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Cubism For CG And Movies
Aidtopia writes "Computer Graphics pioneer Andrew Glassner has a cool page on virtual cinema. The Matrix Reloaded introduced us to virtual cinema--re-rendering live action to show it in a way that would be difficult or impossible in real life. Glassner takes this much further by using unusual (and physically impossible) camera distortions, morphing multiple points of view simultaneously in single continuous image. Could this be the next big revolution in film? How long until we see a movie done like this?"
> I don't see where the submitter gets off claiming that
> MR introduced us to *any* new cinematic technique,
Then you didn't really look into it much, did you? The Matrix was one of the first practical uses of a reverse rendering technique.
In normal 3D graphics a scene is constructed out of triangles and textures are created to map onto those triangles. Once the scene is complete a virtual camera can be moved through it with ease.
MR took the opposite approach. They used stereoscopic cameras to generate a 3D model of the world out of photographs of it. They then used the photograph as the texture for this world. Now, you clearly noticed that the Neo and the Agent Smith's were fake in the Burly Brawl. Did you also notice that the buildings, the sky, the ground, the lamp post and every other part of the scene were fake?
They invented and used new rendering and modeling techniques as they went. They invented a suite of software tools to make such things much easier for future projects.
> except perhaps for the fight scene with 200 Agent Smiths
> and not only was that done poorly but the whole thing
> could have been avoided if only Neo had done another
> one of his Superman jumps. In other words, it was
> gratuitous.
I'm sorry, but have you ever seen an action movie before? They aren't very good when the protagonist avoids all conflict...
Justin Dubs