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Instant Concert CDs?

NickRipley writes "Clear Channel (owner of every radio station in America) is purporting to offer a new service, whereby concertgoers can receive an official recording of the concert they just attended, within moments after the final note. How will the RIAA react to this, seeing as this is legitimizing one of the oldest forms of music pirating? Also, what kind of equipment will have to be used to produce these so fast? Will the recording process suffer due to the hurry?"

8 of 682 comments (clear)

  1. Clear Channel by Znonymous+Coward · · Score: 3, Insightful

    is not a radio station company... They are an advertising company that happens to own every radio station in America. It's a shame.

    --

    Karma: The shiznight, mostly because I am the Drizzle.

  2. Technology gives - and technology takes away by mickwd · · Score: 5, Insightful

    It's only thanks to technology that there is a "recording" industry in the first place. Before performances could be recorded, musicians had to make money through performing their works. Technology, and the ability to record music, created the recording industry.

    Is it too surprising, then, if technology might take it away again ?

    In my personal opinion, music is about many things.......creation, art, emotion, enjoyment, life. If there is one word which doesn't belong next to the word "music", it's the word "business".

    1. Re:Technology gives - and technology takes away by ackthpt · · Score: 3, Insightful
      Is it too surprising, then, if technology might take it away again ?

      I don't see how the technology would take it away. On the contrary, this is a serious threat to the goons who make up the RIAA, as it does two good things:

      Artists get paid for their work, directly, bypassing the RIAA hands. Particularly a good thing for bands who don't want to sign bloodsucking contracts and already have established a following.

      Fans get live recordings of the show they went to. Man, how many times have I attended a show and thought, "Gosh, I sure liked they way they played x, but their 'live' mixed album in the store isn't anywhere like that. I would pay $$ to get this show on CD)

      The only way I could see this being any kind of victory for the RIAA goons is if artists sign a contract which requires their concert proceeds go from the promoter to the RIAA goons and what few cents are left come back to them.

      As always, advice to musicians, get your own lawyer to explain terms of a contract to you before signing.

      --

      A feeling of having made the same mistake before: Deja Foobar
  3. This is not piracy by afidel · · Score: 5, Insightful

    This is the instant selling of a live album. Recording a live concert was never piracy as long as you got permission (ignoring that the band may not have the proper rights to the songs, those might belong to the label or songwriter)

    --
    There are 4 boxes to use in the defense of liberty: soap, ballot, jury, ammo. Use in that order. Starting now.
  4. Note the word official by MyNameIsFred · · Score: 4, Insightful
    How will the RIAA react to this, seeing as this is legitimizing one of the oldest forms of music pirating?
    Note the word "official," as long as the Clear Channel concert contracts have this stipulated as an option, it will not be an issue. Heck, RIAA will probably like it because now they can get a cut unlike the unofficial bootlegs. I also note this is not the first mention of this. I can't find the press release now, but another group recently mentioned that concert goers would be given access to a website to download mp3s of the concert. Within a couple of weeks of the concert they would receive a professional CD of the concert.
  5. Doesn't take anything special by jarrell · · Score: 3, Insightful

    All you need is a huge rack of cd-duplicator machines... You can buy boxes that you just drop the cd into the top, and a stack of 5, 10, even 20 drives immediately clone the disk. I've even seen some that clone the disk, then drop it into a disk printer. Since concerts generally have the same order, you predo the jewel case inserts, and pre silk-screen the blanks. Record off the mixing board onto a digital source, and immediately burn to a master cd, and drop that into the first duplicator. Then burn another, and drop that into the next duplicator. If you bring a truck to the concert with all that stuff pre-racked and powered, you could easily start churning out a couple of hundred cds every 15 minutes or so.

  6. This will work by puppetluva · · Score: 4, Insightful

    I did a consulting gig with ClearChannel a few years ago and a fellow consultant suggested this to them then. There are many reasons this is a good idea:

    1) Artists own their own performances. This is the reason why Record Labels don't really make money off of concerts. It is up to them and their artist representation as to what they do with their recordings of them.
    2) CDs distributed at street-level and concerts are an effective form of promotion - one that is very effective. . . The Wu-Tang Clan and The Grateful Dead know this cold and they did great even though they NEVER got airplay. (CCU is diluting their radio prowess a bit here - but don't thell them that).
    3) Music has a great "hook" into your memory. How many times have you heard a piece of music and it reminded you of some past situation when you heard it? How great would it be to have the EXACT rendition of that concert and the good time your friends had? Bill Graham (the famous San Fran concert promoter) both understood this and encouraged it.
    4) If you love a band (say RadioHead), and you go to more than one of their concerts (say MSG and Philly Spectrum), wouldn't you like to buy them both if they were unique experiences? How about a digital season's pass (over the web) to ALL of their concerts? (with video). Would you pay the equivalent of a box-set to have that kind of access? I would. . . most people would for their favorite band (if they have the coin).

    The sky is the limit with these opportunities and there isn't much that the RIAA can do about it. This is the kind of liberation tha technology makes possible. . . There is more value because there is more PRODUCT. There is more product, because there is more access to the ARTIST. Let's hope this catches on before the Label's start asking for exclusive rights to concerts and concert-proceeds.

  7. Re:Given that live music is the best music... by derF024 · · Score: 4, Insightful

    e-mail tela@livephish.com. they respond to all messages within 48 hours.

    i emailed them about this almost 3 weeks ago and haven't gotten anything back about it at all. i use the site exclusivley under linux and i've bought 2 shows from them in the past. i refuse to buy anything from them as long as that notice is up. (and i really do want to buy some of the newer shows)