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Fair Use is Not a Constitutional Right
jmichaelg writes: "Ed Stroligo at overclockers.com has written an article on the fair-use provision of the 1976 copyright law. He goes into some depth on the difference between a constitutional right vs. a legal right as well as covers the Betamax, Napster and Rio cases. It's a well thought out article and definitely worth the read."
Perhaps they had it right back in the time of the Renaissance.Art was generally commissioned back then with the author getting a one time payment for his labour. The concept that artists (nowadays distributers) should get paid by every viewer of their work is fairly modern. Indeed, in the nineteenth century, the United States didn't even recognise the copyrights that Dickens claimed for his works. What a difference a century makes!
flossie
Write now. Defend liberty
While the article is informative, the author doesn't speculate on why Fair Use isn't a constitutional right. Without any sarcasm implied, could it be that it's simply too recent a concept/development to be established as an amendment? Is there too much opposition to establishment of Fair Use laws? Is it too murky an issue, or is there no sense of a "need" to draw those lines on Capital Hill?
The article was culled from a morass of court decisions, which when strung together form something of a grounding for this issue, but nothing conclusive. I think something like DigitalConsumer.org's Digital Consumer Bill of Rights is in order, at least to draw the lines in the sand. However, this is about as likely to pass as a Patient Bill of Rights. Your response could be that with big money influences the little guy will never win, or maybe just that it's too complex an issue for lawmaker's to tackle right now, and they'd rather leave it up to the courts, case by case. Regardless, even a Supreme Court decision will be too specific to nail down this sector of law, and I don't think a definite answer from our government on what our Digital Rights are is an unreasonable request. I'm willing to bet, however, that "unreasonable" is just what we'll find the answer to be.
This article says that DeCSS somehow gets around the copy protection embedded into DVD's. As I'm sure most of you know, this isn't technically true. The purpose of CSS is not copy protection but content control. CSS allows movie studios to decide when, where, and by whom the DVD is viewed. Lets say you're in Europe and you'd like to watch a DVD that has just been released in the states. Under the ordinary laws of commerce if you've got the money to buy that DVD then you get to watch it. Not so with CSS. Now movie studios have the ability to pick and choose which titles get released in which region at which price. Lets say there is a title that the powers that be in your country have banned because they don't like it. CSS gives the MPAA the perfect means by which to implement and support this oppression by foreign governments. None of this is right or just. The idea behind copyright is to give producers of works certain rights and protections to encourage the creation of art and knowledge. Unfortunately with things like the DMCA and CSS, non-producers such as the MPAA are perverting the concept of copyright. Where traditionally copyright has been used to define when, where, and by whom a particular work is COPIED, it is now being used to control where, when and by whom a particular work is viewed, read, seen, or otherwise utilized.
Imagine if there was CSS for books and in order to read a particular book you had to live in the right country, be of the correct race or social group, and pay a surcharge to the book cartel every time you wanted to read it. As it stands now books are independent entities. Once a publisher prints a book and sells it, that publisher has no control over what is done with that book other than a legal right to control whether it or portions of it are copied or used in other works. You can read this book, then give it to your friend to read. The publisher can't come have you and your friend arrested because he hadn't paid for the "right" to read that book. You can smuggle books that are unpopular with an oppressive regime into that country and the words will still be legible.
The problem with CSS is not that it is a copy protection scheme, but that it is a scheme to control who uses the DVD, which has nothing to do with copy protection or copyright.
If I remember right a group of video pirates were busted here not too long ago for copying DVD's. What I heard about that case is that they were copying the entire DVD bit-for-bit whether it employed CSS or not. The copied DVD's were still encoded using CSS. So what possible use is it as a copy control scheme? None of course, but its very useful for controlling which people get to watch the DVD.
Another group that is trying to pervert copyright into content control is the "church" of scientology. They employ copyright and trade secret law in order to try and prevent anyone from knowing the truth about their "religion." The truth is that scientology is nothing more than a highly successful scam that robs people of their money, enslaves many in the "Sea Org," and destroys families by forcing those in the cult to "disconnect" from relatives who are critical. Their abuse of the legal system is legendary. Their policy of filing suits for harassment value alone is such that I'm amazed their lawyers havent' been disbarred by now. The organization's sole purpose is to sucker people out of their money that is then passed "uplines" to the likes of David Miscavige. Their use of front groups and interlocking corporations to facilitate the laundering of this money would make John Gotti weep. If you want to find out more about this kriminal kult take a trip to www.xenu.net Be sure to pass this on to your friends too. The more people know the truth about this criminal organization, the fewer potential victims the cult will have to feed upon.
Lee
Muslim community leaders warn of backlash from tomorrow morning's terrorist attack.
a bunch of snot-nosed brats not wanting to pay for other people's labor is beyond pathetic.
And your belief that "snot-nosed brats" are the only ones with a stake in the consequences of the ownership of ideas is laughable. The patenting/copyrighting of DNA threatens to create a much more insidious era of subjection, and what good is freedom of expression if all the obvious ideas and ideas you'd like to use as building blocks for your own new ideas are owned by immortal corporations?
If you can't see the perils inherent in this system, you are extremely short sighted.
microsoftword.mp3 - it doesn't care that they're not words...
I'm not going to compare the apples of civil rights with the oranges of IP laws, but at the root of it, I do think there's something more important than just the right to download a song -
It's the question of the ownership of the imagination, of the stuff that, by my own experiences with the rest of the world, have become part of my psyche, part of my cultural environment, even part of my subconscious. The widening control over copyrights - and especially the tightening noose around fair use - affects my ability to describe the contents of my own imagination insofar as they've been formed by images and ideas from without.
What do I mean? The other night, I had a dream that, for some reason, took place on the bridge of the Enterprise and had a couple Disney characters in it. Those cultural franchises has taken root in my subconscious. Can I make a movie depiction of my dream now? Can I publish a story about it? Do the rights of the creators of those characters and such have a right that is greater than my own ownership over the contents my imagination? Does their property right preempt some of the most essential rights of expression I might have?
Again, in the creation of intellectual "property." my belief is that you are responsible for making sure you're going to get paid *before you actually do the work.* Once the work is out there, I believe the moral priority goes to those who are going to do with what have then become the elements of their cultural environment as they will, rather than to your belated attempt to get paid for it.