Copyright Office Proposes Webcasting Regs
I thought I'd just summarize briefly for people who don't follow these issues:
Copyright law gives the record companies the right to prevent others from making copies of "their" music, except in certain cases where there is a "compulsory license" written into the law. In these cases, the record companies can't prevent anyone from using "their" music, but there is a mandatory fee that they must get paid. This "compulsory license" scheme was meant to keep the music industry from taking over the radio industry by simply refusing to license their music to certain radio stations (ones that didn't play ball, naturally). The U.S. Copyright Office sets the fees and revises them occasionally.
So the same idea was applied to webcasting music. In theory, this keeps the record companies from eliminating all-but-one or all-but-a-couple of the webcasters - anyone can webcast, you just have to pay the fee. However, if the record industry has too much influence over the process, they might try things like getting "compulsory license" fees set very high, or making sure that the record-keeping requirements are so onerous that it's impossible to comply with them.
In effect, this eliminates the "compulsory license" - because it's economically infeasible to comply with it. Webcasters can still seek individual licenses from the record companies, but this gets back to the original problem - the record companies have no obligation to make life easy for the nascent webcaster.
Requirements
A) The name of the service
B) The channel of the program (AM/FM stations use station id)
C) The type of program (Archived/Looped/Live)
D) Date of Transmission
E) Time of Transmission
F) Time zone of origination of Transmission
G) Numeric designation of the place of the sound recording within the program
H) Duration of transmission (to nearest second)
I) Sound Recording Title
J) The ISRC code of the recording
K) The release year of the album per copyright notice and in the case of compilation albums, the release year of the album and copyright date of the track
L) Featured recording artist
M) Retail album title
N) The recording Label
O) The UPC code of the retail album
P) The catalog number
Q) The copyright owner information
R) The musical genre of the channel or program (station format)
Jeez. That's going to need new databases for radio stations.
At least I don't have to call in to ask what song they were just playing. I'll even get the UPC code and the album name and copyright owner information right there.
And a listener's log listing:
1) The name of the service or entity
2) The channel or program
3) the date and time that the user logged in (the user's timezone)
4) the date and time that the user logged out (the user's timezone)
5) The time zone where the signal was received (user)
6) Unique User identifier
7) The country in which the user received the transmissions
I'm sure they put on the unique user identifier in there just in case someone actually implemented all the others to comply.
My old school had a campus radio station, and about 1200 students. Last I heard, they were considering an on-campus-only webcast of the radio broadcast (since the signal was to weak to reach many parts of campus, especially the many "basement" work and rec rooms). So, assuming even 10% listenership, and the cheapest licensing schedule (for non-CPB-funded "public" stations) their fees would look something like this:
120 "listeners" * 18hr./day programming * 12 "performances"/hr. * $0.02/"performance" ==> $518.40/day.
That's right, folks, a college radio station with just over a hundred listeners could reasonably pay over $500 per day just for the privilege of putting their broadcast on the web.
Ain't (lobbyist-directed) beurocracy grand?