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Will CGI Collapse the Hollywood Economy?

Some Slashdot Reader writes "Computer animation is getting so cheap that it is practical for use in some TV shows. s1m0ne is an upcoming movie those story is about a guy who secretly creates a real-looking digital character who become famous overnight. Eventually, it will become more cost-effective to produce whole movies on computer as a standard. And when the technology and costs permits, non-scifi TV shows with an all-digital cast(fully copyrighted of course) will come forth. But the real main issue is: If this takes off, what will happen to all the people like the background characters, costume makers, construction, caterers, cameramen, model makers, casting companies, etc."

30 of 457 comments (clear)

  1. Everyone would just get a real job by cybrthng · · Score: 5, Insightful

    :)

    Nah really, i don't see this happening any time soon. If these "laid off" support crews do anything, they will just learn computers.

    We aren't ridding society of these jobs, just morphing them into different areas. We will need graphics artists, developers, computer technicians and people who can script, do voices and come up with the "soul" of these CGI shows/movies.

    Times are changing, not dissapearing!

    1. Re:Everyone would just get a real job by Anonymous Coward · · Score: 2, Insightful

      It reminds me of the idiots who always say "robots will take over automotive jobs" and "with computers in the office, they won't need people!".

      The path of mankind has always been to replace human work and effort with automated work and effort as soon as possible, thus allowing the humans to move on to other endeavors. Look, we don't go out and gather wheat by hand - we have a couple guys in massive combines do in one day what would take dozens of people a week to do. We have computers do in three seconds what would take a letter carrier many days to do.

      Mankind needs to stop being so paranoid and stuck with the old way of doing things. Guess what, someday we won't need gass pumpers. They'll find other jobs (who really spends all their life pumping gas anyway? nobody I suspect). This is what allows mankind to evolve. We let the machines do what we have mastered and persue new things in the world. This is the way it should be.

      Besides, who really cares about actors? They're usually a bunch of highschool dropouts with overinflated egos who couldn't a dollars worth of change on a fifty cent candybar.

      On the flip side, the MPAA and SAG could just convince the government to outlaw CG.

    2. Re:Everyone would just get a real job by BrookHarty · · Score: 3, Insightful

      Unsung Heros...

      Could I tell you who filmed Casablanca? No. I am sure there where more than a couple actors, camera man and a director.

      I really hate when people dont give credit to an entire team. Same thing happens at my job, Marketing and Engineering will get the credit, and the people in implementation and operations are left out. We put the servers/software into production, fixed all the bugs, redesigned it to work, and we dont get credit.

      Just because a persons job isnt important to you, doesnt make it less important. Alot of snobbish, elitism going on lately in posts.

    3. Re:Everyone would just get a real job by uchian · · Score: 4, Insightful

      Interesting, I take the exact opposite view. For me, computing is substantial, whilst the movie industry is not. Ok, if I write some software for a company, it might not make the headlines, and it might not be that noticable, but it is there, and working daily to make peoples lives just slightly more bearable. On the other hand, A movie gets made, and after a couple of years (it's lucky if it lasts that long) it wallows into obscurity, or ends up only being shown at christmas.

      Just think about the positive impact compuer jobs hae the next time, on a friday night when the banks are shut and your low on money, you walk up to the hole-in-the-wall, check you balance and draw some money out to go and enjoy yourself with. How often have you done this? And how often have you watched Casablanca?

      This isn't advocacy against the movie industry - entertainment needs a constant influx of new material for it to stay fresh, and it is true that there are some just-as-insubstantial jobs in the computer industry (such as the games market).

    4. Re:Everyone would just get a real job by Bingo+Foo · · Score: 3, Insightful
      I really hate when people dont give credit to an entire team. ...
      Just because a persons job isnt important to you, doesnt make it less important.

      Usually the people who don't get credit are replaceable. Not expendable, mind you, since the main job wouldn't be possible without thier part, but certainly replaceable, in that their job could be performed just as well by someone else. Is it cold hearted or dehumanizing for me to say so? I don't think so at all. Humans should be celebrated for their uniqueness and creativity. A person doing purely algorithmic tasks does not deserve as much credit. I don't know the details of your "implementation and operations" scenario, so I won't comment on your creativity specifically.

      Alot of snobbish, elitism going on lately in posts.

      A lot of knee-jerk pseudoegalitarianism going on, too, but that's nothing new. By the way, my sig, "Any repetitive process can be automated. Remember that fact every morning when you wake up," is supposed to be a call to do something unique with your life and not live under the threat of being obsoleted through automation. Again, not intended to be dehumanizing, quite the opposite.

      --
      taken! (by Davidleeroth) Thanks Bingo Foo!
    5. Re:Everyone would just get a real job by BitGeek · · Score: 3, Insightful



      Marx said the same thing at the dawn of the industrial age.

      Imagin making cars using forges to make the steel, rather than doing it by hand? Thousands of people were "put out of work" by steel forges and metal forming machines.

      We saw the suspension of unreality that this resulted in-- communism, centrally planned governments and misery for those who tried to "fight the rich" rather than "become rich themselves".

      Whereas the US which mostly was "become rich ourselves" (despite oppressive unions - friend recently got fired from his job because he wasn't a union member) has done much better.

      In fact, the computer ate has greately increased productivity-- and debt has not gone up-- debt has gone down. Sure there are companies that went way into debt, but taking a few high profile companies and claiming they are the norm is typical for marxists-- cause reality just don't fit the theory.

      AS with the industrial age, people have benefited greatly from the computer age--individual productivity has gone up, individual power has gone up with the increased access to information, etc. etc. And individual standards of living have gone up, not down.

      Jobs change. Some jobs will be obsolete in a few years-- just as the guy who was an expert at making pet rocks can no longer market his proficiency in it. That's life, and more often than not, this is a GOOD thing. These increased in productivity create more jobs by providing economic opportunities that weren't feasible before... and you need people to staff those economic opportunities.

      Marxism (and liberalism et al.) tries to talk people into being slaves with the idea that "life isn't fair- eat the rich". But life isn't fair-- the only thing you can do about it is give everyone equality of rights, not equality of position. Because if you go down the road of making everyone equal in stature, they are all poor. But if you insure everyone equality of rights, some will be rich, some will be poorer. Some will prefer to collect money, others will prefer to spend time with their children. NEITHER of these activities is wrong.

      The "equality of position" people say that everyone should be forced to live as they do-- as slaves of the state, equally poor.

      I say, if children are important to you, then play with them. If you don't want to have them, fine. If you want to invest your money and become rich, great. If you'd rather buy new cars and replace them every five years, then, hell, thats' your right.

      Just don't tell me that you want to "protect my job" when we all know the score.

      --
      Yeah, and you guys panned the ipod too: http://apple.slashdot.org/article.pl?sid=01/10/23/ 1816257
    6. Re:Everyone would just get a real job by tve · · Score: 4, Insightful

      Second, how does replacing human labor with machine labor allow mankind to evolve? How does our gene pool change?

      More important than genetic evolution is our cultural evolution. Remember the industrial revolution? It didn't have any noticable effect on our gene pool, but it did improve living conditions for a lot of people.

      --

      If there is hope, it lies in the trolls.
    7. Re:Everyone would just get a real job by Mopana · · Score: 2, Insightful

      I don't know. I always saw movies, good movies, as a way of communicating something more substantially than with words. The writers, the directors, the actors, the whole crew are attempting to convey humanity. It's not made to necesarily change the world. I think of good movies as stage plays with really, really nice backgrounds. In the end it's all about the humanity.

    8. Re:Everyone would just get a real job by Anonymous Coward · · Score: 1, Insightful

      > Marx said the same thing at the dawn of the
      > industrial age.

      What Marx said was that the extra value created by labour, shouldn't be owned by shareholders or managers, it should be owned by the people who created it. The growth of the union movement was partly due to this, and partly due to the often cruelly exploitative nature of early industries.

      > We saw the suspension of unreality that this
      > resulted in-- communism, centrally planned
      > governments

      Marxism had about as much to do with Stalinism as Christianity had to the Spanish Inquistion - i.e. it was a convenient cover for some bad people.

      (I am not defending Marxism by the way - which I think was a flawed unscientific theory, just saying if you are going to criticise something, do it for the right reasons).

      > despite oppressive unions - friend recently
      > got fired from his job because he wasn't a
      > union member)

      And what about the Enron employees who got fired because their bosses systematically looted the company? You can't have it both ways.

      > debt has gone down

      The US budget deficit is shooting through the roof. Personal indebtedness is at historic highs, the savings ratio at historic lows.

      > Some jobs will be obsolete in a few years--
      > That's life

      I have no problems with that. But the State does have a role in preparing people for that kind of change (through the schools).

      > Marxism (and liberalism)

      By this you mean American liberalism, which as far as I can see has socialist meanings. UK liberalism means in effect 'laissez faire'.

  2. Oh geez... by Anonvmous+Coward · · Score: 5, Insightful

    "...what will happen to all the people like the background characters, costume makers, construction, caterers, cameramen, model makers, casting companies, etc."

    Why do people who come up with questions like these always think in the most ridiculous extremes? "One day, there'll be no need for actors!"

    Well, I'll tell you something: I'm a CG animator. There'll ALWAYS be a need for actors. We don't just make stuff up out of thin air, we need REFERENCE to know how to make a character do something. We'll always need costume designers, afterall, CG characters are not naked. (Not to mention that cloth simulation is a bitch.) We'll always need construction people to build practical models. If anything, it helps with the texture generation and lighting rig.

    Face it, we can't simulate reality without something real to base it on. Don't believe me? Look at all the miniature work that went into Episode 2. They could have done that all in CG, but they didn't. Think about it.

    Trust me dudes, nothing is going to disappear. Despite the mass market appeal of movies, we still have opera, we still have plays, we still have circuses, and we still have a very diverse market. There is no 'one genre to rule them all', so don't worry about it.

    All that's happening with the new technology coming out is we're getting better tools to let our imaginations make it to the screen. It's an accessory, not a replacement.

    1. Re:Oh geez... by Reality+Master+101 · · Score: 5, Insightful

      Why do people who come up with questions like these always think in the most ridiculous extremes? "One day, there'll be no need for actors!"

      Indeed, not to mention the laws of economics. The day that CG gets cheaper than actors is the day that actor's cut their rates. Human actors will ALWAYS be cheaper than CG.

      And yes, you don't have ego when you do CG, but the same rules about ego-reduction apply, too. :)

      --
      Sometimes it's best to just let stupid people be stupid.
    2. Re:Oh geez... by TKinias · · Score: 2, Insightful

      There'll ALWAYS be a need for actors.

      Why does this sound a bit like a cavalry officer of the 1930s? "Sure tanks can do great things, but their range is limited, and they just can't go into certain terrain. There'll ALWAYS be a need for horses in a modern army."

      We don't just make stuff up out of thin air, we need REFERENCE to know how to make a character do something.

      That's more a reflection of the state of the art than inherent limitations of CGI. Given the tools and techniques in use today, it's easy to see that you'd need a "reference". But it's not so difficult to imagine a time when you would have available a repertoire of stock characters which you could customize without reference to live actors. Sure, all the movies made with stock characters, stock lighting effects, and stock sets would look pretty, well, stock and undifferentiated. But there seems to be a huge market for undifferentiated, cookie-cutter TV shows and movies.

      "Real" filmmaking with actual actors will no doubt alway be around, just as black-and-white film is still around, and just as stage theatre is still around. It's not a stretch to think of it as being reduced to niches like those though, just because of reduced production costs and the mass market's tolerance for sameness.

      --
      In principio creauit Linus Linucem.
    3. Re:Oh geez... by Reality+Master+101 · · Score: 5, Insightful

      And the personalities of the real people are more interesting than writers could ever come up with for fake ones.

      I hate to break it to you, but the actors in movies are acting out some writer's made-up personality, not their own. :)

      As for "Robert Downy Jr's problems", the lack of gossip about CG actors would be a feature, not a bug.

      --
      Sometimes it's best to just let stupid people be stupid.
  3. Careers by Glytch · · Score: 3, Insightful

    If this takes off, what will happen to all the people like the background characters, costume makers, construction, caterers, cameramen, model makers, casting companies, etc.

    The same thing that happened to all the cobblers, blacksmiths and buggy-whip makers.

  4. Ripple effects... by phillymjs · · Score: 5, Insightful

    What sort of TV shows will rise to fill all the time currently taken up by such vapid claptrap as Extra and Access Hollywood and Entertainment Tonight, who currently make it a major news item when Alec Baldwin cuts a bean-burrito fart in public? Once there are no flesh-and-blood celebrities killing ex-spouses, getting DUIs, and, marrying/divorcing each other, killing themselves, etc, what will we do? They'll have to shut the E! channel down, and put Joan and Melissa Rivers in cryostasis.

    How will Playboy and Penthouse stay in business without the occasional blockbuster sales brought by an issue with candid shots of some current celebrity sunbathing nude, or a washed-up actress or singer willingly getting naked for the camera in an attempt to revive her career? I mean, trading popular bootleg actress AI's could be the next big P2P rage-- who needs an old-fashioned nudie magazine when one can spend a few minutes downloading the actual Nicole Kidman, Gwyneth Paltrow, and Mira Sorvino* on Kazaa and simply order them to engage in a hot lesbian threesome just the way one likes it, on one's own computer?

    *-names of current real actresses used for effect, but I really mean popular CGI actresses of the possible future.

    ~Philly

  5. Acting is in the VOICE by yerricde · · Score: 5, Insightful

    on the whole I kind of like actors who are ALIVE! I just don't think computers make good actors...

    Acting isn't in appearance but rather in the voice. Have you ever watched a well-voiced anime?

    As CG characters become more common, and "voice actor" begins to come close to "screen actor" in the American public's ranking of professions, it's not Hollywood that'll collapse but rather the cosmetic companies, as they won't be able to sell their wares with li(n)es such as "This actress uses this expensive makeup, so you should too!"

    --
    Will I retire or break 10K?
  6. An analog by Monkelectric · · Score: 4, Insightful
    I'm a musician, despite doomsday predictions, synthesizers haven't replaced real musicians -- even when they sound better then the real thing (drum synths sound better then all but *great* drummers).

    What synths have done is make it possible for new kinds of music to exist, and make it possible for people who previously couldn't to make music [like me].

    Note to article submitter: please disembark the hypetrain

    --

    Religion is a gateway psychosis. -- Dave Foley

  7. Integration and Supplementation, not Replacement by dh003i · · Score: 5, Insightful

    CGI is not going to make actors, costume designers, score composers (like John Williams), or directors obsolete. Its simply going to be a tool to supplement and aid.

    Even when computers graphics, sound, and physics get so good that we could design exacting realism via CGI, it would still be painstaking, consuming too much time. Think about all of the things that real-life actors do and real-life scenarios do, which would have to be emulated. All of the little habbits, motions, etc etc -- not to mention voice and emotion. Sorry, but there's no way that one guy is going to be able to sit at his computer and create a complicated movie with several characters, and accurately express emotion in their appearances and voices.

    Ultimately, it will still be much cheaper to higher real actors for major parts -- they won't be necessary for background parts, like crowds, armies, etc; but for the main parts, completely necessary.

    CGI will, of course, be very useful in many movies (don't count on it being used for Soap Operas, though). It will be used to eliminate flaws, or even to place characters in a virtual or modified world (as was done in Jurassic Park 1/2). CGI will also be useful for things which simply aren't possible in the real world -- like dinosaurs, for example; or space-ships, aliens, etc etc.

    But real-world models will also still be used. Though computer CGI is evolving at an exponential rate, so is animatronics. 10, 20 years down the road, it may be possible to do a movie like Jurassic Park using life-sized robotic recreations. What's the advantage to this? Well, in terms of the creature, very little. But in terms of the actors, alot. Its hard for an actor to seriously act terrified when some head on a stick representing a T-rex is chasing them.

    Of course, if such is used, CGI will also be used to supplement it. Animatronic models may be able to walk and look like dinosaurs, for example, but don't count on them steaming up a window with their breath, or many other things which real animals would do. So CGI will be used to add that.

    CGI will (already has been) very useful. But it does not completely eliminate the need for traditional approaches. I'm sorry, but a person created entirely on a computer will never have the same emotion as a real character.

  8. what about hero worship? by flicman · · Score: 2, Insightful

    sooner or later, someone here has to mention celebrity culture and hero worship.

    People need people to emulate, and I don't believe that the human psyche is ready to yearn to be digital Brad Pitt. It will never be a secret (the conceit in S1M0NE, for example) that there are no real people in a film because we're just too interconnected, informationally-speaking, so it'll be a choice by the mass market, and I guarantee that sometimes we will want to see real people doing things that we can't do, that we wouldn't do, that we want to do.

    It's already been mentioned that the market will just expand to accommodate the new styles of entertainment, but the end to film and the use of human crews to make movies is inconceivable.

    Consider, also, that the Teamsters wouldn't hear of it. Trust me, if this ever becomes a major threat, the East Coast Council will just sign a deal with everyone outlawing CG. Don't think they can do it? You've obviously never dealt with them. I happen to work on feature films for a living and have.

    "Keaton always said 'I don't believe in God, but I'm afraid of him.' Well, I believe in God, and the only thing that scares me is Kaiser Soze."

    Anyway, I'm not afraid for my job, so I don't expect anyone to be afraid for it for me. Thanks anyway.

  9. The renaissance of theatre by sydbarrett74 · · Score: 5, Insightful

    When it becomes cheaper to create CGI 'actors', I think we'll see the renaissance of theatre as an idiom that the common man enjoys. It takes much more skill and talent to excel at theatre than it does to excel on the telly or silver-screen. Most of the actors/actresses out there are nothing more than Barbie and Ken dolls; they hardly got where they are due to their skills as thespians. CGI will shift power away from these pretenders and back towards /real/ actors and actresses. You, as much as people like technology, they need visceral and intimate, as well as vicarious, experience. This tendency has been called 'high-tech/high-touch' by some scholars. Don't lament that true acting by carbon-based lifeforms will become extinct; remember: for every action, there's an equal and opposite reaction!

    --
    'He who has to break a thing to find out what it is, has left the path of wisdom.' -- Gandalf to Saruman
  10. Much better TV by Animats · · Score: 5, Insightful
    Realistically, what we're going to see is good CG at the $2M per episode level. Right now, we have it at the $100 million per film level, with an army of subcontractors putting the thing together, piece by piece. What's coming is the ability for a good 20-30 person production team to do the whole job themselves.

    To a considerable extent, CG is already talent-limited, not tool-limited. There aren't that many people who can really use a 3D animation system artistically. Look at amateur CG. Spaceships, robots, rollercoasters. But very, very few people can do a good model of their cat. Nor is training the problem. Looking at demo reels from art school students shows how few people, even with training, are any good.

    Since I've done tools for 3D animation, I'm very aware of this. I've been down to major Hollywood animation shops. I know good animation artists and have watched them work. The good ones have very clear internal pictures of what they want out, and work until they get there. This is a rare skill. And it has nothing to do with the tools. These people do their creative work with a pencil. I can run the same programs they use, but can produce only mediocre art.

  11. Remember that thirties invention, "animation?" by dpbsmith · · Score: 5, Insightful

    It didn't kill off live-actor movies, did it? Indeed, it seems to me that the Disney organization made a few live-actor movies itself...

    Besides, the animators couldn't do it all by themselves. All of the figures in the Disney cartoons that had to look human--such as Snow White--were "rotoscoped," a process that basically allowed animators to trace over film of human actors.

    I don't know if you remember the Disney publicity material that implied that actors were hired to spend lots of time "modelling" so that the animators could see and draw how the folds of the clothing moved, etc? That was disinformation--they didn't make drawings of the "models," they rotoscoped the actors who did the actual performances you saw in the film. I mean cartoon.

    The modern analog to this is, of course, motion capture.

    All the "doing away with live actors" is just another version of the managerial "robots-don't-call-in-sick-or-have-strikes" fantasy. If you're a manager, it seems as if it would be nice to have total control and not have to deal with those difficult human beings all the time... but those pesky machines have problems of their own--to say nothing of the human technicians that operate them, the human field service engineers that repair them, and the human vendors that sell them to you in the first place and want to make money out of them...

  12. Sets will go long before actors. by praksys · · Score: 2, Insightful

    Lots of people have pointed out that CGI is not showing any sign of replacing actors, in main roles, any time soon. But they missed the other aspect of the story.

    CGI is already being used in place of sets, locations, crowd scenes, etc, that are too expensive to physically create. Expensive CGI is already at the point where it is hard to see any difference between CGI and a physical set. When cheap CGI gets to this point then pretty much all acting will take place in front of a blue screen, and all but the cheapest and most readily available sets will be virtual.

    If we can dispense with sets, and filming on location, and extras, then that is a big slice of the Holywood economy.

  13. Re:Willing To Pay by Anonvmous+Coward · · Score: 5, Insightful

    "That's not why professional football players claim to deserve high pay. They claim to deserve high pay because they can run and kick a ball better than anybody else in the country."

    Nope. He deserves high pay because he's directly responsible for the ridiculous amounts of money his play brings in. He wouldn't be demanding 5 mill if they were raking in only 1/10th of what they are now.

    It's kinda like the ridiculous amount of money big name actors get. The movie studio's not paying $20 million dollars for extreme high quality acting, they're paying that much because they're betting more people will go see the movie if Harrison Ford is in it. It's about audience draw.

  14. Theatre! by starX · · Score: 2, Insightful

    Imagine this place where you go and sit down, and REAL people in a REAL space RIGHT BEFORE YOUR EYES put on a show. And imagine, if you will, that the show people, call them "actors" actually respond to the feedback of those watching IN REAL TIME. What a concept, eh?

    In my limited experience, television shows tend to be trite and plastic, with more emphasis placed on pleasing a target audience then anything else. There is a theatrical equivalent of this, it's called Broadway, but artistic theatre types tend to try and insert something intelligent into their shows ; they have this silly notion about actually being creative. The result is that, when done well, even something written to be trite and plastic has a shot at actually being halfway decent.

    There is more money and availability to be made in television and film, I'll grant that, but to actually choose to go into something so emphemeral as costume or set design, you actually have to like and want to do it. I dare say you have to try very hard, and I think the result of this will simply be that a lot of these folks wind up working for regional theatres.

    Even then, I still see a need for lighting designer, set designers, and costume designers on the "set" of a computer generated show. These people actually study things like texture and color, and shadowing, etc., which are things that most high tech people (again, in my limited experience) want nothing to do with. Just because you're not cutting it out of cloth doesn't mean you no longer need a costume designer, it just means that they are designing with a different medium. Hell, most set and light designer make computer models of their designs these days anyway; this just means that they have to be a bit more detailed.

    It amuses me a great deal to think of all the computer illiterate back stage types doing their internships behind keyboards and leaving the old screw gun at home.

  15. Nothing is absolute by samsara · · Score: 2, Insightful

    Cinema is an artform, and that artform may take many differnt paths depending on who is deciding its direction. CGI is a new addition to cinema and has become very popular due to it's potential for limitless expression, as well as it's plain "wow" factor. I don't think that it will ever fully replace what we have now, just add a new formula for enjoyment of movies...since a good movie would essentially take in the most profit. I believe that we will always crave the classic take on films, even if the technology changes beyond the medium. It's much like preferring live orchestra over synthesized. There will be layers and tones to the analog that are difficult, if not impossible to convert to digital.

  16. Virtual actors ain't gotta have soul anytime soon by xelph · · Score: 2, Insightful

    Sure, Hollywood could collapse because of that. I mean Bruce Willis or Schwarzenegger or Brad Pitt could be easily replaced by virtual actors and the average Joe wouldn't know. But real cinema (i.e. that of the non-Hollywood kind) will not collapse. My favorite directors have names such as Carl Dreyer, Andrei Tarkovski, Ingmar Bergman, Satyajit Ray, Kon Ichikawa, and so forth. Those that follow in their footsteps will never use virtual actors because their films are about the human condition, not the computer condition. And they use talented actors.

  17. I wouldn't worry too much by HuguesT · · Score: 2, Insightful

    Personnally I think real-looking actors are relatively far into the future. Sure you can make monsters and beasts for TV at the moment but humans don't look too good, especially at the movies. I haven't come across a film where they make CG human characters walk realistically for example.

    Moreover I don't think even realistically looking humans would put actors out of business. Cinema has not killed theatre any more than TV killed radio.

    Lets take the example of LoTR. Here's a film with a huge lot of CG, a large part of which spent on Gollum. There is still a human actor who play it even though he was replaced with CG in post-production. Also this for this film, far from relying exclusively on CG for the scenery, they went as far as physically re-creating most of the locations (Rivendell, Weathertop, etc), same for the costumes, the weapons, everything. For realistically looking stuff nothing beats reality.

    Finally, in SW2 I thought the CG looked crap. Give me the 1980's SW5 plastic models anyday. If with the best current technology can offer even CG machines look cheap and poorly done it's going to be a long way for humans.

  18. Missing the point ENTIRELY by artemis67 · · Score: 3, Insightful

    Actors in movies are simply there to drive a story. Sure, that's the basic job description of why they are on the set. But CG actors will NEVER NEVER NEVER replace human actors.

    Here's why: people don't care about CG characters, on or off screen (ok, Lara Croft is a notable exception, but that's mainly for an audience of 13 year old boys).

    Answer me this: Could a CG character have played a more interesting Joker than Jack Nicholson in Batman? Would we have cared as much if a CG Gandalf had shown as much intensity as Ian McKellan? Would a CG character have riveted us as much as Dustin Hoffman in Rain Man? The answer is "No," because we find the actors to be just as compelling as the characters they play.

    Don't get me wrong, I'm sure CG characters are going to grow much more popular over the next decade. But, I predict, that popularity is going to be more faddish than anything.

  19. Collapse of Hollywood due to CGI? Not Likely by the+eric+conspiracy · · Score: 3, Insightful

    I think as cgi gets better we will simply see a shift in what skills are in demand. Artists, designers, writers, editors and similar creative types will not be affected much. Modellers and such will be computer based rather than building sets from physical materials. So we will see fewer carpenters in Hollywood.

    Actors? It seems to me that the great actors deliver so much in terms of interpitation of their roles that it is going to be impossible to replace them with CGI. I cannot imagine a CGI ever being able to match Alec Guiness as Fagin in Oliver Twist, or Olivier in Henry V, or Meryl Streep in Sophie's Choice. They are not merely faces, but creative in their own right. Will a CGI technician be able to contribute at the same level? Would a CGI technician be able to invent a Groucho Marx or Charlie Chaplin? I don't think so.

    On the other hand, if I were a Jean Claude van Damme, or similar hack, I would be very worried about CGI.