Canadian CD-R Tariff Proposal Explained
"The actual basis of these tariffs is a complex formula that involves (among other things) the percentage of the media sold to consumers, the fee payable to the copyright holders from an average pressed music CD, and the percentage of CD-Rs that end up as coasters. The formula can be found in the document that describes the tariffs for Private Copying 2001-2002 (Adobe Acrobat Reader required).
In the case of CD-Rs, the proposed increase from $0.21/CD-R to $0.59/CD-R is due to an increase in the percentage of CD-Rs bought by consumers (45% to 70% since late 2000), an increase in the percentage of CD-Rs used to copy music (56% to 62% in the same time period), and the advent of 80min CD-Rs that can hold more music. However, there is one more factor.
There is currently a "secondary value" discount on the levy to reflect the fact that copies are worth less than the originals. In the 2001-2002 decision the Board applied a 37.5% discount to that effect. The CPCC now claims that because so few copies are of the whole album (10% by their numbers) the discount should only apply to those."
So now in Canada, I have to pay Britney Spears to record music I play on my own guitar. That's pretty cool if you're an idiot. Or Britney Spears. But I repeat myse..
As a fellow Canadian, I would love to know out of whose ass they pulled those numbers. 60% of cd-r used for music ? bull$hit. There isn't that much music worth burning anyway!
-Billco, Fnarg.com
Let me see if I got this right. The top reasons for raising the tariff from $0.21 to $0.59 per CDR are:
1) Increase in number of users who are purchasing CDRs and using them to copy music.
Ok, and why does this justify raising prices? Since the tariff applies to all CDRs, this means that more people are already paying, and they should be making proportionately more tariff money. How does one justify raising the cost of the product when more people are buying said product?
2) 80 min CDRs are now more popular
Let's see, because of the miniscule rise in the fraction of storage now available, they want to increase the price 2.8 times. Again, I haven't seen this magic formula, but that additional 50MB must sure weigh in heavily.
3) 37.5% discount should not apply because few are copying whole album.
Right, so copies should now be worth even less, as most of them are incomplete. To me, this is an argument for raising the discount instead of lowering it. How do you raise the price for something you're now arguing went down in value?
This whole thing is so screwy.
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And what about the independent artists that use CD-R media to release their work? Now they have to support commercial artists - which don't support them back in turn. My, my this truly sucks, don't it, eh?
do what we did in college. take an SUV and a blanket. drive across the border. Load up on spindles of CDR's and such, put the blanket overtop of em, drive back.
We did the same thing 'cept in reverse in getting Molson XXX across from Montreal.
I don't know about everyone else, but I don't particularly mind paying (even paying the record companies!) to listen to music. What I do mind is the amount I have to pay for music I don't want. I like a few songs by dozens of bands, but they want me to pay for the full album. Not a chance. If I can pay my $21per Gb to be legal on my MP3 player, and I can play ANY music I want, and change music as I wish, I'll pay it. Gladly. But if you want to charge me, make me pay for the music, and then still call me a criminal, then f*ck you.
Nathan Brazil?
with a slim majority used by corporate IT.
Why is Grand Theft Auto a much more serious crime than Reckless Driving?
If you buy audio tapes to record music in your 4-track then you still have to pay a tax to the recording industry.
We should have the right to pirate to any media which is taxed for piracy. We already paid.
They could have some CD-Rs made expressly for pirating music, and only tax those. :)
Why is Grand Theft Auto a much more serious crime than Reckless Driving?
(sorry for AC I not at home)
From the doc "DECISION OF THE BOARD":
0.95$ CND by CD for Authors
1.90$ CND by CD for Performers + Makers
So a 20.0$ CD and only 2.85$ go to the artist. And today on the news (Quebec, big lunch of Celine Dion album) they blame music pirate and Net for possible low sale without giving a Fck number. I so tired of this type of manipulation by the Label. I don't have buy a album for one year (if they come form a RIAA member) and I don't stop! Wake artist, you have a new powerful tool to distribut your music, use it.
Drix
Wonder why empty "Audio" CDRs are not available in most stores..
Software should be free as in speech, but if we also get some free beer, all the better.
I less then pleased with this tax. Especially, as I don't copy any music onto CD. I figure things will just stay the same if we don't change it. Complaints go to:
CLAUDE MAJEAU
Secretary General
56 Sparks Street, Suite 800
Ottawa, Ontario
K1A 0C9
(613) 952-8621 (Telephone)
(613) 952-8630 (Facsimile)
majeau.claude@cb-cda.gc.ca (Electronic mail)
Note:
Objections must also state if the objector intends to participate in the pre-hearing conference to be held on Thursday, May 23, 2002 at 10:00 a.m., the object of which is set out below.
Where possible, the Board asks that all comments and objections be sent by electronic mail.
Now If I just want to backup data on my hard-drive I have to pay pretty much double what im paying now for a CD-R. Maybe I should start taxing the record companies for making me listen to bad music on the radio!
Dick Laurent is dead.
So it's no longer "data" vs "audio," but "home" vs "work?"
I admit it, this really pisses me off because it's clearly an effort to manipulate perception and partition the market in ways more favorable to the RIAA. They'll leave offices alone, for now, if they can get the legal presumption that all home users are pirates.
But in fact many people work from home - for many service-based small businesses there is no "office" - and for most people the CDR is the only backup medium they have. Even those of us with real tape drives (I have both TR-4 and DDS tapes) often use CDR backups because of the fast recovery rates. (With a indexed compressed tar system I'm working on, I can do wildcard recoveries from a full 800MB CDR in a matter of seconds.)
But according to the RIAA, I use those 50-disc spindles to rip insufferable pop music, not to backup up my own business files.
For every complex problem there is an answer that is clear, simple, and wrong. -- H L Mencken