Slashdot Mirror


Comics On The Net - A Business Primer

Snotty Pippen writes "There's a new article/report/white paper called Comics on the Internet: A Primer in 7 Parts that's showing up in all the right places. It's currently being cited over at Heath Row's Media Diet and The Comics Journal's Journalista blog. Media Diet says thinks it's the first report of its kind. The Comics Journal says it's how to migrate comic books from print to web and make it work. I think it's a somewhat comprehensive overview, and the bit about print-on-demand comics is interesting."

2 of 176 comments (clear)

  1. Question... by MMaestro · · Score: 5, Insightful

    If a comic was, presumably, successful to become a comic book in the first place, why would it turn into a web comic later on? Usually its the other way around, web comics doing well and then making the slow change to real life comic. Unless the real life comic wasn't making a profit, different area of discussion, then I can't see the logic of making a move like this.

  2. Re:Rule 1: Be Funny by Thatmushroom · · Score: 5, Insightful

    OK, you're trolling, but I'm going to bite.

    Your rule is absolute, utter crap. I hardly thing that Krazy Kat is funny, or that Maus should be funny. One Over Zero, for the digital world, had a few chuckles now and then, but I didn't read it daily because I loved how utterly hilarious it was. Comics can be more important than a laugh. Krazy Kat was a poetic comic, and is widely regarded as the best newspaper strip of the 20th century. Maus told the story of the Holocaust in way that was both accessable and mature. One Over Zero had a very enjoyable take on religion.

    Being funny is hardly an all-encompassing goal, and what you might find stale others will enjoy immensely. If you don't like it, don't read it.

    --
    You zap the moderators with a wand of humor! The moderators resist!