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24 Hours Of Beethoven's 9th Symphony

Ermintrude the Flying Cow writes "Ever wonder what "Ode to Joy" would sound like if stretched to 24 hours? Now you can find out. 9 Beet Stretch is the result of running Beethoven's 9th Symphony in a digital stretching program, turning the one hour piece into a 24 hour attention span acid test. Thankfully, for those of us who know our limits, it's been cut into 19 parts."

5 of 348 comments (clear)

  1. strange people by lingqi · · Score: 4, Interesting

    Wow this is like Andy Warhol's film "Empire", only that it is probabbly not as artistically creative for its time.

    for those that don't know - Empire is a film where he (Andy Warhol) put a camera aiming at the empire state building in the morning, started the film, and let it ran EIGHT HOURS. ...

    right up there with watching corn grow and whatever.

    silly people that do silly things in the name of art.

    --

    My life in the land of the rising sun.

  2. On a more interesting note... by flippet · · Score: 4, Interesting
    (Pun intended, sorry)

    Someone here did a project last year to "derive" a new symphony by a composer. The idea was to analyse various pieces written by the chosen composer, find the common themes, and then use them to produce new pieces which would have the same "feel" as the originals.

    That way you end up with more music you like without making you think you've overdosed...

    Phil, just me

    --
    "Cattle Prods solve most of life's little problems."
  3. how's the stretch come out? by mcc · · Score: 4, Interesting

    Most digital stretching filters i've heard-- even the ones in professional music programs like ProTools and Logic Audio-- cause the output to be exceedingly gravelly and robotized, like they're being played through a digital cell phone that's slowly giving out. The resulting sound is possible to be used in a musically interesting manner, but it definitely doesn't sound like something a classical music fan would find pleasant to listen to, in my experience.

    How did the stretch turn out in this thing? Is it relatively smooth, or is it just like listening to a rotor slowly changing pitch to form something similar to beethoven's 9th? No, of course i'm not going to listen to it myself, especially not when there are X number of slashdotters pounding on their poor realaudio server. Though i may check out this "Herb Levys Mappings" page they link to, if i ever find the correct link. (Theirs is busted. Actually, pretty much everything linked from that first page seems to be slashdotted at this point. Ah well.)

    And if it did turn out smoothly, will someone please tell me what software they used for the time expansion, because i want a copy :)

  4. Brian Eno by sakusha · · Score: 5, Interesting

    Interesting comparison to Eno and Discrete Music. If you read the liner notes to the original Discrete Music album, Eno talks about how he was laid up in the hospital, immobilized in a cast, when a friend came in and brought a record player with some classical music, he put it on to play and then left. The player was set to 16rpm instead of 33, so he was stuck listening to a slowed down album of Pachelbel's Canons. He said the album seemed to take hours, through his fog of pain and painkillers. He says it gave him the idea for ambient music.

  5. PDQ Bach? by wirefarm · · Score: 5, Interesting

    A guy named Peter Schickele (Have no idea of the real spelling. Ok, lemme go google... Wow - I got it right.) a music professor and composer has been 'deriving' compositions, 11 albums' worth, of the mythical son of JS Bach, PDQ Bach.
    Funny stuff, yet very scholarly, in a weird way.

    Anyway, he has a website at pdqbach.com.

    His peices always have great names too, like Music for an Awful Lot of Winds and Percussion and The Short-Tempered Clavier and Other Dysfunctional Works for Keyboard. Worth a listen.

    Cheers,
    Jim

    --
    -- My Weblog.