Slashdot Mirror

← Back to Stories (view on slashdot.org)

Music Industry's Future Foretold in China?

Posted by michael on from the magic-eight-ball-says dept.

sapphire writes "An article today in the International Herald Tribune provides a look at music piracy from the point-of-view of pop stars in China. China is a country forced to deal with the reality of unchecked piracy of digital media products. Will their experience lead to new business models for the world-wide recording industry?"

4 of 380 comments (clear)

  1. In Communist China... by Anonymous Coward · · Score: 5, Funny

    You pirate music!

    Which means that

    In Capitalist America

    Music pirates you!

    Calling Hillary Rosen and the RIAA, we've cracked your code...

  2. Excellent by Timesprout · · Score: 5, Funny

    Pop stars learn to live with pirates
    The sooner we can get some of our 'pop stars' off shore onto pirate ships the better. May I reccomend the vicinity around Bermuda as a suitable anchorage.

    --
    Do not try to read the dupe, thats impossible. Instead, only try to realize the truth
    What truth?
    There is no dupe
  3. talent? by ergonal · · Score: 5, Funny
    'Our survival strategy required switching to a talent-management business model,'' said Zorro Xu, managing director in China for Warner Music. ''As piracy increases in other countries, this is what record companies elsewhere may have to try.''

    Talent-management? You mean, for an artist in China to actually be successful, they have to have some form of TALENT?! Yes, I DO hope other record companies elsewhere try this, yes indeed!

  4. Article summary and comparison to US system by yo303 · · Score: 5, Funny
    According to the article, the pirates in China
    • keep all of the money and give none to the artist
    • have an efficient distribution system, but one that does not promote enough new talent
    • make it so that the musicians have to make most of their money by concerts and commercial sponsorships.
    This is clearly not fair. In the United States, artists are protected by the member companies of the RIAA, who
    • keep all of the money and give none to the artist
    • have an efficient distribution system, but one that does not promote enough new talent
    • make it so that the musicians have to make most of their money by concerts and commercial sponsorships.

    yo.