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The Copyright Fuss Revisited

mpawlo writes "I was going to clean up my apartement, but instead I wrote a piece for Greplaw introducing a framework for the debate on how we should obtain a balance between users and authors where the author has good incentives to innovate, but where society at large is not too restricted due to the author's previous innovations. I am afraid that I personally have few practical solutions to introduce, but you might find my text useful as a quick introduction to what the copyright fuss is all about and why you should care."

18 of 229 comments (clear)

  1. heavy writer by WPIDalamar · · Score: 5, Funny

    "I was going to clean up my apartement, but instead I wrote a piece for Greplaw"

    wow... when I skip cleaning my apartment, I usually end up playing a game of BF1942 or perhaps watch a bit on the tube. This guy goes out and writes a rather long essay on intellectual property that actually reads fairly well.

  2. The main thing I'd like to see no-matter what by Anonymous Coward · · Score: 4, Insightful

    Is no retroactive copyright protection. The terms of copyright at the time you create something should be the same terms that apply to it forever. You only need and know what the incentive is before you create it. Changing it after the fact does nothing to increase your incentive.

  3. Art, not innovation. by Planesdragon · · Score: 5, Insightful

    Copyright does NOT protect innovation. Look at Tolkien & how just about every "innovation" he made has been swiped by the fantasy genre. Same thing for the GUI, same thing for music, etc, etc.

    PATENTS protect ideas, innovations, and inventions. Copyright should be pared back by whatever means necessary so it can stop doing the job of Patents (or trademarks!).

    1. Re:Art, not innovation. by Gleef · · Score: 5, Informative

      NineNine wrote:
      No, but copyrights do protect the creators. If not for copyright, who's to say that Tolkein's books would ever have been written?

      For what it's worth, in the 60's, Ace Books used loopholes in the US copyright law to legally publish the Hobbit and the Lord of the Rings trilogy, without concent of JRR Tolkien (or Allen & Unwin) and with no intent to pay royalties.

      Tolkien had no legal stand to fight the publishing, but spread the word that the Ace edition was unauthorized, and that he was receiving no royalties. Ace was eventually pressured by the publicity backlash to pay him royalties and to cease publishing.

      Ironically, a good deal of his popularity in the United States could be argued to be due to the swarms of college students buying the cheap (75 cent) unauthorized Ace Books versions.

      As for whether or not the books would be written, the Hobbit was written for Tolkien's children, the decision to publish it came later. the Silmarillion seems to be written for himself, without regard to publication (he occasionally attempted to get it published, but nobody was interested until his death). The Lord of the Rings trilogy, however, was written at least partially due to the encouragement of Allen & Unwin (the publishers of the Hobbit in England), and thus copyright could easily be considered one of the motives. Likewise with his short stories.

      --

      ----
      Open mind, insert foot.
  4. open source + ransom model by jki · · Score: 5, Interesting
    I think I saw this article about the ransom model on /. as well: "Ransom is a software publishing model where the rights to the source code remain restricted until a set amount of money is collected or a set date passes, at which point the code is freed"

    Anyway - I believe this model makes open source the good solution for cases in which it has previously been thought not to be suitable. Such as cases where companies need to invest huge amounts of money just to get the "seed done" - I believe that the ransom model really for example enables co-operation between research companies to produce something that requires huge resources and capital - and get paid for doing it - and still eventually have the solution released under open source - developing it even further.

  5. protection vrs freedom by Shymon · · Score: 5, Insightful

    Copyright laws will always be messy if only beacuse there is no cut and dry options. A law that says all works are free to anyone undermines the purpose of creating those works (open source software being somewhat of a exception to this) and one that never releases information into the public domain is also a less then perfect solution. and while this is a gross simplification it's applicable to almost every aspect of copyright laws (fair use and the like). for all the ranting about these laws on slashdot very rarely do i see a realistic purposed solution to the problem, which suggests that it probably won't be solved in the near future, or maybe ever.

  6. Copyright isn't just about software and MP3s. by Corvaith · · Score: 5, Interesting

    I don't think you can reform copyright law while treating copyright for different types of things differently. I don't, genuinely, believe that authorship of a computer program should be essentially different from authorship of a book. With all the protections that entails.

    Which is not to say that copyright law in itself isn't screwed up. But the whole MS problem isn't a copyright issue, it's a monopoly issue. And the music industry will eventually either die or adjst with the times.

    The real problems with copyright lie with things like the insanely long copyright period and the narrowness of 'fair use' rights for *everything*, not just music. There are middle schoolers out there getting lawsuit threats over fan art galleries. Disney's never going to have to come up with anything new, because they'll just keep getting extensions for Mickey Mouse. These are big problems, and things that seem to not be well addressed by the article.

    1. Re:Copyright isn't just about software and MP3s. by JoeBuck · · Score: 4, Interesting

      Of course there need to be differences. For example, current US copyright law explicitly gives permission for a legitimate owner of a copyrighted program to create a backup copy. There is no such permission for books.

      However, you do have a point, in that we need to firmly (re-)establish the "first sale" doctrine for programs and electronic files. If I buy a book, I can't copy it without permission, but I can sell my copy without getting permission from the copyright holder. The "content industry" would dearly like to get rid of that concept.

  7. Correct page width link by Anonymous Coward · · Score: 5, Informative

    Some troll, apparently looking for something to do after calling people to check if their refrigerator is running, threw a page widening post onto the greplaw article. Thanks for the maturity. I'm sure your family is so proud ("John is lawyer, Chris is a doctor, and Billy Bob wastes the time of hundreds of people a day.")

    To read the article without the comments (thus avoiding the troll and allowing you to see the article correctly formatted), try this link.

  8. Its getting even worse by night_flyer · · Score: 5, Interesting

    In Finland, taxi drivers are now ordered to pay royalties if they play music, even if it is on the radio, if they have passengers in the car.

    two churchs were also sued on copyright infringement for singing Chistmas hymns....

    the story is here.

    I would have posted this as a story, but seeing as how my approval rate is 1:50 its not worth the time or effort anymore

    --


    Thanks to file sharing, I purchase more CDs
    Thanks to the RIAA, I buy them used...
  9. If it were me... by tmark · · Score: 5, Funny

    I was going to clean up my apartement, but instead I wrote a piece for Greplaw

    If I was this guy, I would be the most prolific contributor to Greplaw. Legal scholars would be citing my works as I am always looking for ways to put off cleaning my apartment.

    Thank heavens for slovenliness, or we would have one fewer article to throw on the copyright flame-heap here.

  10. We need to replenish the public domain by why-is-it · · Score: 5, Insightful

    Disney's never going to have to come up with anything new, because they'll just keep getting extensions for Mickey Mouse.

    And therein lies the dilemma. Disney has made several fortunes by taking something that was already in the public domain and building on it. I don't know if the Brothers Grimm even get mentioned in the credits of the Disney films that are based on their stories. Now we see Disney purchasing politicians and legislation to extend their copyrights in perpetuity.

    I wonder if anyone at Disney recognizes the irony of it all...

    --
    *** Where are we going? And what's with this handbasket?
  11. Easy Solution by ch-chuck · · Score: 4, Insightful

    if you're an 'artist' and are adamant about being paid for each and every copy, don't create anything that can be easily copied by your admiring public. That includes audio, video, writing, software, or ip in general. Face it, your just trying to cash in on the 85% profit margin of being able to produce once, make easy copies and distribute them. But now your customers have the ability to make easy copies and share them. Face it. Instead, go into sculpture, crafts, paintings, custom autos, landscaping, live performances, etc etc etc.

    NO, this is not a troll, just a clear headed statement of fact. If you want to press an audio cd and sell copies, fine. Just realize there's going to be 'shrinkage' from maximum profit and you can cuss and stomp, beg for govt assistance, try to get consumer devices banned, mandate DRM in every electronic device, but the genie is already out of the bottle and everybody has one now. Artists and publishers are just going to have to adapt to the new environment or go extinct.

    --
    try { do() || do_not(); } catch (JediException err) { yoda(err); }
  12. Add one more a little closer to home... by night_flyer · · Score: 5, Informative

    Girls Scouts must pay to sing songs...

    "Starting this summer, the American Society of Composers, Authors & Publishers has informed camps nationwide that they must pay license fees to use any of the four million copyrighted songs written or published by Ascap's 68,000 members. Those who sing or play but don't pay, Ascap warns, may be violating the law."

    the story

    --


    Thanks to file sharing, I purchase more CDs
    Thanks to the RIAA, I buy them used...
  13. Copyright vs. Drug Companies patents by Anonymous Coward · · Score: 5, Interesting

    It is interesting to me that drug companies are allowed patents that run out relatively soon (15 or 20 years, I think) compared to copyrights, and they have to put in tons of money and research to create their products, but we'll give anyone who can throw together a few words and make a poem, song, or book, or who can draw or animate a mouse (Mickey), a 75 year copyright, and Congress the option to extend that indefinitely, when they certainly didn't have to spend billions to develop a lifesaving or life-extending product.

    Things are definitely screwed up around here. But make no mistake, I am not defending the big druggies either, just pointing out the oddity.

  14. The fundamental problem has not been exposed. by aphor · · Score: 5, Insightful

    Property, as we know it, is a legal definition set down in our tradition by John Locke. It is confined in Locke's conception as things which can be found in the common, improved by individuals, and which also become scarce when they are used. Locke's example is apples growing on trees become a man's property when he "mixes his labour" with them in the process of collection. A collection of shiny apples is surely improved over scattered apples amongst bruised and wormeaten ones. When another person happens on the collected nice apples, it would be wrong to deny the first man the benefit of his "labour" by taking apples from his pile. (maybe I remember this totally wrong.. correct me if so)

    If I set some music down on digital media, I have surely improved the media, and it would be wrong to deprive me of the fruits of my labour by taking my improved media from me, but if you improve your own blank media, indistinguishable from mine, by setting music down from memory as you remember hearing it on mine, you have not deprived me of the fruits of my labour.

    Intellectual property is a fabrication and an illusion. It does not perform the same as the concept of material property. There is no ethical base for an Intellectual Property Right. Maybe, in a teleological sense we can justify an Intellectual Property Privilege, but we should all just stop using "IP" and Intellectual Property terms until we are sure we all agree exactly what they mean. We should understand them at least as well as the basis for "life, Liberty, and property" which became the model philosophy for American politics.

    Information does not have the property of scarcity like Locke's apples. The more you share information, the more there is! (Let's not split hairs, I can demonstrate this aside..) Good or bad, news or propaganda, sharing magnifies it. This is opposite of real property. The more you share a bowl of rice, the less there is to go around. Our laws should not gloss this fundamental difference over.

    --
    --- Nothing clever here: move along now...
    1. Re:The fundamental problem has not been exposed. by RatBastard · · Score: 4, Insightful

      Why should I be denied the fruits of my labors simply because they produce words on piece of paper, sound waves on a magnetic strip or images on a computer screen? Why is it that non-material property is valued less than material ones? Is it because ideas and expessions of those ideas are meaningless, or because they are so easily copied you feel that you should have access to them for free?

      If I have no control or ownership of my writings, paintings, songs, etc.. then where the hell is my incentive to share them with you? For what possible reason would I ever release them? I wouldn't. I would hide them away and never let anyone see or hear them for fear that they would be given away to anyone without any sayso on my part and no chance of my reaping any reward for my labor.

      Is that the world you want? A wiorld where no books are published? A world where no music is made available? A bleak, artless world brought into existance by people with your narrow-miinded and self-serving mindset?

      That's not a world I want to live in.

      --
      Boobies never hurt anyone. - Sherry Glaser.
  15. my thoughts by GePS · · Score: 5, Interesting

    We agree that an invention benefits the society most when it is in the public domain -- anyone can use and benefit from it. However, we agree that in order for individuals in a capitalist society to have incentive to invent, they must be able to capitalize on their invention. Hence the "limited times" in the constitution for an inventor to profit from his mind.

    For the greatest benefit of the society at large, we want the "limited times" to grant just enough incentive to the inventors to invent at high rates (my idea would be to have the copyright term be a function of the average amount of time taken to invent something). One can assume rather assuredly that the length of a copyright should most certainly not be as long as a generation, otherwise entire generations would never know the free access to the idea.

    As is, the terms are something like life+50 years. Life plus 50 years?? look at it like this: people who were born after Mickey Mouse was copyrighted and have died since then (there's a lot of them, 1920's-) never benefitted from any of Disney's creations in the public domain. Does this benefit society as a whole, or the corporate monopolies who own the copyright?