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Engineer Deconstructs Literary Criticism
DNS-and-BIND writes "This is the story of one computer professional's explorations in the world of postmodern literary criticism. Wouldn't it be nice to work in a field where nobody can say you're wrong?"
The author shows terrific mastery and use of the rhetorical literary deconstruction techniques he derides. In other words, he couldn't have written the article without the very skills and work he criticizes.
Unfortunately, the postmodernists have attempted to apply their idiotic claptrap to science, claiming the existence of such absurd concepts as "alternative scientific truths".
religions have done just that for thousands of years... yet no one seems to complain.
there's no place like ~
Most subtle, nuanced statements are going to sound pretty stupid if you render half the words meaningless and remove their context, which is exactly what happens when an outsider hears the language of some specialized field. It's very difficult for outsiders to judge the legitimacy of a field from the outside.
I see this all the time in the general public's reactions to both software and science, especially theoretical physics and medicine.
The article's author actually says this really well:
He goes on to draw what I think is a really useful conclusion (much more insightful than most of the posts on this thread, I'm afraid):
I wonder what we might learn if comprehensibility returned to the equation. There are a lot of very interesting ideas buring in academia.
As soemone who is getting thier Phd in a liberal arts field, let me just say that in reality, like any other field 90% of the stuff I read is crap. Once you get to the graduate level and move beyond the stuff that is famous in a field you will see how little good quality stuff there really is out there. I just started this last semester on my phd. I am finding that in my classes here at my new university, a good 75% of the assigned readings are either the exact same articles that I read in my masters program, or just articles that have the same ideas as other articles I've already read. While there are dozens of journals publishing papers every months, there is really just a very small finite amount of work that is really noteworthy.
In doing my personal research there have been lots and lots of books where I shook my head and asked myself how this could have been published. The same is true of conferneces. I've been to a handfull of academic conferences and it never fails that the vast majority of the papers presented are pointless or trivial. (Certainly there may be people who saw my paper and thought the same thing, who knows). Thus it is not surprizing that the conference discussed in the article was full of crap.
So lets not jump on academia and say it is ALL a bunch of crap. Yes 90% of it is but how is that any different than any other field. How often are there articles about incompetent tech support, or IT guys who just totally screw up simple things? Remember, 90% of everything is crap.
http://www.popularculturegaming.com -- my blog about the culture of videogame players
Then you and your teacher should be sent back to school. Tolkien, in his preface to LOTR, wrote that he hated allegory - NOT that he hated people "reading deeper" into his story. In particular, he said that his stories should be read as mythology and not as allegory. In allegory, the story is supposed to represent something specific (e.g Animal Farm, an allegory of the Bolshevik Revolution). Allegory does not allow multiple interpretations. Allegory has a single meaning determined by the author.
In mythology, however, the story can be freely interpreted (e.g. creation myths, fall-from-grace myths, hero myths). Mythology allows people to read deeply into it and interpret the story according to their own desires. The meaning is determined by the reader, not the author.
Tolkien's beef with allegory is that the story is subordinate to what it alludes to. Myth has no such "deficiency".
Of course Tolkien intended readers to "read deeply" into his books. They are not "light reading" or pulp, they are carefully crafted retellings of heroic myths which can be interpreted a myriad of ways. The whole point of myth is for people to "read deeply" into it.
The article really isn't about deconstructing the humanities at all. That was the method the author used to expose the deeper problem: that the humanities are suffering because their most artful practicitioners have isolated themselves and no longer respond to the community.
One thing he didn't really emphasize, but only alluded to (in a paragraph where he admits how this thinking caused him to understand why it might be important to conisder the fraility of many kinds of writing) is that these humanitarian skills are really useful! Only undergrads aren't really shown what they could do with them in the real world, besides branching off into various fields of media criticism.
He should have driven his conclusion home harder... that academia needs a slap upside the head, and we ("Nerds") all could help a little.
THIS THING CAN TURN ON A DIME, MACROSSZERO STYLE ALSO FUCK BETA, ~NYORON
I don't get why no one seems to have made that argument. It came to my mind within seconds of hearing the story.
What I'm listening to now on Pandora...
As the author of the piece points out there is a germ of something useful in lit-crit. It's important to know what someone's hidden assumptions are and to figure out what's not being said.
:-) Applying value judgements like "better" clouds the issue, and so on.
In science hidden assumptions can bite you on the ass. Let's take an example from biology. Strict Darwinian "wedging" or Biblical Creationism. Those are the choices. Given the amount of time that life has existed you simply can't have two species competing in the same niche. The better, fitter one would have already driven the more poorly adapted one to extinction. Therefore we must reject evolution in favor of the Bible's explanation.
Anyone who understands anything about basic evolutionary biology will immediately be able to poke large holes in the argument. The dualism is false. There are many other possibilities. Strict adaptationism, while not actually a crime, is certainly a major character flaw
The history of science and engineering provides thousands of examples.
What is not said and what is assumed change the character of the discussion.
That's the useful germ. The problem, as the author of the piece points out, is that the critical theorists have spent a long time talking to themselves without having to interact much with outsiders and in fields where there are no reality checks from the outside.
The man who never alters his opinion is like the stagnant water and breeds Reptiles of the Mind -- William Blake
Modern literary criticism is like long drawn out hari-kari. Who knows why anyone would torture themselves with it. It reminds me of many years ago when I went back to college for an MFA in painting and happened to also take a cross-disciplinary course in literary criticism. My first degree had been in English and I'd decided not to pursue it because it just seemed fatuous, completely unrelated to the world I live in. Well anyway I'd hadn't been in this cross-disciplinary seminar for more than 10 minutes before my head started spinning and I had this horrible feeling of deja-vu, stuck in fatuous neverneverland, where anything could be said but nothing could be proved or disproved.
It's sort of like all code can only consist of goto statements and you spend all your time chasing your tail trying to find out what something really means, or where it gets its value. You can't because there'e nothing concrete there. Every goto goes to a new goto. The buck stops nowhere.
I suppose someone might be able to enjoy this but I think that the best artists and the best programmers eventually realize that total freedom is total chaos. There have to be some truths/constants/final variables/whatever. From there you can build something worth building.
I find Sokal, on the other hand, just as much of a holier-than-thou elitist as the people he criticizes, though he's a good deal funnier.
What Morningstar claims to have found from his explorations is a few good ideas with a whole lot of shite slathered on top. That would describe many many other academic disciplines outside the humanities as well.
foldplay your photos won't know what hit them.
I'm going to start my PhD in philosophy in the fall. However, I have also worked extensively with software and software development; I've even written some stuff destined for commercial release. I can tell you that the solidity of the truth-criteria of software development and lit crit are very, very similar, and the fact that you have no clue about the goings-on at that conference of yours speaks only of a difference in field. For instance: Are more, or fewer, comments in source code desirable? How about highly-specific, tightly-optimized assembly versus a perl script? The po-mo's (and, btw, that pastiche of terminology you collected is in no way exclusively postmodern, or even, for that matter, literary) would have just as much trouble understanding the virtues of object re-use and garbage collection and multiple inheritance, and would be just as tempted to derision.
Your critique, BTW, goes much deeper, and is much less grounded than the Sokal hoax, which confined itself to apeing a particularly noisome constellation of theory; the converse of what you have done would be an attack on computer science based on the foibles of visual basic.
The upshot is: Do not be tempted to Volkisch, chauvinist rallies about your discipline. Ignorance, IMO, is fairly evenly distributed over academe.
- undoware.ca