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Verizon Loses Suit Over Subpoena of Subscriber Info
Brian Golden writes "As a result of a suit filed by the RIAA, the identity of a Verizon customer with a penchant for mp3's was ordered to be released. Man, how many people are now sweating bullets trying to remember what they downloaded?" News.com.com also has a story. If you've forgotten about this case, see our earlier story. Verizon wasn't making any sort of principled stand to protect its users' privacy, it just wanted to avoid the costs of complying with the (many) subpoenas it will now receive.
This means that the (MP|RI)AA can serve as many goddamn subpoenas as they want and the ISP's lawyers will advise them to comply in light of this decision. The next logical step is for the (MP|RI)AA to serve cease and desist letters to individuals... then lawsuits will result if they don't comply.
Many people involved in this will agree that it's probably time for the (MP|RI)AA to start working on consumer dis-satisfaction... if they start to sue individuals, things will get very bad.
Won't work, at least not without one hell of a tradeoff. If you still wanna be able to LART Joe Luzer for running the open SOCKS proxy through which you got spammed or DDoSed, RIAA has to be able to LART Joe Musicfan for running the Gnutella note through which they downloaded HilaryRosenIsABigFatBitch.mp3
If ISPs could blocked outbound port 25 traffic from residential cablemodem and DSL users, that'd greatly cut down the amount of spam the rest of the 'net has to deal with, but logs would still have to be kept with regards to DDoS issues.
Uh, no. In most places, if you lend someone your car, and they get a ticket, you're responsible. You should carefully consider who you're lending you're car to.
Now, if you report your car as stolen (and it actually was stolen), and itshows up on one of those speed cameras, then yes, you can probably get out of the ticket, but not if you just lent it to your lead-foot friend.
There is no sig, there is only Zuul.
Rip. Mix. Burn.
Has been superceded by
Track. Subpoena. Litigate.
Which had damn well better begotten by
Boycott. RIAA. NOW.
The ONLY way to get them to shut the hell up and off our backs, is to make sure their sales suck long after file-trading has been smacked-down.
~~~
"The slave thinks he is released from bondage, only to find a stronger set of chains" - NIN
I guess this means I can use the DMCA to force ISPs to give me the IDs of people whose machines have sent me spam. Since there's no due process involved, nor (seemingly) any right to appeal (at least by the ISP, and there doesn't seem to be a provision for user to appeal), I should be able to find out who they are, where they live, and their phone number.
What happens then? Use your imagination.
But what's the DMCA violation with spamming? The spammer has bypassed the technological measures installed on my machine (spam filters) preventing me from copying (receiving) their spam. Remember, the courts don't review this, so I can get their personal info just by asking.
Here, spammer...
RIAASpeak:
"The illegal distribution of music on the Internet is a serious issue for musicians, songwriters and other copyright owners. . ."
The "other" copyright owners are the record companies. In fact, I'm sure the record companies are the only copyright owners most of the time--but it's a lot easier to stick up for the rights of a well-known (or not) musician, than it is to stick up for the rights of a faceless, multi-billion-dollar corporation.
Seriously--if artists owned any share of the copyright after their CD hit the market, do you think we'd see the flood of remade songs that are on the airwaves today?
!#@%*)anks for hanging up the phone, dear.
It's interesting to note that downloading music you already own is most likely perfectly legal, whether the RIAA likes to admit it or not, simply because of they way they are trying to categorize the sale of music.
Say for instance, a bunch of my CDs get scratched and are now unplayable on a couple of my players. So, I just download the whole albums off of Kazaa to replace them. Technically, I am within my rights to do this. Why? Because the music industry is trying to look at it like the software model, where the content is wholy apart from the media. Therefore, I've a payed for a licence to listen to this music, and not for a fragile disk that's been destroyed.
Interestingly, if they looked at it like they were selling you the CD (something they're loathe to do; see: the hard, bitter battle against used CD sales), instead of licencing the content, it could be argued illegal to do that. After all, if you scratch your car, you can't just walk down to the lot and drive another one off without asking, can you?
Of course, the RIAA once tried to convince people on their website that making backup copies of music you've bought was against the law. So, pesky legal "rights" are of little concern to them anyway.
people who actually create things of value
Quick, name the last song written by the RIAA.
"that's not encryption - it's a new perl script that I'm working on..." - from some Matrix parody
Copyrights are usually held by record and publishing corporations, not the artists. I am sure you have heard the expression, "starving artist," but have not heard anything like "starving executive."
In other words, power is concentrated with the people who just want to take from others, rather than the people who actually create things of value. This goes way beyond the creative and performing arts to real, tangible things of value.
I'll bet most of the components in the computer you are using now were made in an asian sweatshop, and the workers got nearly nothing. Their slave drivers got all the profit. The same can probably be said about the shoes and clothing you are wearing.
The world is indeed f'd up.
How ya like dat?
Let me give an example. I could send a letter to your ISP, and say 'We believe that a user at 92.43.23.134 is electronically distributing our copyrighted documents. We demand that you turn over their name and contact information, according to the terms of the DMCA.'
Or they could say "several people at all these addresses and all these times are suspected of..."
This essentially means there will be no legal check. See the fourth ammendment to the US Constitution: "The right of the people to be secure in their persons, houses, papers, and effects, against unreasonable searches and seizures, shall not be violated, and no warrants shall issue, but upon probable cause, supported by oath or affirmation, and particularly describing the place to be searched, and the persons or things to be seized. "
It has been fairly well established that obtaining records of that type are subject to 4th ammendment restrictions.
frob.
//TODO: Think of witty sig statement
As I see it the music industry has two models:
1) Physical ownership - i.e. you own the music CD
This is like buying a book - you decide what to do with the CD, lend it to your mates, play it in the car, your laptop whatever
2) Licensing - i.e. you buy a license to listen to an album, the CD is just a delivery medium
This is basically how most software is shipped.
But copy protecting CD's hurts the consumer in both ways.
If I own the CD outright then I'm entitled to my money back because you crippled it and it won't play in my laptop - the goods are faulty.
If I license the music then once I have the delivery medium I'm entitled to listen to the music anyway I want - but I can't because it won't play in my laptop.
Now try as I might I can't see another 'model' that the music industry can use.
Music wants to be made and the people involved must be compensated for thier skill and effort. I want to listen to a good range of music in a way that is convenient to me and I'm willing to provide that compensation.
I'm fed up of hearing that an album is deleated, or I can only get track X on this compilation. I want to listen to music that I've already heard or heard about and I'm willing to pay for it.
The challenge for the record industry is to build a buisness model on that, which sadly they show no inclination to do.
As one of my pasttimes I've run discos and compiled themed compilations for local pubs - all legal uses of downloaded MP3s as all the venues have paid thier PPL fees (This is in the UK) and yet I now can't find the one offs, the deleted tracks, the special mixes that I could on Napster.
Treat consumers like criminals 24/7 and they will start to act like criminals.
Bahh - sorry off topic a bit.
"no one forces an artist to do business with the RIAA. The artist hires the RIAA to market to their product. They are a partner in the process, not a slave, despite what a lot of people want you to believe."
Have you ever been in a band? I'm in crappy, but fun, bands who aren't going to get major label interest. But I know what's going on around me.
In order to sign to a major label, you sign away your soul. Large labels sell 80% of music, they pay out 8-15% of profits (minus advances), and they usually own your music. If your band fails, they try to collect money from you. Small labels treat you much better, but you don't go as far.
riding round the world on an old motorcycle