His Dark Materials (Trilogy)

canadian_right writes: "Philip Pullman has written a great fantasy adventure that children and adults will enjoy. A richly detailed alternate universe is presented in The Golden Compass, and we are introduced to the heroine of the three books, Lyra Belacqua. The story starts off quickly and holds your interest with a series of engaging and imaginative adventures for the length of the three novels. Philip Pullman pulls you effortlessly into these alternate worlds, and holds your attention with a wealth of detail that brings to life the sights and sounds of these new worlds. Some worlds are just a bit different from our own, while others are completely new." Read on for his brief review of the books in this trilogy. The Golden Compass, The Subtle Knife, The Amber Spyglass author Philip Pullman pages (See each) publisher Knopf rating 8 reviewer canadian_right ISBN (See each) summary A trilogy written for kids but deep enough for adults to enjoy.

Lyra soon finds herself at the centre of world shaking events, but unlike so many fantasy books, Philip Pullman has come up with a series of astounding, interlocking adventures, full of wonders, creatures, and worlds that will keep you guessing for the full length of the trilogy. All the main characters in the three books are fully fleshed out, with distinct personalities and motivations. There is a fairly large cast of characters, but the author deftly weaves their stories together, often to great dramatic effect.

This trilogy is marketed as children's literature, but this is a much more intense series than Harry Potter is. Battles are deadly, not glorious; good people that you have come to care about die. Certain unfortunate events unfold with ruthless logic. Organised religion is presented in a very bad light, which will turn off some readers. I wouldn't recommend this series to children under 12, but I enthusiastically recommend His Dark Materials to anyone who enjoys fantasy.

The Golden Compass

Lyra is a resourceful and vivacious young girl who lives at Jordan College -- left there by her rich and powerful Uncle, Lord Asriel. Lyra lives a carefree life doing pretty much as she pleases, but she loves adventure and is continually getting into trouble. Then she overhears a conversation about Dust -- a strange substance mysteriously associated with people. Something about Dust is causing great consternation with the Church and other powerful people. At the same time the gobblers are stealing children. Soon Lyra is propelled into the midst of a great conspiracy that takes her far from the comforting halls of Jordan College, and face to face with terrible danger. Lyra's resourceful optimism makes you want her to succeed, and the world she travels through evokes the wonder of things new, and events unknown.

The action will keep children enthralled, and the imaginative twists and turns will surprise and delight adults and children alike. Various peoples and cultures are met throughout the story, and all find a part to play in the epic battle that builds up over all three books.

The Subtle Knife

The Subtle Knife starts off in our familiar world, and introduces a new character: Will. Will is much more serious than Lyra, but their fates are soon intertwined. Will has lived a much more troubled life looking after his mother after his father's disappearance. Someone badly wants something of his father's, and Will's efforts to protect it quickly lead him from home and entangle him in the events started in the Golden Compass. A great war is brewing and Will is destined to play a key role, along side Lyra, in this conflict. A weapon is discovered that will tilt the balance in this war, and Will's search for his father lands him in the middle of the conflict.

Once again the story pulls you into the believable worlds so artfully drawn by Phillip Pullman. Adventure abounds, betrayal, heroic deeds, and dark conflicts drive the story forward.

The Amber Spyglass

The third book in the series draws the story to a satisfying end. Unlike some series, which seem to never end and leave you hanging at the end of each book in search of another sale, the Amber Spyglass reveals the mysteries alluded to throughout the story, and resolves the final conflict. But not before leading you through another set of breathtaking adventures, unforeseen turns, and an epic battle between good and evil.

I highly recommend this series to anyone over the age of 11 who enjoys excellent fantasy. This is a superior children's series that adults will also enjoy for its well-drawn characters, detailed worlds, and intricate plotting.

You can purchase The Golden Compass, The Subtle Knife and The Amber SpyGlass from B&N. Want to see your own review here? Just read the book review guidelines, then use Slashdot's handy submission form.

Comments

Dark Materials: Slashdot relevance

[Creosote]

Pullman's trilogy is as relevant to Slashdot concerns as discussions of Tolkien, Orson Scott Card, maybe even Vernor Vinge. In particular, it has a lot to say (by implication) about the relation between organized religion and Big Science.

A quick and careless reading of the books leads people to think Pullman is only attacking organized religion and particularly the Catholic Church. But the Church in his stories is actually a composite of the most authoritarian elements of both Roman Catholicism and Protestantism (notably, Calvin is basically called a terrorist). Plus the Church in the book's principal alternate world also performs the functions of the orthodox scientific establishment in our world: there's no distinction between theologians and scientists, theology is in fact experimental, but theorizing is rigidly subject to the authority of the hierarchy. Theology/science at the Oxford of the alternate world is hampered by political infighting, personality clashes, money grabbing, power trips... sound anything like university departments you've seen?

Pullman's trilogy has been called the anti-Narnia, and it's definitely that. Like William Blake, he rereads Milton to make Satan the good guy (sort of: the Satan figure in the trilogy is attractive but flawed). And the best key to what Pullman's up to is Blake's Marriage of Heaven and Hell. Namely:

All Bibles or sacred codes, have been the causes of the following Errors. 1. That Man has two real existing principles Viz: a Body & a Soul. 2. That Energy. calld Evil. is alone from the Body. & that Reason. calld Good. is alone from the Soul. 3. That God will torment Man in Eternity for following his Energies.

Read it with Blake in mind, and it's not just a kiddie book. That said, Pulllman's trilogy is often unsatisfying for the lack of internal consistency and coherence in its imagined world, and there are some (to my mind) howlingly bad insertions, like the obligatory descent to the realm of the dead. He wants to have his myth & his science too, and that doesn't always work.

a bit about Pullman (and _His Dark Materials_)

[roffe]

One of the problems in describing Pullmans books is that they're not about anything. I don't have the reference offhand, but he has written at least one place that he wishes a return from all sorts of experimental fiction towards just writing good stories.

However, it is not really true that his books don't have themes. Most of his work is about the process of change and growing up, in particular about the end of adolescence. The protagonists of His Dark Materials are children when the story begins and young adults when it ends - the story, on one level, is about puberty. However, it is the plot that drives his stories forward.

What in my opinion makes his mark as a writer that Slashdot readers should be interested in, is his plot devices - the Alethiometer, the Subtle Knife, and the Amber Spyglass, and above all, Dust, the Dark Material. I see fodder for .signature files, role-playing campaigns, and - yes - two of my computers are named Lyra and Pantalaimon.

But to give a summary of what the books are about - that would be as impossible as to sum up what the Lord of The Rings is about. It's not just about this bad ring that has to be destroyed, and the struggles to destroy it, is it?

His Dark Materials appeals to imagination, first and foremost. It is an immense work, it shows an imagination and a playfulness second to none. The setting of the story is in a parallell universe where (I hope I'm not giving away too much now)

• The Calvinist Church won against Luther - Calvinist authorities in Geneva rule the world.
• Consequently, there are strict rules against science, which is here called experimental theology
• Electricity exists, but there are strict limiations to its applications, so there is electric light and telephones, but no radio
• And there is no USA - North America conists of independent countries.
• People wear their souls outside their bodies. They're called daemons.

And, oh yes, magic exists. Lyra, the protagonist, visits our world, and other parallell worlds. OK, there is a quest, which I suppose is what makes it fantasy. And there are incredible plot twists.

Just trust me. Give it a try. I'll take that chance that there are slashdot readers who don't like it, because I think that most of you will. These are not children's books - as a 35 years old psychologists I think I should have noticed if they were.

BTW, his Sally Lockhart series, set in Victorian London, and his other books, especially The Butterfly Tattoo and The Broken Bridge are also highly readable, for entirely different reasons.