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Moby Says Techie Fans = Fewer Sales
jalefkowit writes: "Launch is reporting that Moby explains the recent slide in sales for his newest album, "18", by describing what he calls the 'Pearl Jam Effect': bands and artists with more tech-savvy fans sell fewer albums than those with less tech-savvy fans, as the techies will disproportionately get their copies of the album from friends with CD burners or P2P services rather than from record stores. What do you think, are we putting our favorite bands in a bind?"
I feel that having a large following of tech fans is a plus, because a larger amount of them understand things such as value and capitalism. Reading slashdot user comments shows people always telling us to support artists that we like by buying their stuff. Look at Mandrakesoft. They say they're out of money, put up a donate link, and bam, cash flow. Why? Because their product has more value than $0 to many people who use it.
It is the non tech people who hurt sales; they see $0 vs $19 and don't consider things like quality, bandwidth, time, and value as measures of money. A lot of my non-tech friends used to buy CDs, but now don't understand why the money needs to change hands.
It is those people who will download with no intention of buying, not tech savy economically conscious slashdotters. (In most cases at least)
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It's OK to be social, just don't tell anyone about it.
He thinks that sales of his and other band's CDs are lower because people are d/ling mp3s instead of buying them. He thinks the recording industry doesn't properly account for that when it "decides" how popular an artist is. (They're probably too busy suing people to worry about it.)
I'm not sure why 20 bazillion posts need to be made about how you think the CD sucks. I think that ground has been covered just a tad.
And another quore from Moby about this issue:
"What do you think about Napster and CD burning?
Moby: On one hand the thought of people in the music business losing their jobs makes me sad. I have a lot of friends who work in record stores and at record companies, and I know that they're nervous these days. So I hope that some way is found to protect their jobs. But I do hope that as the music business becomes less profitable that the people who are in music only to make money will be forced out. People who love money more than music shouldn't be involved in the music business, in my opinion."
From a random interview i found.
This Space Intentionally Left Blank
The Pearl Jam effect is not what Moby says it is.
Moby says Weezer is also suffering from the "Pearl Jam Effect." "Weezer sold a lot of records in their first week of release, but since then their sales have dropped off considerably, even thought they have radio hits..."
What happened to Weezer (and Moby) is that the audience changed. They have a group of core fans who went out and bought their album as soon as it came out. But their sound, though solid, no longer bit the general audience as hard. Pearl Jam is a perfect example of this. It's not that their music is overshared, it's that no one in the larger audience cares, they've moved on to something else (not neccesarily something better).
I can't believe this FUD came from Moby. I can't believe he had this thought and then sat down at his computer and then typed his thought out and then sent his thought to his website. File sharing isn't hurting the record industry any more than MTV and the radio have.
Moby claims that he has "very technically savvy fans" and that everyone else who manages to sell records does not. That's such a silly argument, it's hard to believe he said it. Does he have numbers to show that his audience consists solely of super-intelligent computer geeks? Or that only computer geeks participate in file sharing or CD burning?
Poor Moby, you're album is at 35. Last week it was at 15! Sorry, buddy, I've heard it and this album isn't "Play", it's just another silly Moby album. The people that are dedicated Moby fans are going to run out and buy it immediately. Word of mouth is going to say, "It's not all that good, unless you're a big Moby fan", and then sales drop as people who aren't as into you (e.g. me) stay home in droves.
Saying that his fans are more savy is rediculous. Stealing music isn't technically difficult. You need only a computer and internet access (can you say "College Student"?). One person with ripping software gets the MP3s on the web and the rest is just the personal choice effect. I would bet that the most shared music is also the most sold music. Moby's music isn't getting shared more than Eminem's. That's the bottom line.
Sweat
It breaks my pluginses, my precious!
So hmmm, Wilco breaks into the billboard chart at number 13 thanks to mp3 trading on the web,
and Moby is "barely floating".
Good! First off, Moby may know a thing or two about making music, but what exactly does he know about Economics, and specifically those that are related to album sales? Ah! He doesn't have any qualifications. Thats fine, I am not a slave to "pieces of paper" that say Harvard or Yale, what is his evidence?
1) he's not doing so hot.
2) Weezer's not doing so hot.
3) Pink is beating the PANTS off them both.
Hmmm, could it be that PINK spend mad money on songwriter (Specifically the lady from 4 Non Blondes) Linda Perry
Hunh, maybe she's just getting more air play and has better quality songs?
okay, okay, fine. WEll, what about Wilco, who's album has been available for ages on the web, I would think they have a techie fan base?
And didn't wide spread MP3 availability simply help them out?
So let us re-phrase the Pearl Jam Effect- when your new album sucks in comparison to your previous albums and you don't sell because you don't deserve it?
In the future, I would want to not be isolated from my friends in the Space Station.
I'm replying to this because I want to voice a similar sentiment, and speak to Moby's invocation of "The Pearl Jam Effect" The reason everyone and their brother bought "Play" and Pearl Jam's "Ten" is that they were the right kind of album at the right time. "Play" came along just as everyone wanted to hear what this whole electronica thing was about, and, thus, sold well. "Ten" also sold well because people wanted to hear good old fashioned rock-n-roll after 80's new wave became old wave.
Subsequent albums by Pearl Jam (and here, Mr. Moby, is what the real "Pearl Jam Effect" is) were exactly the same as "Ten", except not so good. They sold poorly because the public's taste had changed, the music did not change in the same way, and nobody wanted to hear Eddie Vedder's political vitriol.
What "18" has shown us is that Moby is likely interested in only making albums that are almost like "Play" but not quite as good. Thus, our study of history teaches us that we are seeing the beginnings of another "The Pearl Jam Effect", and that no future Moby album will be good, or relevant.
Before you start railing against me because I bash Pearl Jam and Moby, note this; this whole reply is purely my opinion. I think that both "Ten" and "Play" are two of the more influential and well-crafted albums of my day. I own both, and I still listen to both. I've heard "18" and all I thought was "ho-hum". That is the exact same thing I thought after I purchased Pearl Jam's "vs.", which is one of the albums that taught me to make damn sure I like it before I drop my hard-earned cash on it.
>I've told all of my friends not to buy it.
;-).
Same here.
I *do* buy CD's I've heard and know I'll enjoy listening to (end to end, not for some stupid single).
Moby's "Play" was one of those must-buy CD's... it had a nice groove start to end, while "18" has *one* good track.
Now, perhaps "18" will bring Moby some new fans. Or maybe he just wanted to experiment (good for him)... but I just don't like the new album. It's far too melow and slow.
PS -- It's *completely* unfair to label "techies" as CD copy fiends. It seems the last time I checked, the #1 CD on cddb.com was Eminem... that's *hardly* music for the "techie crowd" (I'll resist the opening to label the Eminem crowd
I thought it was the other way around: the public wanted another Ten, but got "Not for You" and the aforementioned politics. When it comes to a platinum album, most fans don't want a radically different sequel. This is a band we're talking about, not Picasso.
Moby is feel'n the burn because 18 sucked. Tons of people ran out to buy 18 because Play was great... hence the great initial sales. However, after most people placed 18 in their CD player and realized that 18 was not as good as Play (it was like a bizzaro rehashed version of Play), the word got out, and sales slowed down.
Go to any record store which sells used CDs... you can find a million and one copies of 18 used. Used CD stores are a -great- way to tell if a new album is good or bad. If a lot of people are buying it, and keeping it... it is probably good. Yet, if a lot of people are buying it and selling it back for 4 or 5 bucks, it probably sucks.
I think the numbers speak for themselfs. I'm obviously not the only one that ran out to buy 18 and was let down.
"Things are more moderner than before- bigger, and yet smaller- it's computers-- San Dimas High School football RULES!"