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Umberto Eco on Paper vs. Electronic Memory

joabj writes "Paper was itself a technology at one point, this essay from Umberto Eco, author of "In The Name of the Rose," reminds us. Eco holds forth on the differences between paper and electronic memory. He doesn't come out in favor of either, rather he talks about the advantages each has, in technical terms. Some fascinating ideas here...."

4 of 290 comments (clear)

  1. Paper Electronics (for many things anyhow) by grub · · Score: 5, Insightful


    Paper is better than electronic for long term storage. There are already concerns for data being lost forever because of incompatible older formats and hardware. Paper was good enough for da Vinci.

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  2. And don't forget the alphabet by heironymouscoward · · Score: 5, Interesting

    John Gray, author of Straw Dogs, one of the best books you could read this year, suggests that the Latin alphabet, with its complete abstraction from physical objects, has been the basis of western philosophical models, mainly to the detriment of our view of the world. He suggests that Chinese iconography, in contrast, helped the establishment of a worldview in which humans played less of a central role.

    Paper, the way we describe our world, the way we describe ourselves... the impact on the way we think can be enormous.

    As for "technology", everything we make has been radical new technology at some point. People are so impressed that chip prices fall every 18 months. But this applies to all technological products when you're climbing the S curve.

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  3. Domesday by Space+cowboy · · Score: 5, Interesting

    I think the best example is probably the domesday book and the domesday project.

    A thousand years ago (more or less) the Domesday book recorded a snapshot of life in England (and Wales I think ,but I think the scots gave'em the finger :-), it's still available today.

    20 (or so) years ago, the domesday project did the same thing - recorded to a laserdisk, and intended to be a resource of all things at that time. For the time, it was pretty fantastic - schools up and down the country took part, videos were made, maps, testaments from people of all walks of life.

    There is now a project to try and resurrect the domesday project, because no technology available can read it. The book (though written in latin) is still perfectly legible. Which is the better technology ?

    Paper every time, apart from when you're searching :-)

    Simon.

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    Physicists get Hadrons!
  4. Re:Paper Electronics (for many things anyhow) by mikerich · · Score: 5, Interesting
    Some of da Vinci's works may be lost to time.

    The best estimate is that at least 75% of Leonardo's writings have been destroyed or lost since his lifetime. Most of the surviving codices are actually rebindings of his work which have been salvaged from elsewhere.

    Then there is the problem that Leonardo hardly ever finished anything - he loved procrastinating work, so its hard to know if some works attributed to his pupils are actually overpaintings of Leonardo's work. he hardly ever signed anything, so a good number of paintings (and some sculptures) are suspected of being Leonardo's work, but it can't be proven.

    And he kept experimenting - most famously in the case of The Last Supper in Milan. Leonardo wanted to paint with oils for their intense colouration, but did not want to use the traditional fresco technique of applying paint to wet plaster (Leonardo rarely worked for a long period of time - so the plaster would have dried before he completed the work).

    So he invented an oil-based paint that could be applied to dried plaster. And it looked magnificent - contemporaries were in awe of the work - for a few years, but Leonardo's formulation did not bind to the plaster and the paint began to crumble from the plaster. The painting was then restored a number of times - quite crudely, which made a big difference to the work.

    So if you are in Milan, go and see The Last Supper - it is a work of extraordinary beauty and power (and size), but it is a faint shadow of the original.

    Leonardo also lost a lot of work thanks to his choice of patrons, most notably Ludovico Sforza, tyrant of Milan between 1480 and 1499. Ludovico hired Leonardo ostensibly to create a massive 8m high statue of a horse to commemorate Frederico Sforza, the dynasty's founder.

    Well Leonardo being Leonardo, he didn't work terribly quickly and got side-tracked, spending much of his time producing the majority of his known paintings, designing fortifications for Milan, a giant crossbow and starting his obsession with geology.

    In 1499, the French invaded Lombardy to settle their claim for the dukedom of Milan. Sforza lost the battle and fled - Leonardo took his opportunity to leave as well.

    What he didn't take was the full-sized model of his horse. The clay model was destroyed by Gascon bowmen and reduced to rubble. In recent years, an American team have created a pair of monumental bronze horses inspired by the original. One is in Michigan, the other in Milan - I saw the latter one this summer - and in a word - WOW!

    And just think, this is Leonardo da Vinci we are talking about, what has been lost from less-well-known artists? What about the collected works of the Library of Alexandria, the libraries of the Caliphate of Baghdad, Rome...?

    Best wishes,
    Mike.