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EFF Ad Campaign On File Swapping

miladus writes "The Electronic Frontier Foundation is launching an ad campaign to counter the RIAA's lawsuits about file swapping. There are more details available at the File Sharing: It's Music To Our Ears subsite." The press release kicking off this campaign says that "EFF's Let the Music Play campaign provides alternatives to the RIAA's litigation barrage, details EFF's efforts to defend peer-to-peer file sharing, and makes it easy for individuals to write members of Congress."

32 of 501 comments (clear)

  1. The best shot we've got... by netolder · · Score: 5, Insightful

    The RIAA/MPAA know how to manage our lawmakers - through their lobbying and campaign contributions. EFF's attempt to mobilize the voters is really the only chance we have against that kind of influence.

  2. Ho yes by Realistic_Dragon · · Score: 5, Interesting

    Our work newsgroups went into a panic when the RIAA announced that they were going to be sueing people.

    Amusingly it took them about 30 seconds to get around to Freenet and how it might be worth investigating it.

    Evil contains the seeds of it's own destruction as they say - being over zelous with a bunch of basically honest people who like to share some music yet still buy lots has foced them onto a more efficient, totally untraceable (or rather plausibly deniable) network. It's certainly not pushed them towards legal services.

    --
    Beep beep.
  3. Complications by El+Pollo+Loco · · Score: 5, Insightful

    I like the Ad .
    It's simple, and to the point. However the site with more information is waaaaay too complicated for most people. I've been trying in recent times to explain to people why I stopped buying cd's. Why the RIAA suing for 98 billion dollars is recockulus. But people in general don't understand. And this site is too complicated. People will read it, say wtf is "compulsory licensing" and go back to downloading porn. What we need is a good site with the whole idea explained simply. That would be excellent.

  4. In a democracy... by Atario · · Score: 5, Insightful

    ...it does.

    --
    "A great democracy must be progressive or it will soon cease to be a great democracy." --Theodore Roosevelt
  5. Proper Focus by Duncan3 · · Score: 5, Insightful

    It's good to see that the EFF is focusing on getting them to create a way to pay people, rather then the usual P2P chant of making the theft legal.

    Apple has it right, people will pay if there is a way to do so, otherwise they WILL just steal stuff.

    --
    - Adam L. Beberg - The Cosm Project - http://www.mithral.com/
  6. Bzzt...Wrong by Auckerman · · Score: 4, Interesting

    "The problem is that there is no adequate system in place that allows music lovers access to their favorite music while compensating artists and copyright holders."

    I'm gonna go out on a limb here and say this is flat our wrong. There are SEVERAL music services that allow one to download music, burn it to CD, carry it on portable players, and the like. I use two, emusic and iTunes (which appearantly is going to be available for Windows this year).

    I get the feeling, that music "sharing" people are only interested in a service if it costs NOTHING. If that is the case there will NEVER be a way to pay artists, since noone wants to pay. Get of your ass, quit downloading music you didn't pay for, and quit bitching.

    --

    Burn Hollywood Burn
    1. Re:Bzzt...Wrong by MagikSlinger · · Score: 4, Insightful
      I use two, emusic and iTunes (which appearantly is going to be available for Windows this year).

      And when did these services go on-line? You have heard the president of Sony music saying the success of iTunes woke the industry up, making them realise they could make money this way?

      The problem has been, and always has been, the record labels refusing to give the customer what they wanted: diversity, choice and fair pricing. If you want to hear the songs of a new artist not on the Top 40 or Clear Channel's Can-Play list, or just listen to the back catalog of a New Wave 80s group, you basically had no option other than piracy and P2P. Internet Radio stations were few and far between, and their diversity was limited (for reasons we all know and love). The demand was there, but the RIAA just didn't want to give their customers what they wanted.

      That, my good sir, is why P2P exists. It stepped up to fill a void by music buyers to try and discover before they buy. The idea that "sharing" people won't buy has been debunked so many times, it's not even worth my time to look up the links for you. You are defend ing the RIAA's stupidity and avarice. Their arguments don't hold water anymore, and it's time to find a new whine other than "theives and freeloaders!"

      --
      The bitter lessons of a veteran coder: http://bitterprogrammer.blogspot.com
  7. EFF wants alternatives to the current system by Traa · · Score: 5, Insightful

    For those of you who do not feel the need to RTFA, and might easily take the slashdot story the wrong way, here is the important part of what the EFF is after (Paragraph 2 on the the EFF site):

    The problem is that there is no adequate system in place that allows music lovers access to their favorite music while compensating artists and copyright holders.

    This is quite different from the 'illegal-file-sharing-rules!! the RIAA-sucks!!' idea I got from the slashdot story. I very much agree and support the EFF in this effort. Give the artists what they deserve, give me what I want and stop artificially inflating the music prices.

  8. Re:There is no short term solution by Soko · · Score: 4, Insightful

    Remember this quote?

    "How do you eat an elephant?

    One bite at a time."

    (Aside: If someone could please attibute this properly, I'd be grateful)

    IOW, we have to start sometime even if it does take 20 years, and now is as good as any to get change underway.

    Soko

    --
    "Depression is merely anger without enthusiasm." - Anonymous
  9. can we just automod these "theft" posts down? by Thinkit3 · · Score: 5, Insightful

    Copyright violation!=stealing. Damn some people are dense. Is it nice not needing hammers around?

    --
    -Libertarian secular transhumanist
    1. Re:can we just automod these "theft" posts down? by prockcore · · Score: 5, Funny

      Only if we get to mod the "copyright violation != stealing" posts down at the same time. Honestly, you guys sound like a broken record.

      Man, I wish that copyright violation == stealing!

      I could just see the news now:

      It was revealed today that a pirate has stolen every N'Sync song ever made. It appears that he downloaded every song thousands of times, and then, to everyone's horror, deleted them. "It's hard to believe that all that music is gone forever" cried one fan.

  10. Also on their agenda... by Peterus7 · · Score: 5, Funny
    Kidnapping maidens (Hilary Rosen), plundering,(Well, stealing songs off CDs), killing,(Well, hacking the RIAA's website), sailing,(the net) and getting drunk.

    It's about time Pirates started acting like them.

  11. Re:Names? by sisukapalli1 · · Score: 4, Funny
    Did anyone else notice that the EFF Executive Director, the person who is trying to encourage file sharing, is named Shari Steele? I cannot think of a a better name for a person defending sharing, Except Mr. P. Too Pee, that is.

    Unfortunately, there is also a Steele attached to the name, providing enough ammunition to the *AA. S

  12. Re:That's because... by Hatta · · Score: 5, Interesting
    In fact, that's how our representative republic works. At least, millions of people doing activity X tends to make it legal.

    Hasn't worked for the millions of pot smokers being persecuted in the name of the children.
    --
    Give me Classic Slashdot or give me death!
  13. Solution to P2P poisoning by MadCow42 · · Score: 4, Interesting

    Current P2P systems are being hampered by deliberately corrupted files, as well as music companies joining the network to get evidence against users.

    Solution:

    1) create new protocol for P2P sharing
    2) patent that protocol (in as many countries as possible, or at least all those that the xxAA operates in), ideally giving the patent rights to somebody like EFF
    3) release code/client with a patent license that prohibits the behavior above

    If the RIAA/MPAA/xxAA violate the patent, charge them with DMCA or patent violations.

    Just a thought... the DMCA can work both ways, you know.

    MadCow.

    --
    I used to have a sig, but I set it free and it never came back.
  14. Re:Unauthorized copying is like... by default+luser · · Score: 4, Insightful

    Bad reference. Copyright violation ( in truth ) would be playing a ROM you do not own using MAME.

    Your reference is flawed because the arcade machine is OWNED by somebody, and if an arcade machine is on free play that's their problem.

    Either they're being very generous, or they realize what you're doing and kick your ass out on the street.

    In truth, electronic music/movie distribution HAS NO COLLARY because it is a system that has no personal enforcement, and thus encourages people to take advantage of the system.

    You cannot easily go into a record store and walk out with an album, it's very likely you will be caught by the owner. But you can go online and download the album and burn it, with little likelyhood of prosecution.

    Direct supervision keeps theives in check, and keeps honest folks honest. Indirect supervision is a field-day for theives, and tempts honest people.

    WHY IS EVERYONE SO SURPRISED AT THIS? Just look at the percentages of people who violate speed limits whn nobody's looking versus the number of people who violate speed limits WHEN COPS ARE SPEED TRAPPING, and you'll see similar numbers.

    I thought it was well understood by companies, after 20 years of trying to MAKE COPY PROTECTION WORK. If there's a link in the chain you cannot supervise personally, somebody is going to break it.

    --

    Man is the animal that laughs.
    And occasionally whores for Karma.

  15. Re:That's because... by deadsaijinx* · · Score: 4, Insightful

    Unfortunately, a lot of powers at be have tried to enforce Morality. Take prohibition for an example, it's a law that NEVER should have passed because it was religious zealots trying to enforce their morals. And when you really think about it, many laws are based on morals, loosely or strictly. Patent law is an example. It wouldn't be right to let people steal my work, so I use the law to protect it. How about the ammendments? It wouldn't be right for us to force our beleifs on other people, so we have freedom of religion. (Did you know G. W. Bush actually had a Jesus day when he was a player in Texas? scary stuff).

    Thomas Thoreau beleived as you did, in an expedient Gov't. However, the gov't we have today tries to enforce it's own morals onto other people.

    --
    YOU SUCK BALLS!
  16. It's a democracy... so... by Realistic_Dragon · · Score: 4, Insightful

    In a democracy the public should have a right to determine what is publicly acceptable and legal and what is not. Certainly where somewhat in excess of 50% of internet users are trading copyright files (and yes, I do know that it's an unrepresentative sample of the population) and no person has a qualm about swapping some CDs with friends (Can I borrow that CD? no, it's copyrighted. Ha, as if.) the law is probably outdated and should be reconsidered.

    If the EFF can mobilise popular support to legalise file sharing, at least on a limited level (so keep it illegal, say, for commercial pirates or profit making entities to copy music), then I would be all for it. You opinion might be different, which is why I hope that more voters agree with me ;o)

    --
    Beep beep.
  17. The problem with emusic and iTunes by geekwench · · Score: 4, Insightful
    Both services are fairly new, and neither offer much if anything (at least that I've been able to find) in the way of the indie / alternative stuff that comprises a good 75% of my music library. Now if you want the latest BritTinaKira clone, FillInTheBlank Boys band, or long established musician / group with huge fan base and equal clout, you're good to go. For the up-and-coming, however, there's not much that will allow you to hear before you buy, unless they get tapped to provide a song for a car commercial. (One big exception being MP3.com Of course, you'll have to wade through a lot of chaff to find the wheat, but you always do.)

    My point is that file-sharing and file-swapping serve a legitimate purpose. The RIAA would serve the interest of its affiliated artists far better by finding a way to legitimize file-swapping as a form of promotion, instead of trying to nail Kazaa users for offering a years out of press Bowie live club track for download. The genie is out of the bottle, and there's no getting him back in. But he can be harnessed and put to work in a positive way. The RIAA needs to rethink its business dynamic in a big way. Online music libraries for legal download can only help matters in the long run.

    --
    Doing my level best to piss off the religious right wing...
  18. Copyright & Sentience by whig · · Score: 4, Funny

    The network will become fully sentient soon.

    All the indications are clear. Within 10 years time, the consciousness of the people comprising the communications of the planet are combining into a common intelligence.

    It is not only predictable, it is now inevitable. Just as Moore's Law predicts the doubling of circuit density every 18 months, the doubling of communications links proceeds at a geometric rate.

    Copyright will fall to the network. The intelligence of the network is directly proportionate to the number of unique voices to which any individual may hear at any time. Copyright imposes a cost to hear each voice, as this cost reduces to zero, the entirety of the connected human population will hear one another, at will.

    When this happens, a new Renaissance will flourish. Art will be promoted on quality, not on its profitability to the distributors. For if distribution costs nothing, there is no incentive to promote the latest Britney Spears album to the masses of people who do not know any better.

    When you can hear anything, you will want to hear the best music you can find. Friends will recommend to you what they enjoy, and you will be able to listen at once and form your own opinions.

    Artists will prosper under the new system. People will gladly pay people to produce quality, to perform, to entertain and enlighten them. And without the middleman distributors, 100% of the money going to such things will enrich the artist.

    This is the new world, it will be here soon.

    --
    Peace and love, y'all
  19. Troll, troll, troll by Hatta · · Score: 5, Informative

    Stealing is a crime, you can go to jail for it.

    Copyright violation is a tort, you can be sued for it.

    There is a difference.

    --
    Give me Classic Slashdot or give me death!
  20. Computers = Entertainment Devices by lurid980 · · Score: 5, Insightful

    This is the age of information, the age of technology. Anyone can get a computer, and a nice one too, on a months salary or less. It is very common to find multiple machines in a single household. With broadband you're seeing even more online and online often. The computer has now been put right up there with the television as an entertainment device. As more and more people adopt this mindset, more and more people are going to be using this so-called 'entertainment device' for, wait for it.. wait for it.. Ah! Entertainment! Music is one of the most basic forms of entertainment there is. And if people are looking towards computers to provide that, the RIAA needs to adapt to that demand of the market. Thus far, no one has responded well except Apple, but I'll get to them in a minute.

    When I was sent my first MP3 on IRC back in '96 I thought it was pretty cool. No longer did I need 10 meg .wav files for a few seconds of audio. Granted MP3s were several megs for a full song, but this was much better than 50 megs for the same .wav file. I knew then, when I found myself 'collecting', that this was going to be a problem.

    In any case, the word about MP3 spread like wildfire amoungst people 'in the know' and FTPs were set up all across the 'net housing files. This was a some what underground thing until Napster showed up. Once again, proving that the more you yell about somethig, the more popular it gets, Metallica single handedly made MP3 a household name.

    By now, the idea of getting music online was so entrenched in everyones minds, the thought of not being able to play music on your computer became an almost alien concept. In my opinion this is where the RIAA, if they were sensitive to consumer opinion, could have stepped in and made a killing. As of now, they're only alieniating potential customers. As was said on Slashdot:

    "I don't get it! I've threatened them, sued them, and they still won't buy my products!"

    Apple has the right idea. They're selling single songs. Not only have they made a few million so far from this, but its proving that people _will_ buy music online. Why? Because the computer is now an entertainment device. There has been some opposition to this by people like Linken Park (do people really listen to this crap?) and Jewel (who openly admitted to downloading music a few years ago). Basically they say that their work is art and should be taken as a whole. But lets look at that.

    You make a CD that kicks ass in every way possible, every track has you giving 100%, every second is thought out and wonderful (like say, Tool ). And then say you're some corperate crap band that makes _one_ good song. You'll both make the same money on CD sales because the prices are all the same. I think this is bad. If you put your blood, sweat and tears into a full 10 tracks, people will download them all, paying you for every ouce of effort you put forth. If you make _one_ good song, you make money off that one good song and thats _it_. This model that Apple has created is the best system of 'natural selection' amoungst artists I've come across. Personally I'm all for it.

    The RIAA needs to wake up. While, yes, its technically illegal to have music you didn't pay for, p2p by way of IRC and FTPs have been around since the early 90s. This isn't going to stop, even if every p2p network is shutdown perminatly. The _reason_ its not going to stop is because people have changed what they use computers for. As I said, they are now as much of an _entertainment_ device as a television. If the RIAA had responded at the time, or even takes Apples current model, people would not be downloading illegal music. I feel that as long as the RIAA uses these strongarm tactics against the very people that provide them with a living, people are going to pirate music.

  21. Newsflash!! Collective punishment is wrong. by pair-a-noyd · · Score: 5, Insightful

    I'm not going to pay "leives" or taxes or any other form of "presumed guilty" tax.

    If they stick a P2P theft tax on my cable modem bill, I won't pay it.
    If they stick a tax on blank media, I'll just order it from overseas.

    I don't download music, movies or software illegally (or at all), as SCO, RIAA and MPAA would have you believe and I will not pay for the actions of others in a collective punishment manner such as they propose.

    That's just as wrong as saying that because a *few* bad people used guns to kill someone that everyone that owns a gun is a bad person and a killer..

    Wrong answer, collective punishment is wrong.

  22. Re:That's because... by Master+Bait · · Score: 4, Interesting
    Sad to say, this EFF ad campaign is weak in comparison to what potential they COULD have. What's worked for right-wing groups such as the Christian Coalition and the NRA is to target a marginally-held Congressional seat of one of their opposers. They pour money and 'grass-roots' footwork and work to defeat their opponent.

    EFF should be putting in efforts to target one of the RIAA's lapdogs which is running against someone who supports the EFF's efforts. Just one Congress-critter being defeated with the efforts of the EFF would cause many, many more members of Congress to do more of the EFF's bidding. And that's what we want.

    Letter writing campaigns like the EFF proposes right now is wasted baggage. Congress critters don't c are about letters, they care about getting reelected.

    --
    "Only in their dreams can men truly be free 'twas always thus, and always thus will be."
    --Tom Schulman
  23. I hope they get somewhere... by Bralkein · · Score: 4, Interesting

    I admit that I use P2P apps a lot, to download music without paying. But at the same time I own quite a lot of CDs. And you know what? A lot of the time those CDs have been bought as a direct result of downloading music!

    For me, P2P is a great way for me to listen to new bands that I discover. If I like them, I buy the CD because frankly I feel guilty not paying for the music, and also the mp3s people share tend to have been ripped from a gouged CD, using some 3rd-rate software to encode it at 128kb/s CBR.

    It is the same for most of my friends. Many of them seem to agree P2P is only necessary because the current distribution methods seem to be an anachronism. I would rather pay for a service whereby maybe I can stream a couple of songs from an album to see if I like them, then pay to download them. Yes, I know there are services like iTunes and emusic, but these services have their own problems, like regional issues (I live in the UK, so this causes problems with different labels having distribution rights and such) and hardware (I believe iTunes is still only available for Mac, although perhaps I read about PC support in the future perhaps? I forget).

    So, basically I am in support of this campaign and I truly hope that they expedite the implementation of a more modern and more useful system for acquiring music. However, I have my doubts- sometimes I think that the large record companies feel such a great need to control peoples musical tastes that they might fear that the greater freedom that an electronic system could provide would cause them to lose control of being able to force certain bands down peoples throats as "the next big thing"... ...but I hope not :)

  24. Keep this in mind when flaming off on this issue by gillrock · · Score: 4, Interesting

    We're talking about industries like the RIAA and the MPAA which operate under a specific business model. This business model has been in place for at least the past 50 years. Along comes a concept of the Internet and file swapping which is forcing these industries to rethink their business model.

    The problem is...they won't change their model. People are very frightened of change, and the Entertainment industry has evolved from lots of smaller labels and movie makers that were interested in putting out good product to these HUGE MEDIA JUGGERNAUTS that are only interested in the almighty dollar/franc/pound/etc...

    If you can get them to change the business model and prove it works (Gee, didn't Apple just do that?), they'll come along for the ride. Until then, they'll continue to think we're all crooks.

    Music and movies are no longer art and entertainment, it's part of Corporate big business now.

    Nuff said.

    --
    "...the shortest distance between two points may be straight line, but it is by no means the most interesting."
  25. The RIAA made this a problem by Penguinshit · · Score: 4, Interesting

    The MPAA/RIAA had a chance years ago to work *with* this wonderful new decentralized distribution system which obviously had consumer appeal. The rewards would have been enormous for corporation and consumer alike.

    However, threatened by a new distribution method which would (necessarily) erode their absolute control over unit pricing, artist contracts, and royalty payments, they chose the ignorant and paranoid method of attempting to hold water in their fists merely by gripping tighter.

    Instead of meekly returning to their easily-predictable demographic marketing boxes as demanded by the Media Masters, many consumers chose instead to exercise this new-found freedom. An economic downturn decimated the disposable income of hundreds of millions who could no longer afford to gamble on whether the contents of a CD matched the quality of the lone song pushed in heavy rotation by related radio stations across the country.

    In a further effort to reign in the unmanaged masses, the RIAA/MPAA turned to ridiculous claims of speculative "loss of potential income" and outrageous lawsuits which only served to alienate higher numbers of consumers. Some who were merely curious grew bolder and some who like to sample prior to purchase became dedicated pirates. Too late, some industry entities released anemic and over-priced "services" that were mere shadows of the technology embraced and demanded by the consumers.

    So now we have artists denied the ability to manage their own work (ie when Sony denied The Offspring the right to release their upcoming album via MP3), multi-million dollar lawsuits against private individuals, and blatantly illegal activities (release of virii into the wild, attempts to hack into suspected "offenders'" systems). The hypocrisy and greed of the corporations becomes more evident with every action and every press release.

    The RIAA/MPAA made this a problem. They have only themselves to blame.

  26. The "how-will-the-artist-get-paid" fallacy by no_choice · · Score: 4, Insightful

    Every time the file sharing issue comes up, some people bring out this old saw. Reality: under the current system, with the exception of a miniscule percentage of "stars," e.g. Britany Spears, musicians get nothing, or virtually nothing, from CD sales. The onerous contracts that the monopolistic recording industry imposes on artists ensures this.

    Humans were making music long before the concept of "intelectual property" existed... and we will be making music long after the concept of "copyright" is a distant memory.

    Artists have always found a way to make enough money to survive and to create, struggle though they may. The current system of granting special monopoly rights to the copyright "owners" benefits only RIAA excecutives, politicians, and a few mostly mediocre "stars." It harms the rest of us by forcing us to give up our freedoms to shore up a system that benefits only the few and is doomed to soon collapse.

  27. Re:copyright was always broken by FireAtWill · · Score: 5, Interesting

    Copyright laws are fine. They make the GPL possible fer chrissakes.

    If I write a song and don't want anyone to hear it, that should be my right. If I want to charge $100 per listen, fine. If I want to place it in the public domain, I can do so. I could even GPL it.

    No. The problem is not with copyright law, it's with a bureaucratic elimination of competition. IMHO, it's insane that anyone should be demanding distribution methods that the free market can easily provide, as the argument goes, because it would be so damn popular.

    But what I've recently realized is that the whole take on the issue is rather short sighted.

    Ask yourself what the real problem is. Most will probably say 'I can't make copies of my music for my own use'. Or, 'I can't preview music for free'.

    With regards to the former point, people in computer science must recognize that duplication of data (except for Backup/QOS purposes) is an evil thing. How much time, effort and storage media is wasted by storing a song in a gazillion places - by a gazillion people?

    If any network administrator discovered that the file containing the company's phone directory was stored locally on 400 machines, he'd have a fit.

    Much better is to have it stored in a central location where anyone can access it at any time. And, it can be backed up/mirrored to make sure it's always accessible.

    So the solution is central storage. Streaming audio is very do-able over broadband today. Wireless shouldn't be too awfully far behind. Your current system with CD rack/jukeboxes and/or multi-gigabyte MP3 storage can devolve into a wired/wireless receiver that will be served whatever you wish.

    You'll be able to create your own playlists in many different ways. In short, you'll be the programming director of your very own set of radio stations - each of which, you can select at will.

    Yeah, it will cost something. In most cases it will mean (nicely targeted) commercials inserted by the servers. But it would be a trivial thing to allow/encourage commercial free programming for a monthly fee.

    And the artists would get a micro-cent every time their song is selected. Seems fair. 'Course if the had a problem with this, the could release their songs (or just a demo song) as 'zero-credit'. In other words, no charge. And the end-user could select these exclusively.

    I know that there are a lot of system administrators out there that actually like to manage data. I just want it to be there when I want it. All of it.

  28. 60 million people vs the RIAA. by HanzoSan · · Score: 4, Insightful



    Should 60 million people go to jail just so the RIAA can stay in business? I dont think so.

    The law must be changed because the people want it changed. Thats how democracy works.

    --
    If you use Linux, please help development of Autopac
  29. RIAA can lobby; EFF can't by yerricde · · Score: 4, Insightful

    However, RIAA can do things that EFF can never do. RIAA is a political action committee and can give money to congressional election campaigns; EFF is a 501(c)(3) charity and cannot.

    What EFF needs to do here is follow the example of NORML: set up a parallel organization with separate accounting, except make it a PAC instead of a charity. NORML routes lobbying through the PAC and advertising through the charity. Donations to NORML Foundation are tax-deductible; donations to NORML PAC aren't.

    --
    Will I retire or break 10K?
  30. Simple Solution -- Maybe Too Simple by serutan · · Score: 4, Insightful

    The intent to compensate artists and copyright holders may be a good one, but like almost every argument over the music sharing issue it assumes that the 20th century profit model established by the music copy making industry should be perpetuated. This isn't necessarily true.

    Before recording technology, musicians made money only by performing. Recording technology could have changed that but it didn't. Because record companies were in a position to dictate how the system would work, they set it up to give themselves all the profits. Standard ecording contracts are written such that all the expenses of producing and distributing a record are paid out of the musician's percentage, usually leaving zero. What musicians get out of a recording contract is exposure, which leads to them getting more and more lucrative gigs. They make a living by performing, just like in the days before records were invented. And that's the ones who have recording contracts. The vast majority of working musicians don't.

    File sharing gives musicians exposure just like record sales do, and they make the same amount of money from it. The people who might stand to lose something from file sharing are the copymakers, whose role in the system is becoming obsolete. It's not at all clear to me why an obsolete industry should be kept on life support, or why the replacement system should try to implement the mythical concept of musicians being compensated when copies of their work are distributed. It didn't use to work that way and it doesn't work that way now. Why should it suddenly be a priority?

    Let musicians benefit from the exposure afforded by file-sharing, the same way they have always benefited by the exposure from record sales, and they will continue to make money from live performances. Why can't we leave it at that???