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The Scar
I'll try not to reveal too much of the plot in this review. It doesn't spoil the book if you know what's going to happen next (I've read it a couple of times myself), but watching it all unfold through the language of China Mieville is far better than reading my bland precis here. I'll just say that it's gripping enough to make you want to keep reading, and to linger over the marvelous settings. It's also a more straightforward narrative than Perdido Street Station, so if you found the twists in that one a bit confusing don't let it put you off The Scar. To get my biases and preferences on the table, I'm normally a straightforward science fiction reader of the usual suspects, for instance William Gibson, Neal Stephenson, some David Webber, Peter Watts (you've got to read Starfish), Ken Macleod, and Richard Paul Russo.
Bas-Lag, the setting for The Scar, is a strange world. Physically it's not clear it's even spherical. Technologically, it's steampunk, with punch card-driven calculating engines, steam-powered heavy industry, and airships. Magic, referred to as thaumaturgy, works in this world, but the understanding of it is like late 19th Century physics. The scientists of Bas Lag know there is a physical underpinning to thaumaturgy, and they understand some of the particles and forces involved. It is manipulated by calculation and machines, not spells and wands, but some are more skilled in its use than others. The inhabitants themselves are of many different races. Some (the beetle headed kepri, the cactacae, and the remade) will be familiar if you've read Perdido Street Station. Others, for instance the ab-dead, the anophelii, and the grindylow, are new. None seems out of place in Bas Lag, and all have a part to play in the story. The richness of the setting, with all of its excellently described details, really brings Bas-Lag to life.
The story is told mostly from the point of view of Bellis Coldwine, a linguist fleeing New Crobuzon on the first vessel she can get passage on, a prison ship taking a cargo of remade prisoners to one of New Crobuzon's colonies. She and the other main characters in the book are interesting -- not just for their strangeness, but for how they adapt themselves to and deal with the situations they find themselves in. For instance, there's Uther Doul, born in the city of High Chromlech, where the reanimated high-caste dead rule over the living; Tanner Sack, remade in New Crobuzon's punishment factories with tentacles grafted to his chest; and the Lovers, the scarred rulers of the most powerful part of a very strange city.
As in Perdido Street Station, China Mieville uses language wonderfully, particularly descriptive language. All the small details have the perfect names, from pubs called "Unrealized Time" and "The Clock and Cockerel" (now isn't that an excellent name for a pub?), to ships called "Grand Easterly" (shades of Isambard Kingdom Brunel) and "Terpsichoria," to the Witchocracy, Hive of the Jet Sorrow. His descriptions of places and characters are just as good. In other reviews of his work, you'll see comparisons to Charles Dickens and Stephen King, and in fact just about every other descriptive writer you could name.
For me, the main theme of the book is scarring -- physical and emotional -- what it means and what its effects are. All of the main characters in the book, and even the land of Bas-Lag itself, have been scarred. For some, as a chirgeon says, "Scars are not injuries, Tanner Sack. A scan is a healing. After injury, a scar is what makes you whole." For others, like the Lovers, scars are a source of power while for the scabmettlers they are protection.
I'd highly recommend The Scar to just about anyone, apart from hard-core space opera fans perhaps. It's an enjoyable read, but it's also a good book in a larger sense. The first two thirds are perhaps superior to the last third but when it's all so good who am I to quibble? It has great descriptive passages combined with a interesting plot involving compelling characters, set in a fully realized world. The only problem is, how is China Mieville going to top it in his next book?
You can purchase The Scar from bn.com. Slashdot welcomes readers' book reviews -- to see your own review here, read the book review guidelines, then visit the submission page.
No way in heck I'm trying the sequel. I wish I could get my money back for the first.
How come /. only reviews books I've already read? Oh well. Still, I have to say, while Perdido was an excellent book in its own right, I was impressed by how much better The Scar was. Mieville has an excellent ability to make you want more by throwing out snippets of descriptions of people and places and civilizations inhabitaing bas-Lag that invariably made me want to learn more.
One of the creepiest and most striking images from the book was Doul's description of his home city of High Chromlech, with its quiet streets full of shuffling high-caste dead, with their lips sewn together. Only a fine writer could pack so much imagination and imagery into a few short pages, and The Scar is full of this, It's part Dickensian (though less so than Perdido), part Lovecraftian, part Moorock, but transcends all those sources. The main character is a bit of a dud (the supporting characters are far more interesting), and the ending fizzles just a little, but the ride getting there justifies the trip. I really enjoyed it, and I highly recommend it to Slashdot!!
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We've been losing so many of the original generation of Golden Era SF authors. It's a common lament among my friends whenever we read another obit ( I think Hal Clement died recently).
.... aaiigghh... I love authors that can show me something NEW !!!
The only thing that cheers me up is seeing that every now and then another amazing writer hits the scene. China Mieville is one of those, IMHO.
His stuff is just about the most original I've seen in the last 10yrs, at least. I can't even put it in a genre. The reviewer mentions steampunk, but that's not complete... there are so many elements and
It's not for everyone. One poster mentioned he couldn't read the book, and set it down after 100pp.
I actually think that might be a common reaction. There are a lot of folks who seem unable to read stuff that's written in a original style, (i.e. not blandified for mass readership)
Reminds me of a friend that I loaned Samuel Delaney's Dhalgren to. He gave it back a few days later, and said he coldn't make it past the first 10pp or so, because it was messing with his head too much.
Of course, that guy (my friend) had a tendency to have bad trips, so it may not entirely have been Delaney's awesome writing.
Sorry, I'm not attacking the book, since I haven't read Perdido, nor any work by this author, but if the review is an indication, this falls into the category of sci-fi author who feels the need to throw strange terminology out there to make it feel "different". In my experience, this is what happens when an author can't make the story compelling enough on its own merits - I mean, every sci-fi or science fantasy work has strange, inexplicable elements. And, sure, some of them will have odd and unusual names. But it should be done where it's important to the plot, the storytelling and the characters, not just because it sounds cooler to call it a "sneebleblex" than a "car". And generally nonstandard words that at least convey an image to the target audience are substantially better than random combinations of non-standard phonemes.
Anyway, this isn't intended to be a flame against this author, just a general gripe I have with a type of sci-fi. I'm going to go back to snortling my chir-blek now.