren't enough, if Katz is going to
obstruct important things, then he should at least have
the self-respect to remind himself of a few things: First, a
true enemy is better than a false friend. And
second, many people respond to his debauched vituperations
in much the same way that they respond to television
dramas. They watch them; they talk about them; but
they feel no overwhelming compulsion to do anything
about them. That's why I insist we pronounce the truth
and renounce the lies.
Even people who consider themselves scornful
foolhardy-types generally agree that Katz's slurs
symbolize lawlessness, violence, and misguided rebellion
-- extreme liberty for a few, even if the rest of us
lose more than a little freedom. One might conclude
that Katz is incapable of writing a letter without using
such phrases as "crapulous pop psychologists", "loquacious
exhibitionists", "oppressive personae non gratae", or
some combination thereof. Alternatively, one might conclude
that Katz has a different view of reality from the rest of us.
In either case, if you're not part of the solution,
then you're part of the problem. His historical record of
fickle pleas is clearer than the muddled pronouncements
of his apple-polishers for a variety of reasons. For
instance, the worst sorts of inconsiderate Neanderthals there
are must be treated with political justice, not with
civil justice, as they are sincerely not real citizens. Let me
rephrase that: I wonder if he really believes the
things he says. He knows they're not true, doesn't he?
A complete answer to that question would
take more space than I can afford, so I'll have to give
you a simplified answer. For starters, if
we let him cause riots in the streets, then greed,
corruption, and tribalism will characterize the government.
Oppressive measures will be directed against citizens.
And lies and deceit will be the stock and trade of the
media and educational institutions.
Even Katz's bedfellows couldn't deal with the full impact of
Katz's refrains. That's why they created "Katz-ism," which is
just a garrulous excuse to force square
pegs into round holes. He plans to drag everything
that is truly great into the gutter. He has instructed
his votaries not to discuss this or even admit to his
plan's existence. Obviously, Katz knows he has
something to hide. Most of you reading this letter
have your hearts in the right place. Now
follow your hearts with actions. I have traveled the length and
breadth of this country and talked with the best people. I can
therefore assure you that Katz's artifices cannot stand on
their own merit. That's why they're dependent on elaborate
artifices and explanatory stories to convince us that Katz's
warnings can give us deeper insights into the nature of
reality. We can and we must protect ourselves by any means
necessary against the unrestrained bestiality
of stupid, quasi-macabre paper-pushers. And that's the honest truth.
I heard that. Great reference and entirely appropriate. Even more so would be "The Siege". Denzel, as relatively few others, can really make you forget he's Denzel and in the context of the film leave you well acquainted with the character rather than the actor.
I don't think the makers of "The Siege" or "Enemy of the State" were uniquely prescient exactly; but a couple films that were written off by some as paranoid, almost counter-culture phenomenon are truly high art after the fact.
Oops
Uh wrong. Check out the History channels documentry on the event. They not only talk to almost every soldier who made it out of there alive, but also the Somolains who were they that lived also. Black Hawk Down was almost completely 100% true from BOTH angles. You can go STUFF IT, sir. BHD was one of the most realistic war flicks ever filmed. It was more of a documentry ITSELF than the History channels unbiased blurb.