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Orson Scott Card on mp3 File Sharing

drjkt writes "Author Orson Scott Card gives his take on mp3 file swapping." Some artists are getting the idea.

11 of 544 comments (clear)

  1. About time by XeresRazor · · Score: 5, Insightful

    We need more legitimate copyright dependent artists (let's not argue artistic ability on this one) to hop onboard the bandwagon if anything's ever going to be changed about the copyright system. Good for Card.

    1. Re:About time by XeresRazor · · Score: 5, Insightful

      No, I want the copyright laws changed back to the way they were before the 100 year lifetimes and worst of all, corporations being able to own the copyright to a creative work. I'm all for a corporation being able to own a patent but copyrights should belong to the artists that create the work, never to the company that distributes it. If the corporations couldn't own the copyright the artists would be able to distribute the music any way they want, and in multiple ways (exclusivity contracts not withstanding). A given artist could distribute their music through a record company (who would take a percentage of the income to cover production costs and overhead and a small profit), and at the same time could distribute some or all of their tracks via the internet, or a service like mp3.com, the point being the artist would maintain control, someone wants to use their song in a movie? Fine, they license it from the musician who takes the whol cut from the film company instead of the record company who's put no effort into it taking a large chunk. I also think the record studios charging so much for production costs is ludicrous as well. I have a feeling (I'll have to do some research to be sure) that a decent production studio could be setup on open source software and mostly commodity hardware for about the same if not less than the record labels charge to record an album in their studios. (I'll admit some of the hardware might be a bit spendy, mics, mixing boards etc, which is why people set up a studio and rent out time, still cheaper than what the recording studios charge I'm sure).

    2. Re:About time by Illbay · · Score: 5, Insightful
      I've finally figured it out. It's rather simple, isn't it?

      We don't NEED publishers, record labels and their various executives anymore, do we? Self-publishing and self-recording is now simple and cheap to do. Digital downloading and print-on-demand have made it a snap.

      So when you have the critical mass of artists realize this, and refuse to play the game any more, this whole problem is going to go away.

      The CD isn't needed any longer, and print-on-demand publishers seem to do fine without requiring a large piece of the action.

      The only people left crying in their Smirnoffs will be the industry crooks represented by RIAA et al.

      --
      Any technology distinguishable from magic is insufficiently advanced.
  2. Re:Well, that settles it then by DrEldarion · · Score: 5, Insightful

    While I can see your point, it's a lot more helpful than you'd think. ANY famous person is helpful to the cause, whether they're in the music industry or not.

    Imagine if the cast of Friends spoke out against the RIAA - how many previously-uninformed people do you think would look into it more and take a stand?

    -- Dr. Eldarion --

  3. Article is +5 Insightful by herko_cl · · Score: 5, Insightful

    Having actually RTFA, I think his take on the problem is quite good. It's not like we haven't read this on Slashdot a thousand times before, but the real deal is that it's a known, mainstream author that's publishing this kind of thing.

    "In other words, the people complaining about all the internet "thieves" are, by any reasonable measure, rapacious profiteers who have been parasitically sucking the blood out of copyrights on other people's work. And I say this with the best will in the world. In fact, these companies have expenses. There are salaries to pay. Some of the salaries are earned. ".

    I like the way he puts it <grin>

    --
    No .sig for you! ONE YEAR!
  4. Re:e-books by vondo · · Score: 5, Insightful
    See his final arguments.

    Maybe you pirate one of his e-books and you like it enough to buy the print version for the "feel."

    Maybe you don't buy that one in print, but buy others either in paper or electronically because you like his writing.

    Or maybe you decide he sucks as an author and never read anything of his again.

    In any of these cases, what has he lost? Nothing. You weren't going to plop down $7 for his paperback anyhow.

    The only way he loses is if you decide he is a great author, so you pirate all his books.

  5. interesting about this whole issue by yajacuk · · Score: 5, Insightful

    What I find interesting about this whole issue with mp3's and the RIAA is that for years now, the RIAA and it's affiliates have contributed to the destruction of the morals in the US. By selling music that teach nothing more then violence, indiscriminate sex, and foul language. Now they come after their very consumers and ask them about their morals, amazing.
    When they were talking about child porn being found on Kazza, I wondered if they ever bothered to look at the Britney Spears video clips they were putting out.

  6. Not just a good author... by Xenius · · Score: 5, Insightful

    ...also a reasonably intelligent guy, unlike the Record execs.

    "The record companies swear that it's making a serious inroad on sales, and they can prove it. How? By showing that their sales are way down in the past few years."

    First off, anyone whose taken any intro psych class knows that the RIAA's data is bull. Hell, even those who haven't know it. All they are showing is correlational data. Whoopdie doo, cd sales are down while "piracy" is up. Watch me publish correlational data that shows quality of music is down and sales of cds are down. They haven't proven jack.

    "It couldn't possibly be because (a) most of us have already replaced all our old vinyl and cassettes, so all that windfall money is no longer flowing in, or (b) because the record companies have made some really lousy decisions as they tried to guess what we consumers would want to buy."

    Because Mr Card is publishing an article that will probably be viewed by many, he had to censor himself. What b) really means is that big record companies are trying to force-feed crap to the masses. How many boy-bands do we really need? How many no-talent implant laden morons do we really need singing "I'm not that innocent"?

    --
    - Xenius
  7. Re:RIAA by __aagmrb7289 · · Score: 5, Insightful

    The RIAA isn't a publisher, nor are they an editor, etc. They are a consortium of individual companies that have formed to protect their industry's "interests". If you want to restate this as something the companies themselves do, fine - I don't have enough information to argue. But please, this does NOT describe the RIAA.

  8. Re:Research by Decameron81 · · Score: 5, Insightful

    I don't know about "people" but I can surely tell you why I use kazaa.

    The problem is I'm not rich. I can't spend all that money on CDs. If I were to spend $15 each time I like a new song I would be quite poor by now. I DO buy CDs, just not as often as I would like to listen to the music I download. And this wasn't any different before napster, because to be honest, I didn't care about music before it. I never cared too much about listening to the radio or watching MTV, but I do care now about downloading random songs from the Internet to listen to them.

    The big music companies are just being silly. They should be offering online services with very low prices so that people can download the music they want, and they would get the money the desire so much. That, together with a simple and secure system for people to pay for the service, and I will be glad to switch to it.

    And they should stop claiming I am causing a loss in profit, because I simply don't have all the money they want from me.

    Decameron

    --
    diegoT
  9. Re:e-books by _avs_007 · · Score: 5, Insightful

    Yeah isn't it funny how all of the "great" Disney movies were nothing more than remakes of old stories, legends, etc that are in the public domain, and yet they are fighting tooth and nail to prevent their own works from ever going into the public domain?

    But thats a whole nother' thread...

    Anyways, I'm sure one could easily argue that sometimes people benafit from pirating. I'm sure if college kids didn't rampantly pirate MS Office and Windows, Microsoft wouldn't have the market share that it currently does, and these same kids wouldn't be "locked" into Office and other such software as adults.

    Heck, in college I had a cracked version of Warcraft II that I played all the time. I loved that game so much what did I do later on? I bought StarCraft and WarCraft III.