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Ask the Honcho of Internet Radio's SomaFM

This week, Rusty, the general manager of Internet Radio's SomaFM, is the subject of the Slashdot Interview Spotlight. Some of you may remember Rusty from a recent Salon interview. Now he's making himself available to Slashdot and I'm sure you all can figure out a few questions to ask that weren't covered before. I'm sure many of you have questions about CARP, the future of Internet Radio, and the technology behind it. So let's get to it! As usual, we'll send off the 10 highest moderated questions on to Rusty, and we hope to have the answers for you sometime next week. <PLUG TYPE=SHAMELESS>BTW - If you haven't checked out the streams available at SomaFM, give it a try. Taste the Groove Salad, and the other 8 commercial free streams available on SomaFM. Ah, if only normal FM radio could be this good!</PLUG>

7 of 145 comments (clear)

  1. how much does the recording industry really care? by Laplace · · Score: 5, Interesting

    I was curious to know how much the recording industry cares about small stations. Do you think that the Recording Industry Association of America is going to come after these tiny internet broadcasters, some of which are run out of someone's bedroom, and actually try to enforce this legislation? Given the bandwidth small stations operate on, their lack of mainstream exposure, and the tiny bang for the (litigious) buck, it seems that the record industry can spend their resources elsewhere with greater effect.

    --
    The middle mind speaks!
  2. Thoughts about Digital Rights Management? by SPYvSPY · · Score: 5, Interesting

    Given the availability of programs like streamripper (and others like it, I guess), do you have any plans to accomodate the myriad of digital rights management schemes in the pipeline? Which, if any, do you support or intend to implement? Do you think that you have an obligation to do so?

    BTW, keep up the good work. I can say with total sincerity that your stations have introduced me music that I would otherwise never have heard. I thank you, (and so does my iPod). ;)

  3. Pirate Mythology by tcd004 · · Score: 5, Interesting

    Right now Internet Radio enjoys a sort of "pirate" image, which I think endears it to many people because they feel like they're supporting independent media.

    However, my guess is that as it grows and becomes more profitable, most Internet radio is bound to end up owned by 2-5 big players, as is the case with most other media. Do you expect internet radio to get bought up like the movie studios, local TV stations and radio stations, or do you think it will be able to stay independent?

    Would mergers and consolidation ruin internet radio, or would it help it?

    Thanks
    tcd004

  4. What am I missing? by Otter · · Score: 4, Interesting
    Radio stations are obliged to respect copyrights on music, right? No one except "Down with intellectual property types!" propose that commercial radio stations should be able to play Britney Spears songs without paying her for it.

    So why should your money-earning radio station be different because it's sending a signal over IP packets instead of radio waves? I'm sympathetic (somewhat) to Joe Cable-Modem who is doing a just-for-fun broadcast, and my understanding of CARP is that is has some retroactive charges that are disturbing, but why should I defend your right to run a radio station for free?

    I keep reading about all this great unrestricted music that's distributed through P2P networks. If that's so, leech off them.

  5. Royalties loophole? by Dan+Crash · · Score: 5, Interesting
    The statutory royalty rate for Internet simulcasts of FM radio broadcasts is only half that of Internet-only broadcasts. So couldn't any web station cut their royalties in half by spending $34.95 (plus shipping) to buy a micro-FM transmitter?

    Here's what the law says in Title 17, 114. Scope of exclusive rights in sound recordings:
    The performance of a sound recording publicly by means of a digital audio transmission, other than as a part of an interactive service, is not an infringement of section 106(6) if the performance is part of ...a nonsubscription broadcast transmission.
    It doesn't require you to be a licensed or noncommercial broadcaster, simply that your performance is broadcast freely over the airwaves.

    Has the webcasting industry looked into this loophole at all? Seems to me that cutting your operating expenses roughly in half could be the difference between economic life and death for most companies.

    Disclaimer: I am not a lawyer (thank God!), but I am a pirate radio broadcaster.
    --
    He who refuses to do arithmetic is doomed to talk nonsense.
  6. Fraunhofer, and OGG Vorbis by E1ven · · Score: 5, Interesting

    What amount do you currently pay in MP3 liscensing, in order to stream SomaFM over the internet?

    With all the threats and attacks to MP3 streaming by Fraunhofer, have you considered moving to streaming OGG Vorbis files?

    As Winamp is now shipping with native support, this could be a good way of shaving down some of the fees regarding your business.

    --
    Colin Davis
  7. Popular (internet) music on the Radio? by Traa · · Score: 4, Interesting

    As much as I love internet radio and hope to see it stay I have been wondering why some of the more popular music themes on the internet are not available on commercial radio. I am talking about the sounds of SomaFM's Groove Salad, Digitally Imported and other internet radio stations playing Ambient, Trance or any of the other more mellow versions of Electronic House. What in your opinion is the reason we can't find these styles on commercial radio?

    Best of luck and keep up the good work!