Too Many Patents as Bad as Too Few
NonSoftAntiCurve writes "Forbes.com has an interesting article about how too many patents are as bad as too few when it comes to incentives for innovation. 'The tension between the patent as a way to stimulate invention and the patent as a weapon against legitimate competition is inherent in the system.' There is a scary example of how this plays out in practice."
A multitude of laws is a sign of a sick nation.
So it is that a multitude of patents is a sign of a sick economy, IMHO.
Let's see if I can use Slashdot as a free version of Google Answers...
Does anybody have the patent number of IBM's "notorious fat lines patent", referenced in the article? I searched a bit on uspto.gov, but couldn't find it.
I know of a medical researcher making great progress on a wonderful device that might eventually be implanted in many people. He notes that there is one problem he needs to solve, a problem with the body rejecting one of his materials. Someone else has solved the problem, but they've got a patent on using the material that they use, so he's got to find a different one that works almost as well or better. Would be a shame if many people wound up walking around with a second-best material inside of them.
Last year in a show of how easy it was to disrupt and abuse the patent process by registering a common, every-day idea a Melbourne lawyer patented a "circular transportation facilitation device" with more info on the story here, here(pdf file), and here
Obviously it's too easy to get things patented these days, especially in areas of high technology as few if any patent officer workers are well versed in the areas of technology. Most of the patent office stampers would have little inclination as to how an intigrated circuit works or if an item of software recently designed is any different or unique from any other piece of similar software.
Sure, it's nice to be able to patent and protect your inventions and innovations, but when most of today's patent holders are larger corporations, it's hardly meant to protect the garage inventor anymore.
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Interestingly enough, you mention the _one thing_ that's genuinely difficult to patent. The USPTO has gotten so many perpetual motion machine applications over the years that it requires, for that one invention only, a working model. Anything else, paper's fine, but for perpetual motion, you gotta bring them a physical device.
I'm currently studying film history, and it's interesting to see how similar patent issues that effect the technology were causing problems on the technology use during the early days of cinema.
By 1907, Edison and his Vitascope (which BTW he did NOT invent, but licensed with Thomas Arnat et al) had alot of patents on movie camera & projector technology, including the crucial "latham loop" that relieved tension in the film. Since 1897, Edison had sought to force competitors out of business using these patents. One company, American Mutoscope & Biograph (AM&B) refused to cooperate, and won against Edison in 1908. Edison, refusing to give up, continued to sue AM&B based on the latham loop. The 2 parties negotiated a settlement, forming the Motion Picture Patents Company (MPPC) in 1908, headed by Edison, AM&B, and a number of other smaller movie companies. The purpose of the MPPC was two-fold. First, to prevent the entry to market of new competitors to the field, and second, to limit encroachment of foreign films on the US market. It was collusive protectionism all the way -- the formation of a self-perpetuating oligopoly. With the patents the MPPC held, anyone who picked up a camera to make a film had to pay them or be sued. Ditto for exhibitors, 'cause the MPPC had patents on projectors as well.
Once they'd solidified their hold on projection & filming, they went for distribution, forming the General Film Company (GFC) in 1910. The GFC was the sole contractor for all MPPC companies' films. With this move, the only place to go for movies was the MPPC/GFC, controlled by the oligopolists.
In 1912 the US gov't finally began going after the MPPC as an illegal trust. They won in 1915 & broke it up, invalidating a number of the patents in the process, with the resulting companies devolving into the number of smaller movie studios we know from the 20's through the middle of the century. In the end, what was lost? Nothing less than all of the innovation small players could have brought to the technical end of the movie industry in its infancy. That's the problem with such tight patent restrictions in nascent technology -- the first out of the gate, not the best, tends to win.
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