Slashdot Mirror
Making and Detecting Illegal Music
Demona writes "Long-time music aficionado
Dave Marsh has an article in the latest edition of
Counterpunch entitled
Sampler's Delight. Giving rave reviews to "Nothing to Fear", the
latest in a
long line of so-called
illegal music, he also describes a "'major label waveform CD database,' which is capable of recognizing materials allegedly owned by the record label cartel." This database is allegedly why a UK pressing plant rejected the initial attempt at publishing "Nothing To Fear", which is comprised almost entirely of sampled material."
What more blatent example of satire can there be than an artist scrambling and re-arranging the works of other artists for the sake of mockery. I myself enjoy warping and "Mashing" otherwise lame recordings. If someone can take one creation, and turn it into another, it should be respected as a seperate work of art. Besides, I haven't seen an original concept in popular music for years. Most modern music is just recycled chords, lyrics, and beats.
If major labels are bothering you all so much, why do you keep supporting them by talking about their bands, trading their music, grudgingly BUYING THEIR CDs??
Sometimes I just don't get the Slashdot crowd... Many of us use Linux and have given up on using Microsoft stuff, but when it comes to the latest crappy mainstream music, we whine that we can't pirate it? Come on.... If you really feel that major labels are screwing you, give them up. Support inedepent musicians and labels.
There's a whole world of music out there that is cheaper, more interesting, more cutting-edge, etc..etc... You just have to look a little harder to find it, just like you had to try a bit harder to get Linux installed and your closed-source applications replaced by Free Software.
Sorry for the rant...you might mod me down, but really....If some big companies are doing something you don't like, forget about them and move on to something better.
Cheers,
Vic
can't you see that sampling without permission, and then selling the copies, is illegal for a reason?
I absolutely can not see that. This is our culture we're sampling. I agree that it wouldn't be fair to copy your entire album and sell it, but if I just sample 5 or 10 or 30 seconds of it, how is that impacting the sales of your album?
No one is going to say "Oh, I'm not going to buy that old Beach Boys album because artist Xyzzy used a 12 second sample of it, and those were the only 12 seconds I wanted anyway!" No one chose to buy Plunderphonics because they couldn't afford the original version of the Beatles' "A Day In The Life", so they decided a chopped-up unrecognizable version of the ending would be close enough.
Copyright is there to give the artist incentive to create. Sampling laws don't do that. No one says "I'm going to create a great song so that it can be sampled a lot and I can collect royalties." That's just a happy side benefit to selling albums.
But sampling laws DO encourage people not to create by giving them a limited pallete to work with.
I know in the UK there is a service called Shazam which you call up with your mobile phone, point your phone at a 'music source' for around 15 seconds and then you get a text message/SMS back around 30 seconds later showing a) the artist name (handy for 'cover versions) and b) the track name. It also has the facility (if you register) to 'store' your requests on its website and give appropriate links to online music stores.
It seems to work quite alright as well, I tested it by playing 2 tracks at once out my speakers - it correctly identified one of them (I thought it'll fail complete), I've tried it via the radio on a bus - again success, admiteddly it failed in a very crowded and noisy nightclub - but it's still damn good (and resonable cheap) for identifying music.
The claim that they can recognise 1.5million different tracks from just a 15 second second sample - I don't know how they do it though, but I know *I'm* impressed by the technology!