Where Music Will Come From

em.a18 writes "There is a good article in the NYTimes about how we use music and how it changes after Napster. The article even suggests some good business models. Nicely done!" Yeah you need a free registration to read it, but it's a good piece. I like the quote 'With digitization, music went from being a noun, to a verb, once again. '

Comments

where music came from

[perdida]

I see a good and a bad to the computer music developments.

I was just listening to some old Smithsonian recordings at work. They are old blues, country and mountain music from the Depression-era recorders who went around with huge trunk sized machines to rcord the music of people without radios who made music on their porches.

Now, we can make music together on a virtual porch. We can sample and produce music easily, and our tastes are, perhaps, less likely to be influenced by the hit machine. Unfortunately, though, most music as of yet from the Net has been derivative..

Perhaps there is still a solitary nature to music made remotely, designed for Napster-style release only, not for performance. Musicmaking, for me, takes a real audience into account. I couldn't make music without a real crowd in mind when I make it.

premise entirely incorrect

[Karrade]

I find this article mostly nonsense. Its very premise is flawed:

The industrial age was driven by analog copies; analog copies are perfect and cheap. The information age is driven by digital copies; digital copies are perfect, fluid and free.

The problem with the current distribution of "analog" copies is that they are not cheap and they are not perfect.

The crux of RIAA's problems with Napster comes from the fact that the digital copies are all perfect. No matter how many generations of copies you make each copy is as perfect as the original. Trying making analog copies and after even 4 generations you can hear obvious quality loss. The Recording industry's original purpose was that they owned the originals and could make their reproductions from that. Since digital copies are cheap (not free, computing time, equipment and bandwidth all have costs those close to zero) and perfect their is no need to "go to the source". In other words, they are no longer necessary. Anyone who has any digital copy, can do exactly what the recording companies can do, and cheaply.

Napster isn't driven by people who want to edit music. Napster is driven by people who want exact same piece of music for a price thats more reasonable than what Recording Industry provides. Making good music is still hard. Making copies is now easy. Napster not a musical revolution, it is a distribution revolution.

And is it just me, or do all the ideas at the end sound like some kind of dot-com fantasy. The same people who believed in loosing money per unit but making it up in volume.

Songs are cheap; what's expensive are the indexable, searchable, official lyrics.

Searching and indexing music is far cheaper than making music! Its also cheaper than distributing music. Indexes take up less space and bandwidth than the material itself.

On auction sites, music lovers buy and sell active playlists, which arrange hundreds of songs in creative sequences. The lists are templates that reorder songs on your own disc.
If you can copy music for free, why on earth would you not be able to do the same for playlists?

The most popular band in the world produces only very good ''jingles,'' just as some of the best directors today produce only very good commercials.

What does this have to do with anything? If you're not paying for digital music (author's premise) why would you pay for "jingles". And I don't see commercials edging out movies.

Musicians with the highest status are those who have a 24-hour Net channel devoted to streaming only their music.
If I stream 24 hours of crap and U2 streams 10 minutes of Joshua Tree, who do you think is going to get the most hits and have the most "status".

Despite the fact that with some effort you can freely download the song you think you want in a format you think will work for your system, most people choose to go to a reliable retailer online and use the retailer's wonderful search tools and expert testimonials to purchase what they want because it is simply easier and a better experience all around.

This I think is makes sense. BUT, would you pay $20 for 8 tracks? That is why are willing to sit on their 56k and search for songs. Because $20/cd is too expensive! And the retailer does not want you to use your music on any system. If you want to use it in your car and home, they want you to buy another copy! Too bad if its inconvient and expensive for you. If they have no competition they can do whatever you want.

I think the best analogy I heard about Napster is this: Imagine if we had a duplicator. So lets say we could duplicate apples from one original apple. Farmer's would be out business. Would we stamp out such technology on the basis that we are pirating apples and destroying a farmer's ability to make an income?

If farmer's took a cue from the software industry they would probably include a EULA to the effect that they are licensing use of the apple to us for eating purposes, but we would not actually own what we eat!