Robotic Photographer
Boojum137 writes " ExtremeTech has an article on a robotic wedding photographer named Lewis. Lewis's hardware stats are modest, so he uses a clever trick to locate people based on skin tone, which is also independent of race. After locating potential subjects with a myriad of sensors, including sonar, laser range finders, and infra-red, he tries to frame the shot according to photographic rules of composition. But the real innovation behind this "red trashcan" is its ability to fade into the background. According to Lewis's creators at Washington University's Media and Machines lab, because of the robot's passive nature, people tend to ignore it after short period of ogling. This allows for some great natural shots, instead of the typical forced and self-conscious shots from human wedding photographers. And, in case you were wondering, Lewis is going to live up to his name in November."
that thing totally just blends. I could see how people would just not notice a fire engine red barrel wandering through a party.
There are some odd things afoot now, in the Villa Straylight.
Does this mean the women with the smallest dresses will be photographed the most?
Lewis is able to determine that it's seeing a human by recognizing that it's looking at a pair of legs. Once this realization is made, Lewis gazes up to look at the individual's face.
That pretty much describes the way most guys recognize chicks (especially in sunny climates)
it *was* designed by students, after all
I wish the developers of this device luck. They're gonna need it.
Problems? You want problems? We got problems!
1. It's too short. Candid shots from that level, looking up at the subject, are not flattering. And people don't buy wedding photographs that don't flatter them.
2. It's digital, I guess, but in any event uses some kind of video camera to capture images. That's (probably) crap. Still captures from video cameras are of lesser quality than a good digital camera and good digital cameras (that is, "good" by pro photo standards) are as expensive as your house. Weddings are one of the few times in their lives that most people will actually pay good money for high quality photographs. Digital has its place at the low end, but is something as expensive as this is sure to be going to be cost-effective at the low end? I kinda doubt it. Good wedding photography still requires film, preferably nice, wide rolls of it. Show me a machine that can operate a Hassy and we'll talk again.
3. Yes, adult humans tend to ignore something like this after a brief period of familiarization. But there are lots of kids running around at weddings. Ever show a 4 year old the hamster dance page? After 30 seconds, you're bored but they're just getting started. They'll giggle for hours. Same principle here. Just wait till a few unattended kiddos (and there's always at least a couple of kids at every wedding whose parents are nowhere to be found while they tear a path of destruction through the place) notice this thing and decide to play "Let's push over R2D2!" with it. It'll happen.
4. Good wedding photography (Wait - this comment might not be a good one since we've already established that this device is only worthwhile at the low end - but I'll go ahead anyway...) requires making art (sometimes hack art, but art nonetheless) quickly. That requires aesthetic sensibilities and brainpower that this thing just doesn't have.
One last note - I can understand the concept. There are WAY too many wedding photogrpahers in this world with gigantic egos who act like a wedding is a get-together for the purpose of taking pictures. They take over and try to run the whole show. After dealing with them, I can certainly imagine being motivated to invent a machine that would just shut up, do the job, and not get in anyone's way. But that's a by-product of pain-in-the-ass photographers, not really a good reason to develop a new machine. A truly good photographer knows how to be totally unobtrusive 98% of the time. The solution is to not hire bozos. The solution is not to try to replace photographers, even if it's just a few at the low end, with a machine that will necessarily produce substandard output.
Yep. Good, low-cost, low-tech way to get lots of candid reception shots, works out very well.
Best pattern I've seen = pro to do the ceremony and a *brief* set of posed shots afterwards, disposable cameras for the rest.
The "robot photog" is not going to be a cheap piece of machinery for a long time, and a dozen disposable cameras in friends'/relatives' hands will get more and more interesting photos than a single robot could possibly produce.
Of course, at robot weddings with robot guests, things may be different...
(Don't forget, because of my limo experience I've been to more wedding than most people, literally hundreds of them.)
- Robin
Lewis was actually rolling around the Emerging Technologies area of SIGGRAPH this year and I got to talk quite a bit with some of the folks that were following him around to make sure he didn't get into any trouble and explain how it worked. (Which is good, because it's just this big red column looking thing and doesn't look particularly friendly)
The photos it "composed" were actually quite good as it would use the rule of thirds when trying to set up a photo. The only real problems I saw with it from a tech standpoint was that the lighting in that area of the convention center was a bit yellow so their white balance was off and the robot had the embarasing habit of totally ignoring anyone with very dark skin. At the time I was talking to a student from a local school who was there who happend to be black and we let the robot take a few pictures of us... when we went to look at the pics every single one of her was cut off as she was basically being ignored as "background".
The other problem were the batteries - I saw them change the batteries on the 'bot once and there were a *LOT* of what appeared to be very heavy lead -based batteries - they looked like motorcycle batteries, but I'm not sure. Apparently the bot lasts for a few hours on a single charge, but then you have to swap out all of its batteries (I think there were at least 5 of them)
A|Q|U|A
because of the robot's passive nature, people tend to ignore it after short period of ogling. This allows for some great natural shots, instead of the typical forced and self-conscious shots from human wedding photographers.
Yeah, but can it kiss the bride?
You can't take the sky from me...
It's a good thing so many of us geeks are so stereotypically asexual.
I mean, this would be the perfect thing to have at a /.er's wedding. Except that you'd just get roll after roll of close-ups of geeks' noses as they examine the wedcambot for 3 hours while the reception goes on in the background.
Groom included. ("Huh? Oh yeah, yeah, I do, I do, whatever. Just gimme a few minutes, I think I can get a Quake server running on this thing! Tell the best d00d to bring his laptop, we're gonna have wireless LAN gaming at the reception!")
So I'm a student at Washington University, and I know the people who programmed Lewis. A couple of points:
Anyway, it was a lot more work than you'd imagine to get Lewis to function properly. Lots of things you don't think of crop up (The laser's can't see the legs of a table. Micheal is pale and other people aren't. Wooden doors are approximately skin toned.), and the problem is intrinsically difficult. The skin tone stuff alone eats up most of the processor, nevermind the path planing and mobile obsticle avoidence. For SIGGRAPH he was running on reduced hardware too: he has a dual mobo, but it isn't as reliable as the singe-processor one used at SIGGRAPH.