Re:Wait just a sec....
by
nelsonal
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· Score: 3, Informative
No the trick comes from shifting the cost of J-Lo and Ben's limo's wardrobe assistant and such on to a very successful movie, so the first time actor who signed for a percentage of the profits in exchange for a smaller up front payment. The trick is to know that no movie ever makes a profit, and that you want a small cut of gross not net.
-- Degaussing scares the bad magnetism out of the monitor and fills it with good karma.
Re:That byline 'speaker-for-the-dumb'...
by
vondo
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· Score: 4, Informative
or "dumb" as in those who don't speak. But maybe that is giving the editors too much credit.
Re:Wait a second... I didn't think this was true:
by
__aagmrb7289
·
· Score: 5, Informative
This is true. Read the rest - it is the fact that you keep a copy of the music while others also have a copy that violates the copyright. That's why it is "copy" right. Anyway, handing the CD over means you don't have it, right?
The vast majority of recording artists ...
by
burgburgburg
·
· Score: 3, Informative
make no money off of their recordings with labels (and never did, even pre-P2P). The record companies pay an "advance", then charge the artist for studio time, promotion, pressing, advertising, creation of videos, transportation, lawyers fees, etc. And of course, the artist has to pay back the advance. Recording is usually a debt trap.
The majority of those that make a profit at all do so from performances and direct sales to fans of merchandise. The more people they can get to the concerts, the better off they are. This is why artists make videos and lobby to get them in rotation. This is why they try to influence radio stations to add them to rotations. This is why they give away promotional copies to influential people (DJs, trendsetters, etc.) and to large crowds at events (at record stores, etc.) This is why they lobby (and pay) to have songs included in the soundtracks of video games. They believe that more people hearing their music will mean more people willing to pay to see them perform.
E-Books-- See Baen.com
by
Soulfader
·
· Score: 4, Informative
I don't know about OSC, but a lot of other sci-fi authors have clued in to the fact that exposure sells books.
The Baen Free Library offers a ton of books from sci-fi/fantasy publisher Baen Books for free in a variety of electronic formats. Baen has also been offering CD-ROMs in some of their hardcovers which contain more books not available on their website. The most recent of David Weber's Honor Harrington series, for example, contains the entire series in electronic format. Best of all, you can copy them and distribute them however you like--you just can't sell them.
Try searching for "honorverse disk" at Google and see what you get. Many people (myself included) put the CDs up on their web server for convenience.
It's hideously effective, incidentally. I've bought about 25 Baen paperbacks in the last two years, and several hardbacks--one of them just for the CD, though I rather enjoyed the book, too, as it turned out.
Re:Tech-saavy?
by
shadowcabbit
·
· Score: 3, Informative
Yep, Card is doing work for a Brute Force-like game called Advent Rising. GameFAQs lists it as supposeldy being released early next year. I'd read that Card isn't doing plot scripting so much as dialogue writing or something along those lines, but I'm not sure now. In any event, the game sounds good on paper-- I hope it plays well.
-- "Why Subscribe?" Good question...
Re:Wait a second... I didn't think this was true:
by
cpt+kangarooski
·
· Score: 5, Informative
CDs are a terrible example. I'll get into why in a minute. For now, let's use books.
Yes, if you got together with others and each bought different books and lent them to one another, you would not violate copyright laws. Let's look at precisely why this is so.
17 USC 106 states in short that only the copyright holder may distribute copies of his copyrighted work. This explicitly includes lending.
17 USC 501 tells us that to violate any of the exclusive rights of the copyright holder, such as those in 106 is to infringe.
Fortunately, you're saved by 17 USC 109, which carves out an exception to the broad 106 right to distribute, and permits people who lawfully acquire a copy of a work to resell, or lend it out as they see fit. Because 106 as modified by 109 no longer makes this activity exclusive to the copyright holder, it's not an infringement under 501.
So you can lend books. You can lend any copyrighted matter. At least, as long as it falls under 109!
Unfortunately, two special interest groups had strong enough lobbies to get exempted from 109. The music industry, and the software industry. The exemptions can be found in 109(b)(1)(A). (the general first sale provision itself is 109(a))
There is NO FIRST SALE RIGHT FOR SOUND RECORDINGS OR COMPUTER SOFTWARE insofar as 1) this only pertains to rental, lease or lending -- you can still sell this stuff used if you lawfully acquired it, 2) this only pertains to sound recordings, or computer software that is not embodied in hardware, or that is not intended for use on a limited purpose computer for game playing (i.e. console games), 3) there are some exceptions for libraries with regards to this, but most of us are not a real library.
So you actually would be infringing copyrights to lend a CD to a friend, provided that a court construes "lending" in the statute to be the same kind of lending, which on the face of it, seems to be inescapable.
Fortunately, if it's just between friends, you're unlikely to get _caught_, and if you're not caught, do you really care if it's illegal?
Now, you could further claim that lending it to a friend is a fair use, under 17 USC 107, but that requires an analysis of the SPECIFIC FACTS under the fair use test, a form of which is given in the section. Note that ALL PURPORTED FAIR USES MUST BE ANALYZED, NO EXCEPTIONS. The examples given in 107 aren't broad exceptions, they're examples of the kinds of uses Congress _imagined_ would probably suffice. News reporting has been held unfair before, for example, so don't take anything for granted.
So this is nonprofit (good), with non-factual works (bad), distributing the entire work (bad), with the effect on the market of making a sale less likely to the person who borrowed it since he can just borrow it (and perhaps make an unactionable infringement per 17 USC 1008 IF HE COMPLIES WITH THE STATUTE FULLY AS DEFINED IN 17 USC 1001 which no one ever reads) and not have to pay to enjoy it. OTOH it's rather de minimis since the lending circle is quite small, presumably.
I think it would be fair, but it's actually a borderline case given how the test works.
That's why the example using CDs is not very good.
On the whole, it pays to look through the copyright statute (17 USC) rather than listen to what a lot of the/. crowd has to say.
-- --
This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
*cough* http://dictionary.reference.com/search?q=dumb
LOAD "SIG",8,1
No the trick comes from shifting the cost of J-Lo and Ben's limo's wardrobe assistant and such on to a very successful movie, so the first time actor who signed for a percentage of the profits in exchange for a smaller up front payment. The trick is to know that no movie ever makes a profit, and that you want a small cut of gross not net.
Degaussing scares the bad magnetism out of the monitor and fills it with good karma.
or "dumb" as in those who don't speak. But maybe that is giving the editors too much credit.
This is true. Read the rest - it is the fact that you keep a copy of the music while others also have a copy that violates the copyright. That's why it is "copy" right. Anyway, handing the CD over means you don't have it, right?
The majority of those that make a profit at all do so from performances and direct sales to fans of merchandise. The more people they can get to the concerts, the better off they are. This is why artists make videos and lobby to get them in rotation. This is why they try to influence radio stations to add them to rotations. This is why they give away promotional copies to influential people (DJs, trendsetters, etc.) and to large crowds at events (at record stores, etc.) This is why they lobby (and pay) to have songs included in the soundtracks of video games. They believe that more people hearing their music will mean more people willing to pay to see them perform.
The Baen Free Library offers a ton of books from sci-fi/fantasy publisher Baen Books for free in a variety of electronic formats. Baen has also been offering CD-ROMs in some of their hardcovers which contain more books not available on their website. The most recent of David Weber's Honor Harrington series, for example, contains the entire series in electronic format. Best of all, you can copy them and distribute them however you like--you just can't sell them.
Try searching for "honorverse disk" at Google and see what you get. Many people (myself included) put the CDs up on their web server for convenience.
It's hideously effective, incidentally. I've bought about 25 Baen paperbacks in the last two years, and several hardbacks--one of them just for the CD, though I rather enjoyed the book, too, as it turned out.
Yep, Card is doing work for a Brute Force-like game called Advent Rising. GameFAQs lists it as supposeldy being released early next year. I'd read that Card isn't doing plot scripting so much as dialogue writing or something along those lines, but I'm not sure now. In any event, the game sounds good on paper-- I hope it plays well.
"Why Subscribe?" Good question...
CDs are a terrible example. I'll get into why in a minute. For now, let's use books.
/. crowd has to say.
Yes, if you got together with others and each bought different books and lent them to one another, you would not violate copyright laws. Let's look at precisely why this is so.
17 USC 106 states in short that only the copyright holder may distribute copies of his copyrighted work. This explicitly includes lending.
17 USC 501 tells us that to violate any of the exclusive rights of the copyright holder, such as those in 106 is to infringe.
Fortunately, you're saved by 17 USC 109, which carves out an exception to the broad 106 right to distribute, and permits people who lawfully acquire a copy of a work to resell, or lend it out as they see fit. Because 106 as modified by 109 no longer makes this activity exclusive to the copyright holder, it's not an infringement under 501.
So you can lend books. You can lend any copyrighted matter. At least, as long as it falls under 109!
Unfortunately, two special interest groups had strong enough lobbies to get exempted from 109. The music industry, and the software industry. The exemptions can be found in 109(b)(1)(A). (the general first sale provision itself is 109(a))
There is NO FIRST SALE RIGHT FOR SOUND RECORDINGS OR COMPUTER SOFTWARE insofar as 1) this only pertains to rental, lease or lending -- you can still sell this stuff used if you lawfully acquired it, 2) this only pertains to sound recordings, or computer software that is not embodied in hardware, or that is not intended for use on a limited purpose computer for game playing (i.e. console games), 3) there are some exceptions for libraries with regards to this, but most of us are not a real library.
So you actually would be infringing copyrights to lend a CD to a friend, provided that a court construes "lending" in the statute to be the same kind of lending, which on the face of it, seems to be inescapable.
Fortunately, if it's just between friends, you're unlikely to get _caught_, and if you're not caught, do you really care if it's illegal?
Now, you could further claim that lending it to a friend is a fair use, under 17 USC 107, but that requires an analysis of the SPECIFIC FACTS under the fair use test, a form of which is given in the section. Note that ALL PURPORTED FAIR USES MUST BE ANALYZED, NO EXCEPTIONS. The examples given in 107 aren't broad exceptions, they're examples of the kinds of uses Congress _imagined_ would probably suffice. News reporting has been held unfair before, for example, so don't take anything for granted.
So this is nonprofit (good), with non-factual works (bad), distributing the entire work (bad), with the effect on the market of making a sale less likely to the person who borrowed it since he can just borrow it (and perhaps make an unactionable infringement per 17 USC 1008 IF HE COMPLIES WITH THE STATUTE FULLY AS DEFINED IN 17 USC 1001 which no one ever reads) and not have to pay to enjoy it. OTOH it's rather de minimis since the lending circle is quite small, presumably.
I think it would be fair, but it's actually a borderline case given how the test works.
That's why the example using CDs is not very good.
On the whole, it pays to look through the copyright statute (17 USC) rather than listen to what a lot of the
-- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.