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Engineer Deconstructs Literary Criticism
DNS-and-BIND writes "This is the story of one computer professional's explorations in the world of postmodern literary criticism. Wouldn't it be nice to work in a field where nobody can say you're wrong?"
Another widely reported exploration into post-modernist literature was "Transgressing the Boundaries: Towards a Transformative Hermeneutics of Quantum Gravity" by Sokal. Sokal says, in order to "test the prevailing intellectual standards, I decided to try a modest (though admittedly uncontrolled) experiment: Would a leading North American journal of cultural studies -- whose editorial collective includes such luminaries as Fredric Jameson and Andrew Ross -- publish an article liberally salted with nonsense if (a) it sounded good and (b) it flattered the editors' ideological preconceptions? The answer, unfortunately, is yes."
Crikey!
The Army reading list
You haven't been around any English departments, have you? My wife has an MA in English, and it sounds like the department was pretty vicious.
I'd argue that it's a lot harder being in a field with "soft" realities. Anything you say is subject to criticism, and it's really hard to "prove" you're right. I'll take an objective field, where I can demonstrate truth or falsehood irrefutably, any day. (I know that's an overstatment: you can always debate the meaning of experimental results. But you get the idea.)
Consider the following paragraph from the article:
Now read an essay by the postmodernism generator. Can you tell the difference? ;-)
Indeed, at the beginning of the article he even explains how he read the basic fundamentals of the field to determine weather or not there was any merit to the whole process. In doing so, he discovered that the whole exercise was not as difficult as first appeared and proceeded to explain in laymens terms how the whole thing works. That's why its a great article.
I read the internet for the articles.
As an avid reader, I have to say that this entirely true. But then again, deconstruction is not about being intellectual. It's about SEEMING intellectual, when in fact all you are doing is rewriting somebody else's work using the tersist means possible. In short: deconstruction is creative writing for essayists. It is a tool for those learning how to write. And expecting something so masturbatory to be anything more than a bit of clever fun is going to result in anti-intellectual rage.
When you deconstuct a work, you create a paper which is impossible to fail on a theoretical basis, because each deconstruction is in fact its own theoretical entity. It's very hard to say, objectively, that a deconstruction is "wrong." And therefore, in the eyes of many professors, your grade on this paper can only be judged on its logical progression and its written style.
In short: deconstructions can be interesting, can be fun, and show off a person's analytical and prosaic talents. But no, they aren't going to further the "intellectual" pursuit of writing. But this is no different from a forensics meet, where people argue a position they themselves may not hold, to showcase their oration and research talents. This is no different from a poetry slam or rap battle, where people read disconnected passages to gain a subjective edge over other poets. And it's certainly no different from engineers engaging in robot battles, code obfuscation contests, or blog entries about how literary criticism is bullshit.
Incidentally, while deconstructionists can never be wrong because they write their own assumptions, literary critics in general CAN be. In fact, one of my favorite exercises in my 350 level discourse class was to rebutt a literary criticism from the New York Times magazine. Literary critics make mistakes in logic, levy unfair comparisons and make mistakes of intent all the time, and these often result in an unlikely hypothesis being legitimized. Hence the popularity of Ayn Rand!
Hey freaks: now you're ju