Record Labels May Have to Pay Double Royalties
douglips writes "News.com.com.com brings us this article explaining how record labels may be bitten by CD copy protection. At issue is the mechanism that places duplicate WMA tracks on the CD. The labels are thus selling two copies of each song, and may be required to pay twice as much to music publishers. So not only is the DRM ineffective, it also could be a huge legal liability for labels."
I wonder if this means the lyrics writers and all the other "little people" behind the scenes will get paid twice - finally the value of what they are worth...
(or maybe second)
That wow, that sucks eh? Having to pay more to ship your product? Poor little labels.... spending money to infringe on customers fair use rights didn't work out for you? *light punch in arm* Aw com'on slugger, it'll be okay.
Ahh Nelson, always the voice of reason when compared to the ??AA
If the payments are made, then of course the labels profits will fall. So, what will they say next quarter to make their shareholders happy? "It's all because of those damn internet pirates. We need more legislation against them, or our profits will continue to fall."
--- It's not my fault this post looks redundant. I just type too slow.
They can just pass the cost on to the consumer. Problem solved!
Might this be the lame excuse for the shift to Digital Restriction only CDs? Because it serves the customer because it doesn't have to be twice as expansive?
-virgo cluster
They already charge twice as much as a CD is worth.
Hammer of Truth
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For the billionth time, AAC is a standard
Most digital music players won't touch the things. Sure it is a "standard". But if you stretch the standard like that, the Commodore 64 graphic Koalapad format is a "standard" as well.
And you use it exactly as you would any other format, including MP3.
Except that it will hardly play anywhere compared to MP3, and the files are hard to use due to noxious DRM.
No, you are correct, the monies are not paid directly to the artists, but rather to SOCAN, which then uses those monies for grants, etc. etc. A little of what you recorded now going to the artists of tomorrow, but the money does go to the artists. I also believe that some of that money is distributed to SOCAN members as royalty payments as well, but I'm not 100% on that one.
"Talk minus action equals nothing" - Joey Shithead, D.O.A.
"Talk minus action equals
How can the labels stay in business if they have to pay double royalties to the greedy artists. The artists are already getting a fat $0.50 for every $17.00 CD sold. First the record companies lost billions in sales to the evil pirates and now DRM is going to cost them more profits. Will the RIAA be able to afford their paratroopers now? What will this do to their lawsuits. This is a travesty of justice! Why oh why won't someone think of the children? - p.s. - HaHA! - nelson -
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Record Labels : No way... just because you bought the CD does not give you the right to all the contents to do with as you wish. However, just to be nice, we will give you a low-quality, non-transferable rip of the song.
Artists : Wait... aren't you making another copy of the song? Since are selling two different copies of the song for every CD you sell, we're going to charge you twice the royalty.
Record Labels : No, we purchased the song from you for a particular customer, not for an individual copy of the song. As long as a single customer uses the song, we can do whatever we want with it.
Customer : Wait... isn't that what I just said?
Your reality is lies and balderdash and I'm delighted to say that I have no grasp of it whatsoever. - Baron Munchausen
Consider this: on almost every album since Sgt. Pepper, the record labels have included printed lyrics along with the album itself. Lyrics are, of course, copyrighted. So the copyrighted lyrics are provided twice, in two different formats: once printed and once sung. Does this mean that lyricists have been cheated for 35 years?
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