Reason Magazine on DRM
swankypimp writes "The new issue of Reason magazine has an article entitled "Hollywood vs. the Internet: Why Entertainment Companies Want To Hack Your Computer." The author discusses the watermarking of digital television as a springboard to Digital Rights Management on all consumer electronics and computers (as in the recently proposed Hollings bill). While light on the tech speak, it is a good summary of the political agendas behind copyright protection intended for those of us who don't constantly check the "YRO" section."
One thing I found very interesting reading the article, which I had not considered beforehand, was as the author pointed out.
The digital videos they shot in 1999 may be unpayable on their desktop and laptop computers.
This is better further elaborated in the following passage...
There are some problems with this scheme. If Prince-ton computer scientist Edward Felten is right, a watermark that's invisible to the audience yet easily detected by machines will be relatively easy to remove. To put it simply, if you can't see it, you won't miss it when it's gone. Which is why the components of new home entertainment systems probably would have to be designed not to play unwatermarked content. Otherwise, all you've done is develop an incentive for both inquisitive hackers and copyright "pirates" to find a way to strip out the watermarks. But if the new entertainment systems won't play content without watermarks, they won't work with old digital videos or MP3s.
Now assuming the above is true and consider the worst case scenario of this bill coming to pass. Would this mean all those legitimate MP3s I downloaded from Epitonic and the Star Wars fan films would no longer be playable on new hardware since they lacked a watermark?
If this the case how would free content continue to exist and operate in this system, as they would obviously have to use watermarks just like copyrighted works if they want to be playable on the new hardware DRM systems. Ofcourse this sort of thing would piss of consumers and even some content providers.
aus.music.scrapbook
What's interesting is the genius of this approach - instead of hackers ripping off the movie industry, they would then be ripping off consumers - with every key cracked, more and more DVD players would become obsolete. Hence, both the tech factions and content factions stood to benefit from this arrangement.
The really interesting thing about this arrangement is that it is practical, though of limited effectiveness, and it requires no special legislation. If all copyrighted works were protected with such an encryption scheme, piracy would truly dwindle because the content providers could simply switch keys and render all of a hacker's previous efforts worthless. What really surprises me is that the content faction hasn't caught on. Here is a scheme which would allow them to literally make movies or songs unplayable after a certain length of time (say video rental...) and profit multiple times, and they are sleeping on it!
Instead, the content faction is fighting a losing battle against the tech faction. Computers, by their very nature need to make perfect copies to function, and any specialized hardware required for copy protection could simply be co-opted by a virtual machine. What is needed is a movie/music/book format which requires a licensed piece of hardware (say, a media board) to decrypt. Thus, those users who want to enjoy MPAA or RIAA licensed content would have to purchase a media board for their PC's, where as those who don't won't have their rights to create content taken away from them. Basically, there would be two types of content: unlicensed and licensed. Licensed content would require hardware decryption, whereas unlicenced content wouldn't. This solution works for both the content faction and the tech faction, without taking rights away from the individual to use their computers as they see fit.
The society for a thought-free internet welcomes you.