Disney Switches To Linux For Animation
EEEthan writes: "It looks like Linux is really the next big thing for movie graphics houses. The New York Times is reporting that Disney has switched over to Linux-based HP workstations for animation. Although Disney has historically been known for their hand-drawn animation, this is a big move to Linux for what might be the world's most famous producer of animated films."
But Disney is still Evil Right?
"All I can tell the "lesser of two evils" folks is that if they keep voting for evil, they'll keep getting evil."-Lp.org
is great. I saw it in action when I went to Disney World for my honeymoon in May. I asked several questions about the software and about GNU/Linux and they seemed to be quite enthusiastic about it in general. It makes sense really. They write all of their own software, so why not have an OS that they can completely manipulate, without paying extra for the code!
The Tux is such a cute friendly creature/character, I would really like to see a Disney cartoon series based on that. Maybe something based on the theme "First they ignored us, then they laughed at us, then they fought us, then we won"
"Fighting terrorists with millitary might is like killing a mosquitor on your Dad's forehead with a rifle."
If the operating system *mattered* for animation, this would be a big deal... but it doesn't. They're using Linux because it's cheaper, and because any (half-decent) operating system would function just as well for this sort of task.
Tarsnap: Online backups for the truly paranoid
Of course, they won't be able to watch their own movies on their computers now. Unless they use DeCSS . . .
uh, i think they're switching to linux to render the animation, not actually produce it. big difference
Wrong. Read the article next time.
In animation, Linux made its first inroads a few years ago on the clusters of server computers used in "rendering farms," which require huge amounts of processing to render a finished image of a creature or character as it appears on movie screens.
More recently, Linux has also been used on the workstations used by animators for drawing and modeling their creations, as the leading producers of animation software have tailored their applications to run on Linux. Alias-Wavefront tweaked its Maya program to run on Linux in March 2001
So the renderfarms were converted to Linux years ago for the most part. The real news is that the content creation is actually being done on Linux workstations now.
-- Adam
Try to find any self respecting production studio that uses a Windows box for anything more than basic editing.
If they ARE using a desktop machine (instead of a dedicated box or something like an SGI workstation), then it's probably a Mac - simply because the Mac has MUCH better tools than windows.
I haven't heard much about Linux desktops being used in animation/post production before, but it's nice to see it happening. I'm wondering how the tools they're using stack up against Mac and Windows equivalents (both with and without price in the equation).
Dark Nexus
"Sanity is calming, but madness is more interesting."
Jeffrey cut Steve off when the animation was being demoed. "This is art. I own animation, and nobody's going to get it. It's as if someone comes to date my daughter. I have a shotgun. If someone tries to take this away, I'll blow his balls off." -The Second Coming of Steve Jobs
Apparently Disney felt seriously threatened that Pixar could make full-length animated movies, which could smash Disney's monopoly. They didn't buy the software, and threatened to crush Pixar, until they hired them for a movie, Toy Story. Funny how it seems so different now.
The real Webmaven is user ID 27463. I don't rate an imposter, because my ID is such a lame-ass high number.
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I find it rather ironic that a company that tries to squeeze every last cent out of people for the IP it creates is using an OS created by people who have freely donated their IP.
Just this morning I was reading about how Disney is starting to loose money on their animated films. The story is on the front page of todays WSJ and it lays out what the price/performace ratios of the last few movies were.
From the article:
The Lion King 1994
Production Budget: $50 million
U.S. Box Office Take: $312 million
Hercules 1997
Production Budget: $100 million
U.S. Box Office Take: $99 million
Tarzan 1999
Production Budget: $150 million
U.S. Box Office Take: $171 million
The Emperor's New Groove 2001
Production Budget: $100 million
U.S. Box Office Take: $89.2 million
Lilo & Stitch
Production Budget: $80+ million
U.S. Box Office Take: Unknown
Of course it could be because of the declining quality of these movies, the only one I've seen is Lion King, which was a pretty good flick IMHO. I wonder if the lower TCO argument of Linux is starting to kick in a little bit. This will be interesting to see.
(B) + (D) + (B) + (D) = (K) + (&)
What if we added a clause to the GPL and all other OSI licences that said "by accepting possession of this software, you agree to grant technological protection measure access rights that otherwise would be reserved under the anti-circumvention provisions of the DMCA to any software developer who releases the resulting software under this licence (or any other OSI approved licence) in a way that does not otherwise infringe the copyright"?
Such a clause would immunize open source software developers from DMCA claims by corporations that use *any* open source software. That sounds like a fair trade to me: we work for free to build software for them in return for the right to not be sued under the DMCA.
You may feel differently, but I cannot conceive of a plausible justification. Except that liberty isn't important to you.
Maybe I don't have quite so fucked-up of an idea of "liberty"? Maybe I've not been spending quite so much time smoking weed and reading the GNU Manifesto?
Tell me, do you ever use Shell Oil? Unocal? Chevron? They've done far worse than Disney could ever dream of. Just because free software is important to you, doesn't make your issues with Disney more important than all the problems of millions around the world who face real loss of liberty due to corporate evil.