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IFPI Employee Describes P2P Sabotage Activities
Maxwell'sSilverLART writes "From The Reg: Matt Warne, an employee of the international version of the RIAA, admitted that he helped the organization spread garbage and random noise on the P2P networks. Apparently, they used multiple DSL connections to present the appearance of separate users, disguising the origins of the files. His group has stopped, but he claims several of the big record companies are still doing it themselves. And here I thought all of their garbage came on CD."
I have been running Limewire, and has anyone else noticed that no matter WHAT you put in the search box, you nearly immediately get three hits back with exactly that title and an appropriate extension? One is a broken move file that just locks your player, and two others are pr0n teasers.. but that must be a large server with a fast pipe... because it consistant, and it is FAST.
Has anyone run into this with any of the other P2P clients, or is it just limewire specific?
(I would think that would be a better way to tie up the services anyway.. just have a remote server that responds to incoming searches with a couple of crap files. Get enough of them doing it, and the S/N ratio will get so screwed people will stop using it.)
Maeryk
Feminine Protection? What is that? A chartreuse flame thrower?
Where did this list come from? How can I verify its legitimacy? Even more important: how can I discover new addresses which should be blocked?
Sometimes I worry that I'll develop Alzheimer's disease, but no one will notice.
This might be a little offtopic but I thought it was interesting. I attended a Spoken Word Event by Henry Rollins. He discussed his views on P2P and downloading music off the net. His basic view was go ahead download my stuff. "I would rather have your time than your money," he said. Amen. I liked it so much I added it as my sig, sorry about the repetition.
"I would rather have your time than your money" --Henry Rollins Jan 14 2003 on the topic on internet file trading
Have we FORGOTTEN all the perceived angst and trauma about usage-prevented audio CDs (sharpie marker deprotection, all that)??
If I buy a CD and find I'm totally unable to rip it, I can and will go searching for the tracks on p2p. If/when every "CD" that comes out (including from the smaller dance music labels I like) is similarly mangled, a few people will manage to rip it (carefully via analogue, or whatever) and the music will still proliferate over p2p.
If, in order to get the music I've paid for into a format I regard as usable (mp3s or oggs) I have to go get them off p2p networks then I've gained no *actual* value from the purchase of the "CD".
So I went out and bought her CD, but found out that I can't play in to my computer (which IS my CD player by the way). "No problem": I thought to myself. Since I already own the CD (that I can't play), I'll go onto Kazaa and download the tracks. BIG PROBLEM, as every one of them has been altered with a 'swishing' tone every 30 seconds or so. In disgust, I returned the CD. If Norah doesn't want me as a fan, she can go fuck herself. Actually, I wonder if Norah (even) knows and appreciates how hard her label works at derailing her career?