Results of the Commerce Dept's DRM Workshop

al3x writes "I attended the Digital Rights Management Workshop held this afternoon at the Dept. of Commerce in my home town of Washington, DC. Though there were a number of professional journalists present, some of whom have already gotten their story on the event out, I want to offer a view less constrained by the need for journalistic objectivity, and share the eye-opening experience I wasn't expecting." al3x's story follows; Grant Gross of Newsforge attended and wrote up his experiences; and besides the News.com story, Declan also took a bunch of photographs. However, he has misidentified Jay Sulzberger in the photographs and story - this is Jay Sulzberger, not the guy kneeling at the table. Update: 07/18 15:07 GMT by M : The kneeler is now identified as Brett Wynkoop.

al3x's report:

I arrived early, heeding the warnings of first-come, first-served seating. With the small room packed to standing room only, this paid off. In addition to the panelists, listed on the Workshop's site above, notable included Robin Gross, attorney with the Electronic Frontier Foundation, Richard Stallman of the Free Software Foundation, and journalist and Politech list-founder Declan McCullagh. Lobbying groups distributing materials to the audience included New Yorkers for Fair Use and the American Library Association. Several interns from NIST and a couple of other young folks like myself showed up unaffiliated with any group, and the remainder of the crowd appeared to be typical Washington: lawyers, politicos, journos (professional and college), and think-tankers. A proper press kit was noticeably (and notedly, by said journos) absent.

As the talks began, I was brimming with the enthusiasm and anger of an "activist," overjoyed at shaking hands with the legendary Richard Stallman, thrilled with the turnout of the New Yorkers for Fair Use. My enthusiasm and solidarity, however, was to be short lived. The Workshop's effective chairman and moderator, Chief of Staff and Under Secretary of Commerce for Technology Phillip Bond, offered some opening remarks touching on their previous meeting, held this past December, including noting that piracy has risen, particularly in the music industry. After further welcomes from James Rogan, Under Secretary for Intellectual Property, who acknowledged having worked with many members of the "roundtable." Rogan suggested that there were "no villains present," which drew the first of a number of chortles from the NY Fair Use crowd and their sympathizers. First on the table was a discussion of progress towards standards for Digital Rights Management (DRM henceforth).

This rather dry topic, upon which there appeared to be little consensus or definite progress, was dealt with relatively quickly, sparking only a handful of interesting and notable concerns. Here the clear divide between the tech industry and "content" industry (the movie studios , record industry, etc.) became apparent. Andy Setos of the Fox Entertainment Group called for attention to the "analog hole" in DRM standards, stating "from [the point content reaches analog televisions] it's a freeforall." The sentiment was echoed by several of the other content providers, and reiterated throughout the discussions. Oddly, with a number of opinions bounced around and no coherent conclusion, moderator Bond moved on, blessing the segment of discussion as having been productive.

Moving to discussions of business models, technological viability, and the government's role, the panelists took the gloves off and came out swinging. And as the discussion started to get juicier, so the "activists" got noisier. Comments from the RIAA's Mitch Glazier that there is "balance in the Digital Millennium Copyright Act" (DMCA), drew cries and disgusted laughter from the peanut gallery, who at that point had already been informed that any public comments could be submitted online. Even those in support of Fair Use and similar ideas began to be frustrated with the constant background commentary and ill-conceived outbursts of the New Yorkers for Fair Use and, to my dismay, Richard Stallman, who proved to be as socially awkward as his critics and fans alike report. Perhaps such behavior is entertaining in a Linux User Group meeting or academic debate, but fellow activists hissed at Stallman and the New Yorkers, suggesting that their constant interjections weren't helping.

And indeed, as discussion progressed, I felt that my representatives were not Stallman and NY Fair Use crowd, nor Graham Spencer from DigitalConsumer.org, whose three comments were timid and without impact. No, I found my voice through Rob Reid, Founder and Chairman of Listen.com, whose realistic thinking and positive suggestions were echoed by Johnathan Potter, Executive Director of DiMA, and backed up on the technical front by Tom Patton of Phillips. Reid argued that piracy was simply a reality of the content industry landscape, and that it was the job of content producers and the tech industry to offer consumers something "better than free." "We charge $10 a month for our service, and the competition is beating us by $10 a month. We've got to give customers a better experience than the P2P file-sharing networks," Reid suggested. As the rare individual who gave up piracy when I gave up RIAA music and MPAA movies, opting instead for a legal and consumer-friendly Emusic.com account, I found myself clapping in approval.

Though Jack Valenti proved he could stump with the best good ol' southern gentleman, deriding his intelligence before offering sweeping proclamations, the majority of the discussion was surprisingly consumer-friendly. All in the room, even Valenti, agreed that P2P technology was not inherently bad, but could merely be put to bad uses. Geeks should be happy to know that their voice is being heard by the tech industry: folks from Intel and IBM really seemed to "get it" along with Reid and the aforementioned crowd. There was clear animosity, however, between content providers and the techies. Elizabeth Frazee of AOL Time Warner, for example, was quick to say that "the content industry is looking for government help," and tech industry reps were quick to suggest that we're nowhere near even agreeing on standards or what needs to be enforced, much less imposing legislation. The general sentiment of the tech crowd appeared to be that piracy was a social issue and an everpresent one, and no amount of legislation or technological blocks (your Palladiums and whatnot) would stop it. The solution, the techs seemed to suggest, was competing well in the marketplace and offering consumers a good reason not to pirate content.

The session drew to a close, and a large bearded man in an ill-fitting suit quickly jumped up to say the NY Fair Use people would be giving a press conference of their own out front at 4:30. I followed a reporter from NewsForge to the motley band of activists, who preached largely to their own choir, with the exception of a few youths like myself and the remaining reporters. I confronted Richard Stallman for his thoughts on the "better than free" proposal that Reid had offered, to which he was happy to sermonize on the false construct of intellectual property. I suggested that perhaps artists could, if they so chose, license their music under a GPL-inspired copyleft like the Open Music License, and strike out an independent path, as he did in the software industry. I was informed that musicians needed the record industry for wide exposure, and of the record industry's various artist-related evils. I then inquired about how Stallman felt about downloadable music services like Emusic.com, which place no restrictions on how you use the music you've bought from them, though the music is copyrighted and the artists and labels are compensated. Stallman agreed, after having informed me minutes ago that intellectual property as a concept was bunk, that this sounded pretty reasonable.

I walked away from the afternoon's experiences feeling much more represented by the tech industry, though sympathetic to the activists' desire for more consumer representation in future Workshops. Notably, the EFF was explicitly shut out of this discussion, which is unfortunate; the NY Fair Use crowd, however, never bothered to request a representative, preferring to show up and disrupt the debate on their own terms, and for nobody's good but their egos, it seems. If the tenor of this discussion remains focused towards the marketplace, as the tech industry wants it to, then we as geeks and concerned consumers have little to worry about. However, if the content industry gets its way, we're looking at legislation mandating DRM, which is essentially subsidizing the slowly-failing record and movie industries like we've done with airlines and big steel. Our best hope, I'm surprised at myself to say, is in a Free Market, and not screaming, indignant geeks passing out buttons and shouting down Jack Valenti.

Comments

Fair use?

[sjwt]

How about fair supply??

every tiem hear hear fair copying as a topic
I jsut feal sick..

Fair copying shouldnt be an issue, im all for it..
But i wish tehse guys would focuse on fair supply
for once..

try living in a DVD region such as 4..
bugger all..

we have somethign like 400 dvds..
a hopeless afair..

woudl these guys if they got the copy
protection they where after solve that problem?

I own one moive (the Dark Crystal) on 4 differnt
coppys on VHS.. all of them appernlty widescrean..

not one of them is.. this is a 1982 movie by Jim
Henson.. and when it was realsied in dvd.. you
got it.. region 1 only..

how cna they clame the regions are only to help
movie theathers when things that havent been in
the thearters for almost 20 years are still being
encoded into specific regions..

I love DRM

[Dr. Awktagon]

Everytime a DRM scheme is cracked (DeCSS, ebook thingy, satellite cards, the HDTV thing, watermarks) I enjoy reading the papers that come out, describing in gory detail what the companies thought was "hacker proof". They have been quite educational.

Though if any representatives from the content industry are here, I would kindly request, please, no more schemes based on linear feedback shift registers, or XORing with constant keys. I really have those mastered at this point, and am looking forward to some more challenging material. Also, I'm pretty comfortable with frequency-domain watermarking based on pseudorandom sequences. Even Dr. Dobbs wrote about a more sophisticated scheme once.

So in short, keep the DRM coming, and I'll avoid the products religiously of course (or get my own copy out of the "analog hole" [is that like the "digital divide" heh heh]). But I love those DMCA-chilled papers.

Re:The exact same thing is at Kuro5hin.org

[MrResistor]

OH MY GOD!!! THE SAME ARTICLE WAS POSTED ON 2 DIFFERENT SITES!!! THE WORLD IS COMING TO AN END!!!

Perhaps you haven't noticed, but slashdot and kuro5hin are two different sites, with different readership. I personally only read k5 for a short time; it simply didn't hold my interest. In contrast, I've been reading /. for years, and have yet to get bored with it. I very much doubt that I'm the only one who feels this way.